Bibliography
- Agnew, Vanessa. “History’s Affective Turn: Historical Reenactment and its Work in the Present.” Rethinking History 11, no. 3 (2007): 299–312.10.1080/13642520701353108
- Ahmed, Sara. “Happy Objects.” Chap. 1 in The Affect Theory Reader. Durham: Duke University Press, 2010.
- Ashmore, Paul, Ruth Craggs, and Hannah Neate. “Working-with: Talking and Sorting in Personal Archives.” Journal of Historical Geography 38, no. 1 (2012): 81–89.10.1016/j.jhg.2011.06.002
- Baker, Sarah. “Affective Archiving and Collective Collecting in Do-it-yourself Popular Music Archives and Museums.” Chap. 4 in Preserving Popular Music Heritage. Abingdon: Routledge, 2015.
- Baker, Sarah, ed. Preserving Popular Music Heritage: Do-it-yourself, Do-it-together. Abingdon: Routledge, 2015.
- Baker, Sarah, and Jez Collins. “Sustaining Popular Music’s Material Culture in Community Archives and Museums.” International Journal of Heritage Studies 21, no. 10 (2015): 983–996. http://www.tandfonline.com/doi/full/10.1080/13527258.2015.104141410.1080/13527258.2015.1041414
- Baker, Sarah, and Alison Huber. “‘Masters of our Own Destiny’: Cultures of Preservation at the Victorian Jazz Archive in Melbourne, Australia.” Popular Music History 7, no. 3 (2012): 263–282.
- Baker, Sarah, and Alison Huber. “Notes Towards a Typology of the DIY Institution: Identifying Do-it-yourself Places of Popular Music Preservation.” European Journal of Cultural Studies 16, no. 5 (2013): 513–530.10.1177/1367549413491721
- Baker, Sarah, Lauren Istvandity, and Raphaël Nowak. “The Sound of Music Heritage: Curating Popular Music in Music Museums and Exhibitions.” International Journal of Heritage Studies 22, no. 1 (2016): 70–81.10.1080/13527258.2015.1095784
- Benjamin, Walter. The Arcades Project. 1927-40. Edited by Rolf Tiederman. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap/Harvard UP, 1999.
- Benjamin, Walter. Walter Benjamin’s Archive: Images, Texts, Signs. Edited by Ursula Marx, Gudrun Schwartz, Michael Schwartz, and Erdmut Wizisla. Translated by Esther Leslie. London: Verso, 2007.
- Boscacci, Louise. “The Archive in Contemporary Art: A Literature Review.” International Journal of Liberal Arts and Social Science 3, no. 8 (2015): 1–8. http://www.ijlass.org/data/frontImages/gallery/Vol._3_No._8/1._1-8.pdf
- Bottomley, Andrew J. “Play It Again: Rock Music Reissues and the Production of the Past for the Present.” Popular Music and Society 39, no. 2 (2016): 151–174.
- Brocken, Michael. The Twenty-first-century Legacy of the Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate, 2015.
- Brusila, Johannes, Bruce Johnson, and John Richardson, eds. Music, Memory and Space. Bristol: Intellect, 2016.
- Cameron, Laura J. “Participation, Archival Activism and Learning to Learn.” Journal of Historical Geography 46 (2014): 99–101.10.1016/j.jhg.2014.07.003
- Caswell, Michelle, Marika Cifor, and Mario H. Ramirez. “‘To Suddenly Discover Yourself Existing’: Uncovering the Impact of Community Archives 1.” The American Archivist 79, no. 1 (2016): 56–81.10.17723/0360-9081.79.1.56
- Cifor, Marika. “Affecting Relations: Introducing Affect Theory to Archival Discourse.” Archival Science 16, no. 1 (2016): 7–31.10.1007/s10502-015-9261-5
- Cifor, Marika, and Anne J. Gilliland. “Affect and the Archive, Archives and Their Affects: An Introduction to the Special Issue.” Archival Science 16, no. 1 (2016): 1–6.10.1007/s10502-015-9263-3
- Clough, Patricia Ticineto. “Introduction to The Affective Turn: Theorizing the Social.” In The Affective Turn: Theorizing the Social, edited by P. T. Clough, 1–33. Durham: Duke University Press, 2007.10.1215/9780822389606
- Cohen, Sara, Robert Knifton, Marion Leonard, and Les Roberts. Sites of Popular Music Heritage: Memories, Histories, Places. Abingdon: Routledge, 2014.
- Collins, Jez, and Paul Long. “Fillin’in Any Blanks I Can: Online Archival Practice and Virtual Sites of Musical Memory.” Chap. 6 in Sites of Popular Music Heritage. Abingdon: Routledge, 2014.
- Cook, Terry. “Evidence, Memory, Identity, and Community: Four Shifting Archival Paradigms.” Archival Science 13, no. 2–3 (2013): 95–120.10.1007/s10502-012-9180-7
- Cvetkovich, Ann. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Feelings. Durham: Duke University Press, 2003.10.1215/9780822384434
- de Groot, Jerome. Consuming History: Historians and Heritage in Contemporary Popular Culture. Abingdon: Routledge, 2009.
