26,281
Views
64
CrossRef citations to date
0
Altmetric
Articles

Experiencing the Digital World: The Cultural Value of Digital Engagement with Heritage

, &

References

  • Adair, Bill, Benjamin Filene, and Laura Koloski (editors) 2011 Letting Go?: Sharing Historical Authority in a User-Generated World. Left Coast, Philadelphia.
  • Affleck, Janice, and Thomas Kvan 2008 A Virtual Community as the Context for Discursive Interpretation: A Role in Cultural Heritage Engagement. International Journal of Heritage Studies 14(3):268–280. doi: 10.1080/13527250801953751
  • Arts Council England 2013 Great Art and Culture for Everyone. 2nd ed. Electronic document. http://www.artscouncil.org.uk/media/uploads/Great_art_and_culture_for_everyone.pdf, accessed July 1, 2014.
  • Arts Council England 2014 Subject Specialist Networks. Electronic document. http://www.artscouncil.org.uk/funding/apply-funding/funding-programmes/renaissance/subject-specialist-networks/, accessed August 17, 2015.
  • Ashworth, Gregory J 2014 Heritage and Economic Development: Selling the Unsellable. Heritage & Society 7(1):3–17. doi: 10.1179/2159032X14Z.00000000015
  • Ashworth, Gregory J., and Brian Graham 2005 Senses of Place, Senses of Time. Ashgate, Aldershot.
  • Cameron, Fiona 2012 The Politics of Heritage Authorship: the Case of Digital Heritage Collections. In New Heritage, New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 170–184. Routledge, London/New York.
  • Cameron, Fiona, and Sarah Kenderdine (editors) 2010 Theorizing Digital Cultural Heritage. MIT Press, Cambridge.
  • Champion, Erik 2008 Explorative Shadow Realms of Uncertain Histories. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 185–206. Routledge, London/New York.
  • Clarke, Catherine 2016 Imagining medieval Chester: practice-based medievalism, scholarship, and creativity in Studies in Medievalism XXV: Medievalism and Modernity, edited by Karl Fugelso, Joshua Davies and Sarah Salih, pp. 115–134. Rochester NY, Boydell and Brewer.
  • Conway, Paul 1996 Preservation in the Digital World. Commission on Preservation and Access, Washington, DC.
  • Crooke, Elizabeth 2013 The Politics of Community Heritage: Motivations, Authority and Control. International Journal of Heritage Studies 16(1):16–29.
  • Culture24 2016 Culture24·Art·History·Science. Electronic document. http://www.culture24.org.uk/home, accessed June 14, 2014.
  • Economou, Maria, and Laia Pujol Tost 2008 Educational Tool or Expensive Toy? Evaluating VR Evaluation and its Relevance for Virtual Heritage. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 242–260. Routledge, London/New York.
  • ENUMERATE 2014 Survey Report on Digitisation in European Cultural Heritage Institutions 2014. Electronic Document. http://www.enumerate.eu/fileadmin/ENUMERATE/documents/ENUMERATE-Digitisation-Survey-2014.pdf, accessed September 30, 2014.
  • Europeana 2016 Europeana Collections. Electronic Document. http://www.europeana.eu/portal/, accessed July 3, 2014.
  • Experiencing the Digital World 2014 Digital Tools in the Service of Difficult Heritage. Electronic Document. http://www.digitalheritage.leeds.ac.uk, accessed July 28, 2014.
  • Geithner, Michael 2014 DDR Museum. Paper Presented at the Experiencing the Digital World Workshop, Leeds.
  • Giaccardi, Elisa (editor) 2012 Heritage and Social Media: Understanding Heritage in a Participatory Culture. Routledge, Oxford.
  • Google 2014 Google Art Project. Electronic Docum|ent. http://www.google.com/culturalinstitute/project/art-project, accessed April 23, 2014.
  • Greenfield-Gilat, Yehuda 2008 Through Form and Content: New Media Components and Cultural Heritage Sites Management, in the Jewish Traditional Society. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 53–66. Routledge, London/New York.
  • Heim, Michael 1993 The Metaphysics of Virtual Reality. Oxford University Press, London.
