References
- Adorno, T. W. (1973) In K. Tarnowski & F. Will (Eds.), The Jargon of authenticity. Evanston, IL: Northwestern University Press.
- Bianchini, F., & Parkinson, M. (1993). Cultural policy and urban regeneration. The West European experience. Manchester: University of Manchester Press.
- Burnett, V (2016, August 31). How to go to Cuba now. The New York Times. Retrieved from http://www.nytimes.com/2016/08/31/travel/how-to-go-to-cuba-now-jetblue.html
- Camnitzer, L. (2003). New art of Cuba. Austin: University of Texas Press.
- Castro, F. (1961). Palabras a Intelectuales. La Habana: Comité de Intelectuales y Artistas de Apoyo a la Revolución Cubana.
- Daniel, Y. (1996). Tourism dance performances authenticity and creativity. Annals of Tourism Research, 23(4), 780–797. doi: 10.1016/0160-7383(96)00020-5
- De Beauvoir, S. (1965). Force the circumstance. New York, NY: Putnam.
- Deutsche, R. (1988, October). Uneven development : Public art in New York City. 47, 3–52.
- Esche, C. (2011). Making art global: A good place or a no place? In R. Weiss (Ed.), Making art global (part 1). The third Havana biennial 1989. London: Afterall.
- Facio, E., Toro-Morn, M., & Roschelle, A. R. (2004). Tourism, gender, and globalization: Tourism in Cuba during the special period. Transnational Laws and Contemporary Problems, 14, 119–142.
- Feinberg, R. (2016). Open for business. Building the new Cuban economy. Washington, DC: Brookings Institution Press.
- Fernández Torres, J. (Ed.). (2015). 12 bienal de La Habana. Entre Idea y Experiencia. La Habana: Centro de Arte Wifredo Lam.
- Gablik, S. (1994). Connective aesthetics: Art after individualism. In S. Lacy (Ed.), Mapping the terrain: New genre public art. Seattle: Bay Press.
- García Canclini, N. (2010). La Sociedad sin Relato. Katz: Buenos Aires.
- Gil, J. (2015). Colectividades, Memorias y Otros Decires. In J. Fernández Torres (Ed.), 12 bienal de La Habana. Entre Idea y Experiencia. La Habana: Centro de Arte Wifredo Lam.
- Goffman, E. (1990). The presentation of self in everyday life. Hardmondsworth: Penguin.
- Gold, M. Capitalist ventures or solidarity networks?: Self-employment in Post-Soviet Cuba. In L. Angosto-Ferrández & G. Presterudstuen (Eds.), Anthropologies of value: Cultures of accumulation across the global north and south (pp. 132–152). London: Pluto Press.
- Handler, R., & Saxton, W. (1988) Dyssimulation: Reflexivity, narrative, and the quest for authenticity in “Living History”. Cultural Anthropology August, 3(3), 242–260. doi: 10.1525/can.1988.3.3.02a00020
- Harvey, D. (1989). The condition of posmodernity. Cambridge: Blackwell.
- Heidegger, M. (1996). Being and time. Albany: State University of New York Press.
- Herrera Ysla, N. (2001). Septima Bienal de La Habana. Catálogo. La Habana: Centro de Arte Wifredo Lam.
- Horkheimer, M., & Adorno, T. (2000). The dialectic of enlightenment. New York, NY: Continuum.
- Kaye, N. (2000). Site-specific art. Performance, place and documentation. London: Routledge.
- Kester, G. (1995). Aesthetic evangelists. Conversion and empowerment in contemporary community art. Afterimage, 22(January), 5–11.
- Kester, G. (2004). Conversation pieces. Berkeley: University of California Press.
- Kester, G. (2011). The one and the many: Contemporary collaborative art in a global context. Durham, NC: Duke University Press.
- Kwon, M. (1997). One place after another : Notes on site specificity one place after another : Notes on site specificity. October, 80, 85–110. doi: 10.2307/778809
- Lacy, S. (1995). Mapping the terrain: New genre public art. Seattle, WA: Bay Press.
- MacCannell, D. (1973). Staged authenticity : Arrangements of social space in tourist settings. American Journal of Sociology, 79(3), 589–603. doi: 10.1086/225585
- Marcuse, H. (1964). One-dimensional man: Studies in the ideology of advanced industrial society. New York, NY: Beacon Press.
- Neumann, M. (1992). The trail through experience: Finding self in the recollection of travel. In C. Ellis & M. Flaherty (Eds.), Investigating subjectivity. Research on lived experience (pp. 176–203). London: SAGE.
- Njami, S. (2015). El nosotros como experiencia última. In J. Fernández Torres (Ed.), 12 bienal de La Habana. Entre Idea y Experiencia. La Habana: Centro de Arte Wifredo Lam.
- Pérez, R. (2014) The promise of globalization. Sustainable tourism development and environmental policy. In Contemporary Cuba: Cuba in a global context. International relations, internationalism, and transnationalism. Gainsville: University of Florida Press.
- Pozo Fernández, A. (1993). Cuba y el Turismo. Actualidad y Perspectivas de Nuestra Industria Turística. La Habana: Editora Política.
- Reid, D. (2003). Tourism, globalization, and development. Responsible tourism planning. London: Pluto Press.
- Rettinger, R. (2014). Regional differences in the development of tourism in Cuba. In M. Wójtowicz & A. Winiarczyk-Razniak (Eds.), Environmental and socio-economic transformations in developing areas as the effect of globalization. Kraków: Wydawnictwo Naukowe UP.
- Rogerson, C. (2004). Urban tourism and small tourism enterprise development in Johannesburg: The case of township tourism. GeoJournal, 60(3), 249–257. doi: 10.1023/B:GEJO.0000034732.58327.b6
- Rosenblom, S. (2016, December 2) Weighing a last minute trip to Cuba. The New York Times. Retrieved from http://www.nytimes.com/2016/12/02/travel/cuba-trump-travel.html
- Salazar, N. (2012). Tourism imaginaries: A conceptual approach. Annals of Tourism Research, 39(2), 863–882. doi: 10.1016/j.annals.2011.10.004
- Sánchez, J. (2015). La investigación artística y el arte de los dispositivos. In J. Fernández Torres (Ed.), 12 bienal de La Habana. Entre Idea y Experiencia. La Habana: Centro de Arte Wifredo Lam.
- Schroyer, T. (1973). Foreword. In K. Tarnowski & F. Will (Eds.), The jargon of authenticity. Evanston, IL: Northwestern University Press.
- Seed, P. (2015). How globalization invented Indians in the Caribbean. In E. Sansavior & R. Scholar (Eds.), Caribbean globalizations, 1492 to the present day (pp. 58–82). Liverpool: Liverpool University Press.
- Susac, V. (2013). Conceptual mapping in tourism advertising. A semiotic approach. Acta Turistica, 25(2), 147–164.
- VI Congress of Communist Party. (2011). Lineamientos de la política económica y social del partido y la revolución.
- Wang, N. (1999). Rethinking authenticity in tourism experience. Annals of Tourism Research, 26(2), 349–370. doi: 10.1016/S0160-7383(98)00103-0
- Weiss, R. (2011). A certain place and a certain time: The third bienal de La Habana and the origins of the global exhibition. In Making art global (part 1). The third Havana biennial 1989. London: Afterall.
- Zaza, G. (2015). Un horizonte multidimensional de lo sensible. In J. Fernández Torres (Ed.), 12 bienal de La Habana. Entre Idea y Experiencia. La Habana: Centro de Arte Wifredo Lam.