References
- Adler, S. 2011. “Silence in the Graphic Novel.” Journal of Pragmatics 43 (9): 2278–2285. https://doi.org/10.1016/j.pragma.2010.11.012.
- Dey, S., and P. Bokil. 2021. “The Narrative Functions of Sound-Symbolic Words in Comics and Graphic Novels.” Journal of Graphic Novels & Comics 12 (5): 1080–1101. https://doi.org/10.1080/21504857.2020.1853190.
- Field, A. .2022. “Chris Ware and the Unassuming Power of the Graphic Novel Form.” The Comics Journal Online. Accessed August 19, 2022. https://www.tcj.com/chris-ware-and-the-unassuming-power-of-the-graphic-novel-form/.
- Fromm, E. 1965. The Sane Society. New York: Fawcett.
- Groensteen, T. 2007. “The System of Comics.” translated by Bart Beaty and Nick Nguyen. Jackson, Mississippi: University Press of Mississippi.
- Kannenberg, G. 2009. “The Comics of Chris Ware.” In A Comics Studies Reader, edited by J. Heer and K. Worcester), 306–324. Jackson, Mississippi: Mississippi University Press.
- Moore, P. 2015. “Sectarian Sound and Cultural Identity in Northern Ireland.” In The Auditory Culture Reader, 2nd edited by, M. Bull and L. Back, 251–260. New York: Routledge. https://doi.org/10.4324/9781003086895-25.
- Sanyal, D. 2019. “The Sound of Silence: Blank Spaces, Fading Narratives and Fragile Frames Incomics.” Studies in Comics 10 (2): 215–233. https://doi.org/10.1386/stic_00003_1.
- Ware, C. 2000. Jimmy Corrigan: Or the Smartest Kid on Earth. New York: Pantheon.
- Ware, C. 2014. “The Last Saturday.” The Guardian Online. https://www.theguardian.com/books/ng-interactive/2014/sep/13/-sp-chris-ware-the-last-saturday-graphic-novel.
- Ware, C. 2019. Rusty Brown. New York: Pantheon.