- De Leeuw, Sarah. “Alice Through the Looking Glass: Emotion, Personal Connection, and Reading Colonial Archives along the Grain.” Journal of Historical Geography 38, no. 3 (2012): 273–281.10.1016/j.jhg.2012.02.003
- DeSilvey, Caitlin. “Art and Archive: Memory-work on a Montana Homestead.” Journal of Historical Geography 33, no. 4 (2007): 878–900.10.1016/j.jhg.2006.10.020
- Downey, Anthony, ed. Dissonant Archives: Contemporary Visual Culture and Competing Narratives in the Middle East. Vol. 1. London: British Academic Press, 2015.
- Eichhorn, Kate. The Archival Turn in Feminism. Philadelphia, PA: Temple University Press, 2013.
- Ernst, Wolfgang. Aura and Temporality: The Insistence of the Archive. Barcelona: MACBA, 2013.
- Farge, Arlette. The Allure of the Archives. New Haven, CT: Yale University Press, 2013.10.12987/yale/9780300176735.001.0001
- Featherstone, Michael. “Archive.” Theory, Culture & Society 23, no. 2–3 (2006): 591–596.10.1177/0263276406023002106
- Flinn, Andrew. “Community Histories, Community Archives: Some Opportunities and Challenges 1.” Journal of the Society of Archivists 28, no. 2 (2007): 151–176.10.1080/00379810701611936
- Geoghegan, Hilary. “A New Pattern for Historical Geography: Working with Enthusiast Communities and Public History.” Journal of Historical Geography 46 (2014): 105–107.10.1016/j.jhg.2014.07.002
- Grossberg, Lawrence. “Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everyday Life.” Popular Music 4 (1984): 225–258.10.1017/S0261143000006243
- Gregg, Melissa, and Gregory J. Seigworth, eds. The Affect Theory Reader. Durham: Duke University Press, 2010.
- Halley, Jean, and P. Ticineto Clough, eds. The Affective Turn. Theorizing the Social. Durham: Duke University Press, 2007.
- Jordanova, Ludmilla J. History in Practice. London: Arnold, 2000.
- Kam, Jacqueline. “Success in Failure: The National Centre for Popular Music.” Prometheus 22, no. 2 (2004): 169–187.10.1080/0810902042000218355
- Kelley, Robert. “Public History: Its Origins, Nature, and Prospects.” The Public Historian 1, no. 1 (1978): 16–28.10.2307/3377666
- Leggott, James, and Julie Taddeo, eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Lanham: Rowman & Littlefield, 2014.
- Leonard, Marion. “Exhibiting Popular Music: Museum Audiences, Inclusion and Social History.” Journal of New Music Research 39, no. 2 (2010): 171–181.10.1080/09298215.2010.494199
- Long, Paul. “‘Really Saying Something?’ What Do We Talk About When We Talk About Popular Music Heritage, Memory, Archives and the Digital?” In Preserving Popular Music Heritage: Do-it-yourself, Do-it-together, 62–76. Abingdon: Routledge, 2015.
- Long, Paul, and Jez Collins. “Affective Memories of Music in Online Heritage Practice.” In Music, Memory and Space, edited by Johannes Brusila, et al, 85–101. Bristol: Intellect, 2016.
- Long, P., and J. Collins. “Mapping the Soundscapes of Popular Music Heritage.” Chap. 8 in Mapping Cultures. Houndmills: Palgrave Macmillan, 2012.
- Maher, William. “Archives, Archivists, and Society.” The American Archivist 61, no. 2 (1998): 252–265.10.17723/aarc.61.2.f1555w1738v134n2
- Manoff, Marlene. “Theories of the Archive from Across the Disciplines.” portal: Libraries and the Academy 4, no. 1 (2004): 9–25.10.1353/pla.2004.0015
- Michelsen, Morten. “Histories and Complexities: Popular Music History Writing and Danish Rock.” Popular Music History 1, no. 1 (2004): 19–36.
- Pad.ma. ‘10 Theses on the Archive’ Dissonant Archives. London: British Academic Press, 2015.
- Pattenden, M. (2016, 20 March). “Joe Corré on Burning His Sex Pistols Collection: ‘It’s the Ideas that are Important, Not the Memorabilia.” The Guardian. Retrieved from https://www.theguardian.com/music/shortcuts/2016/mar/20/joe-corre-burning-sex-pistols-collection-memorabilia-punk-anniversary
- Quinn, Patrick M. “The Archivist as Activist.” Georgia Archive 5, no. 1 (1977): 4.
- Reynolds, Simon. Retromania: Pop Culture’s Addiction to Its Own Past. London: Faber and Faber, 2011.
- Robinson, Emily. “Touching the Void: Affective History and the Impossible.” Rethinking History 14, no. 4 (2010): 503–520.10.1080/13642529.2010.515806
- Rodman, Gilbert B., and Cheyanne Vanderdonckt. “Music for Nothing Or, I Want My Mp3: The Regulation and Recirculation of Affect.” Cultural Studies 20, no. 2–3 (2006): 245–261.10.1080/09502380500495734
- Samuel, Raphael. Theatres of Memory: Past and Present in Contemparary Culture. London: Verso, 1994.
- Shepherd, Elizabeth. “Culture and Evidence: Or What Good Are the Archives? Archives and Archivists in Twentieth Century England.” Archival Science 9, no. 3–4 (2009): 173–185.10.1007/s10502-009-9077-2
- Small, Christopher. Musicking: The Meanings of Performing and Listening. Middletown, CT: Wesleyan University Press, 1998.
- Steedman, Carolyn. “After the Archive.” Comparative Critical Studies 8, no. 2–3 (2011): 321–340.10.3366/ccs.2011.0026