  • Heritage Lottery Fund 2012 Using Digital Technology in Heritage Projects: Good Practice Guidance. Electronic Document. http://www.hlf.org.uk/HowToApply/goodpractice/Documents/Using_Digital_Technology_Good_Practice.pdf accessed July 1, 2014.
  • Hewison, Robert 1987 The Heritage Industry: Britain in a Climate of Decline. Methuen, London.
  • History Workshop Online 2016 History Workshop Online. Electronic Document. http://www.historyworkshop.org.uk, accessed July 19, 2014.
  • Hogsden, Carl, and Emma Poulter 2012 Contact Networks for Digital Reciprocation. Museum & Society 10(2):81–94.
  • Hutchison, David 2016 Local Authority Arts Funding ‘cut by more than £56m’. The Stage. Electronic Document. https://www.thestage.co.uk/news/2016/local-authority-arts-funding-cut-by-more-than-56m/, accessed August 24, 2016.
  • Kalay, Yahuda 2008 Introduction: Preserving Cultural Heritage Through Digital Media. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 1–10. Routledge, London/New York.
  • Kean, Hilda, and Paul Ashton 2009 Introduction: People and their Pasts and Public History Today. In People and their Pasts: Public History Today, edited by Hilda Kean, and Paul Ashton, pp. 1–20. Palgrave, Basingstoke.
  • Kearney, Gavin, Marcin Gorzel, and Frank Boland 2014 On Audio-Visual Immersion in 3-D Digital Heritage Presentations. Paper Presented at Digital Heritage: Digital Communities in Action, University of York.
  • Kvan, Thomas 2008 Conclusion: A Future for the Past. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 304–313. Routledge, London/New York.
  • Labadi, Sophia 2013 UNESCO, Cultural Heritage, and Outstanding Universal Value: Value-Based Analyses of the World Heritage and Intangible Cultural Heritage Conventions. Alta Mira Press, Lanham.
  • Leese, Alexander S 2008 Social Media and the (Re)interpretation of Digital Heritage. University of Manchester Press, Manchester.
  • Levy, Pierre 1998 Becoming Virtual: Reality in the Digital Age. Plenium, New York/London.
  • MacArthur, Matthew 2011 Get Real! The Role of Objects in the Digital. In Letting Go? Sharing Historical Authority in a User-Generated World, edited by Bill Adair, Benjamin Filene, and Laura Koloski, pp. 56–65. Pew Center for Arts & Heritage, Philadelphia.
  • Malpas, Jeff 2008 Cultural Heritage in the Age of New Media. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 13–26. Routledge, London/New York.
  • Manovich, Lev 2001 The Language of New Media. MIT Press, Cambridge.
  • Mason, Rhiannon, and Zelda Baveystock 2008 What Role can the Digital Play in the Re-imagining of National Identities?: England and its Icons. In Heritage and Identity: Engagement and Demission in the Contemporary World, edited by Marta Anico, and Elsa Peralta, pp. 15–28. Routledge, London/New York.
  • McLean, Kathleen 2011 Whose Conversations, Whose Questions? In Letting Go? Sharing Historical Authority in a User-Generated World, edited by Bill Adair, Benjamin Filene, and Laura Koloski, pp. 70–79. Pew Center for Arts & Heritage, Philadelphia.
  • Medieval Chester 2008 Mapping Medieval Chester. Electronic Document. http://www.medievalchester.ac.uk/, accessed July 2, 2014.
  • Medieval Swansea 2014 Place and Perspective in Medieval Swansea. Electronic Document. http://www.medievalswansea.ac.uk/, accessed July 2, 2014.
  • National Coordinating Centre for Public Engagement 2016 What is Public Engagement? Electronic Document. http://www.publicengagement.ac.uk/explore-it/what-public-engagement, accessed August 18, 2015.
  • Nordiska Museet 2014 Stripes, Rhythm, Direction. Electronic Document. http://www.nordiskamuseet.se/en/utstallningar/stripes-rhythm-direction, accessed May 3, 2014.
  • Nottingham City Council 2014 Project: Riot 1831. Electronic Document. http://www.nottinghamcity.gov.uk/Riot1831, accessed June 11, 2014.
