References
- Barthes, R. (1972). Mythologies. (A. Lavers, Trans.). London: J. Cape.
- Baudrillard, J. (1990). Seduction. London: Macmillan.
- Bendiner, K. (2004). Food in painting: From the renaissance to the present. London: Reaktion.
- Bloomer-Davies, L.-J. (2014). Rethinking ‘food pornography’: What does recent thought on food in the media uncover about the critical illusion? International Journal of Baudrillard Studies, 11(1). Retrieved from https://www2.ubishops.ca/baudrillardstudies/vol11_1/v11-1-bloomerthesis.html
- Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Cambridge: Harvard University Press.
- Bright, S. (2017). Feast for the eyes: The story of food in photography. New York: Aperture Foundation.
- Bryson, N. (1990). Looking at the overlooked: Four essays on still life painting. London: Reaktion Books.
- Cockburn, A. (1977, December 8). Gastro-Porn. The New York Review of Books, 24(20). Retrieved from http://www.nybooks.com/articles/1977/12/08/gastro-porn/
- Coward, R. (1985). Female desire. London: Paladin Books.
- De Jongh, E. (1993). Realism and seeming realism in seventeenth century Dutch painting. In W. E. Franits (Ed.), Looking at seventeenth-century Dutch art: Realism reconsidered (pp. 21–56). Cambridge, UK: Cambridge University Press.
- Debord, G. (1994). The society of the spectacle. (D. Nicholson-Smith, Trans.). New York: Zone Books.
- Doty, M. (2001). Still life with oysters and lemon: On objects and intimacy. Boston, MA: Beacon Press.
- Garber, M. (2012, May 18). The tao of shutterstock: What makes a stock photo a stock photo? The Alantic. Retrieved from https://www.theatlantic.com/technology/archive/2012/05/the-tao-of-shutterstock-what-makes-a-stock-photo-a-stock-photo/257280/
- Goodman, M. (2018). Preface: The politics of eating bits and bytes. In T. Schneider, K. Eli, C. Dolan, & S. Ulijaszek (Eds.), Digital food activism (pp. xiii–xvi). London: Routledge.
- Goodman, M., Johnston, J., & Cairns, K. (2017). Food, media and space: The mediated biopolitics of eating. Geoforum, 84(Supplement C), 161–168.
- Grootenboer, H. (2005). The rhetoric of perspective: Realism and illusionism in seventeenth-century Dutch still-life painting. Chicago: University of Chicago Press.
- Guixé, M., Rofes, O., & Carpinelli, S. (2013). Transition menu: Reviewing creative gastronomy. Mantova: Corraini Edizioni.
- Hoegg, J., & Alba, J. W. (2007). Taste perception: More than meets the tongue. Journal of Consumer Research, 33(4), 490–498.
- Holt-Fortin, C. (2002). A loaf of bread, a jug of wine, and thou beside me in the kitchen. Americana: the Journal of American Popular Culture (1900-Present), 1(2). Retrieved from http://www.americanpopularculture.com/journal/articles/fall_2002/holt-fortin.htm
- Ibrahim, Y. (2015a). Food porn and the invitation to gaze: Ephemeral consumption and the digital spectacle. International Journal of E-Politics (IJEP), 6(3), 1–12.
- Ibrahim, Y. (2015b). Instagramming life: Banal imaging and the poetics of the everyday. Journal of Media Practice, 16(1), 42–54.
- Kaufman, F. (2005). Debbie does salad. Harper’s Magazine, October, 55–60.
- Ketchum, C. (2005). The essence of cooking shows: How the food network constructs consumer fantasies. Journal of Communication Inquiry, 29(3), 217–234.
- Korsmeyer, C. (2002). Delightful, delicious, disgusting. The Journal of Aesthetics and Art Criticism, 60(3), 217–225.
- Lavis, A. (2015). Food porn, pro-anorexia and the viscerality of virtual affect: Exploring eating in cyberspace. Geoforum, 84, 198–205.
- Magee, R. M. (2007). Food puritanism and food pornography: The gourmet semiotics of Martha and Nigella. Americana: the Journal of American Popular Culture (1900-Present), 6(2). Retrieved from http://www.americanpopularculture.com/journal/articles/fall_2007/magee.htm
- McBride, A. E. (2010). Food porn. Gastronomica, 10(1), 38–46.
- McCracken, G. D. (1988). Culture and consumption: New approaches to the symbolic character of consumer goods and activities. Bloomington: Indiana University Press.
- McDonnell, E. M. (2016). Food porn: The conspicuous consumption of food in the age of digital reproduction. In P. Bradley (Ed.), Food, media and contemporary culture the edible image (pp. 239–265). Hampshire: Palgrave Macmillan.
- Mejova, Y., Abbar, S., & Haddadi, H. (2016, May). Fetishizing food in digital age: #foodporn around the world. K. P. Gummadi & M. Strohmaier Eds., Proceedings of the 10th International AAAI conference on web and social media (pp. 250–258). Palo Alto, CA: The AAAI Press.
- Miele, M., & Murdoch, J. (2002). The practical aesthetics of traditional cuisines: Slow food in Tuscany. Sociologia Ruralis, 42(4), 312–328.
- O’Neill, M. (2003). Food porn. Columbia Journalism Review, 42(3), 38–45.
- Olsen, G. (2012, November 28). Food porn skews dining culture. Vancouver Courier. Retrieved from http://www.vancourier.com/opinion/food-porn-skews-dining-culture-1.386006.
- Probyn, E. (1999). Beyond food/sex: Eating and an ethics of existence. Theory, Culture & Society, 16(2), 215–225.
- Ray, K. (2007). Domesticating cuisine: Food and aesthetics on American television. Gastronomica, 7(1), 50–63.
- Rousseau, S. (2012). Food media: Celebrity chefs and the politics of everyday interference. London & New York: Berg.
- Rousseau, S. (2014). Food “porn” in media. In P. Thompson & D. Kaplan (Eds.), Encyclopedia of food and agricultural ethics (pp. 748–754). Netherlands: Springer.
- Spence, C. (2010). The multisensory perception of flavour. The Psychologist, 23(9), 720–723.
- Spence, C., Okajima, K., Cheok, A. D., Petit, O., & Michel, C. (2015). Eating with our eyes: From visual hunger to digital satiation. Brain and Cognition, 110, 53–63.
- Stagi, L. (2013). You are what you eat. Television narratives between hedonism and self- control. Italian Sociological Review, 3(3), 152–164.
- Waldman, S. (2010). Creative disruption: What you need to do to shake up your business in a digital world. United Kingdom: FT Press.
- Wansink, B., Mukund, A., & Weislogel, A. (2016). Food art does not reflect reality: A quantitative content analysis of meals in popular paintings. SAGE Open, 6(3). doi:10.1177/2158244016654950
- Wilson, A. (2015). Feast your eyes. Creative Review, 35(2). Retrieved from https://www.creativereview.co.uk/feast-your-eyes/