References
- Appelman, D. Ralph. 1986. The Science of Vocal Pedagogy: Theory and Application. Bloomington, IN: Indiana University Press.
- Bozeman, Kenneth W. 2007. “A Case for Voice Science in the Voice Studio.” Journal of Singing 63 (3): 265–270.
- Bozeman, Kenneth W. 2015. “Remapping the Open Throat (Gola Aperta).” Journal of Singing 72 (2): 183–187.
- Browne, Lennox, and Emil Behnke. 1884. Voice, Song and Speech: A Practical Guide for Singers and Speakers. New York: G.P. Putnam’s Sons.
- Callaghan, Jean. 2014. Singing and Science: Body, Brain, and Voice. Oxford: Compton Publishing.
- Chapman, Janice L. 2012. Singing and Teaching Singing: A Holistic Approach to Classical Singing. 2nd ed. San Diego, CA: Plural Publishing.
- Doscher, Barbara, M. 1999. The Functional Unity of the Singing Voice. Lanham, MD: Scarecrow Press.
- Egan, Kieran. 1992. Imagination in Teaching and Learning: The Middle School Years. Chicago: University of Chicago Press.
- Egan, Kieran, and Gillian Judson. 2016. Imagination and the Engaged Learner: Cognitive Tools for the Classroom. New York: Teachers College Press.
- Freed, Donald Callen. 2000. “Imagery in Early Twentieth Century American Vocal Pedagogy.” Journal of Singing 56 (4): 5–12.
- George, Daniel. R., and Susan E. Williams. 2016. “Finding the Right Metaphor: Strategies to Optimize the Educational Value of Virtual Anatomy Software in the Voice Studio.” Journal of Singing 73 (2): 203–209.
- Helding, Lynn. 2009. “The Missing Brain.” Journal of Singing 66 (1): 79–84.
- Helding, Lynne. 2007. “Voice Science and Vocal Art, Part One: In Search of Common Ground.” Journal of Singing 64 (2): 141–150.
- Hixon, Thomas J. 2006. Respiratory Function in Singing: A Primer for Singers and Singing Teachers. Tucson, AZ: Redington Brown.
- Hoch, Matthew. 2017. “The Legacy of William Vennard and D. Ralph Appelman and Their Influence on Singing Voice Pedagogy: Reflections after 50 Years.” Voice and Speech Review 11 (3): 308–317. doi:10.1080/23268263.2017.1395591.
- Hoch, Matthew. 2019. “Historical Landmarks in Singing Voice Pedagogy.” Voice and Speech Review 13 (1): 43–60. doi:10.1080/23268263.2018.1527585.
- Kennedy-Dygas, Margaret. 2000. “Historical Perspectives on the ‘Science’ of Teaching Singing.” Journal of Singing 56 (3): 23–30.
- Kiesgen, Patrick. 2006. “Resonance.” Journal of Singing 62 (4): 419–421.
- Linklater, Kristin. 2006. Freeing the Natural Voice. 2nd ed. London: Nick Hern Books.
- Margaret, Kennedy-Dygas. 1999. “Historical Perspectives on the ‘Science’ of Teaching Singing Part I: Understanding the Anatomy and Function of the Voice (Second through Nineteenth Centuries).” Journal of Singing 56 (2): 19–24.
- McCoy, Scott. 2012. “Some Thoughts on Singing and Science.” Journal of Singing 68 (5): 527–530.
- McKinney, James C. 1994. The Diagnosis and Correction of Vocal Faults: A Manual for Teachers of Singing and Choir Directors. Nashville, TN: Genevox Music Group.
- Michael, Deidre. 2010a. “Dispelling Vocal Myths. Part 1: Sing from Your Diaphragm!” Journal of Singing 66 (5): 547–551.
- Michael, Deidre. 2010b. “Dispelling Vocal Myths. Part 2: Sing It off the Chords.” Journal of Singing 67 (4): 417–421.
- Michael, Deidre. 2012a. “Dispelling Vocal Myths. Part 3: Sing OVER Your Cold!” Journal of Singing 68 (4): 419–425.
- Michael, Deidre. 2012b. “Dispelling Vocal Myths. Part IV: Talk Higher!” Journal of Singing 69 (2): 419–425.
- Michael, Deidre. 2015. “Dispelling Vocal Myths: Part V: Sniff to Raise the Palate!” Journal of Singing 71 (3): 319–324.
- Miller, Richard. 1986. The Structure of Singing System and Art in Vocal Technique. New York: MacMillan Books.
- Miller, Richard. September/ October 1989. “Imagery and the Teaching of Singing.” The NATS Journal 45.
- Miller, Richard. 2004. Solutions for Singers: Tools for Every Performer and Teacher. Oxford: Oxford University Press.
- Otto, M.C. 1930. “Imagination and Teaching.” The Journal of Higher Education 1 (7): 387–390. doi:10.2307/1974172.
- Reid, Cornelius. 1950. Bel Canto: Principles and Practices. New York: Coleman-Ross.
- Sansom, Rockford. 2016. “The Unspoken Voice and Speech Debate [Or] the Sacred Cow in the Conservatory.” Voice and Speech Review 10 (2): 157–168. doi:10.1080/23268263.2016.1318814.
- Seiler, Emma. 1879. The Voice in Singing. Philadelphia, PA: Lippencott.
- Spencer, Linda E. 1989. “From Speech to Song: Imagery and Anatomy.” Journal of Singing 46 (9): 28.
- Sundberg, Johan. 1987. The Science of the Singing Voice. DeKalb, IL: Northern Illinois University Press.
- Swanwick, Keith. 1994. Musical Knowledge: Intuition, Analysis and Music Education. London: Routledge.
- Thurman, L., G. Welch, A. Theimer, E. Grefsheim, and P. Feit. 2000. The Voice Qualities that are Referred to as “Vocal Registers.”. Collegeville, MN: VoiceCare Network.
- Titze, I. R. 2000. Principles of Voice Production. Salt Lake City, UT: National Center for Voice and Speech.
- Vennard, William D. 1967. Singing: The Mechanism and the Technic. Revised Greatly Enlarged. New York: Carl Fischer.
- Ware, Rachel. 2013. “The Use of Science and Imagery in the Voice Studio: A Survey of Voice Teachers in the United States and Canada.” Journal of Singing 69 (4): 413–417.
- Watson, P.J., and T.J. Hixon. 1985. “Respiratory Kinematics in Classical (Opera) Singers.” Journal of Speech and Hearing Research 28: 104–122. doi:10.1044/jshr.2801.104.
- White, Alan R. 1990. The Language of Imagination. Hoboken, NJ: John Wiley and Sons.
- Williams, Susan E., and Donald R. George. 2016. “Finding the Right Metaphor: Strategies to Optimize the Educational Value of Virtual Anatomy Software in the Voice Studio.” Journal of Singing 73 (2): 203–209.