  • O'Brien, Dave 2010 Measuring the Value of Culture: A Report to the Department for Culture, Media and Sport. Department of Culture, Media and Sport, London.
  • Parry, Ross 2007. Recoding the Museum: Digital Heritage and Technologies of Change. Routledge, Oxford.
  • Parry, Ross (editor) 2010 Museums in a Digital Age. Routledge, Abingdon/New York.
  • Parry, Ross 2011 Transfer Protocols: Museum Codes and Ethics in the New Digital Environment. In The Routledge Companion to Museum Ethics, edited by Janet Marstine, pp. 316–331. Routledge, London/New York.
  • Poll, Roswitha, and Philip Payne 2006 Impact Measures for Libraries and Information Services. Electronic Document. http://conference.ub.uni-bielefeld.de/2006/proceedings/payne_poll_final_web.pdf, accessed August 24, 2016.
  • Royle, Joanna 2014 National Trust. Paper Presented at the Experiencing the Digital World Workshop, Leeds.
  • Samuel, Raphael 1994 Theatres of Memory: Past and Present in Contemporary Culture. Verso, London.
  • Silberman, Neil 2008 Chasing the Unicorn?: The Quest for “Essence” in Digital Heritage. In New Heritage: New Media and Cultural Heritage, edited by Yehuda Kalay, Thomas Kvan, and Janice Affleck, pp. 81–91. Routledge, London/New York.
  • Simon, Nina 2010 The Participatory Museum. Electronic Document. http://www.participatorymuseum.org/, accessed July 3, 2014.
  • Simon, Nina 2011 Participatory Design and the Future of Museums. In Letting Go? Sharing Historical Authority in a User-Generated World, edited by Bill Adair, Benjamin Filene, and Laura Koloski, pp. 18–33. Pew Center for Arts & Heritage, Philadelphia.
  • Smith, Laurajane 2006 Uses of Heritage. Routledge, Abingdon.
  • Söderqvist, Thomas, and Adam Bencard 2010 Do Things Talk? Max Planck Institute for History of Science, Preprint Series 399:92–102.
  • Stuedahl, Dagny, and Christina Mortberg 2012 Heritage Knowledge, Social Media and the Sustainability of the Intangible. In Heritage and Social Media: Understanding Heritage in a Participatory Culture, edited by Elisa Giaccardi, pp. 106–125. Routledge, Oxford.
  • Taylor, Bradley L 2010 Reconsidering Digital Surrogates: Towards a Viewer-Orientated Model of the Galley Experience. In Museum Materialities: Objects, Engagements, Interpretations, edited by Sandra Dudley, pp. 175–184. Routledge, London.
  • The British Museum 2011 Report and Accounts for the Year Ended March 31, 2011. Electronic Document. https://www.britishmuseum.org/pdf/TAR10_11.pdf, accessed August 25, 2016.
  • Thornham, Helen, and Simon Popple 2013 Content Cultures: Transformations of User Generated Content in Public Service Broadcasting. I. B. Tauris, New York.
  • UNESCO 1972 Convention Concerning the Protection of the World Cultural and Natural Heritage. Electronic Document. http://whc.unesco.org/en/conventiontext/, accessed May 7, 2014.
  • Van der Vaart, Merel 2014 Using Augmented Reality in the Museum. Electronic Document. http://mesch-project.eu/using-augmented-reality-in-the-museum/, accessed June 24, 2014.
  • Walker, Kevin 2008 Structuring Visitor Participation. In Digital Technologies and the Museum Experience: Handheld Guides and Other Media, edited by Loic Tallon, and Kevin Walker, pp. 109–124. Alta Mira Press, Lanham.
  • Weller, Toni 2013 Conclusion: A Changing Field. In History in the Digital Age, edited by Toni Weller, pp. 195–205. Routledge, Oxford.
  • Wright, Patrick 1991 A Journey Through Ruins: The Last Days of London. Oxford University Press, Oxford.
  • Yarn 2015 Yarn. Electronic Document. http://yarncommunity.com, accessed February 25, 2016.