Porn, pantomime and protest: the politics of bawdiness as feminine style

References

• Arthurs, Jane. 1999. ‘Revolting Women: The Body in Comic Performance.’ In Women’s Bodies: Discipline and Transgression, edited by Jane Arthurs, and Jean Grimshaw, 137–164. London and New York: Cassell.
   Google Scholar
• Bailey, Paul. 1987. ‘A Feydeau Farce in Ambleside Avenue.’ The Observer, February 15.
   Google Scholar
• Blake, Pandora. 2016. ‘The Kinky Feminist Pornographer’ April 27. Accessed October 19, 2017. http://pandorablake.com/blog/tag/censorship/2/10.
   Google Scholar
• Campbell, Duncan. 2015. Cynthia Payne Obituary, Nov 16. https://www.theguardian.com/uk-news/2015/nov/16/cynthia-payne).
   Google Scholar
• Castle, Terry. 1986. Masquerade and Civilization: The Canivalesque in Eighteenth Century English Culture and Fiction. Stanford: Stanford University Press.
   Google Scholar
• Davidson, Joyce N. and Mick Smith. 1999. ‘Wittgenstein and Irigaray: Gender and Philosophy in a Language (Game) of Difference.’ Hypatia 14 (2): 72–96. doi: 10.1111/j.1527-2001.1999.tb01240.x
   Google Scholar
• Davis, Natalie Zemon. 1975. Society and Culture in Early Modern France. Stanford: Stanford University Press.
   Google Scholar
• Davis, Jim. 2014. ‘‘Slap On! Slap Ever!”: Victorian Pantomime, Gender Variance, and Cross-Dressing.’ New Theatre Quarterly 30 (3): 218–230. doi: 10.1017/S0266464X14000463
   Web of Science ®Google Scholar
• Eckert, Penelope, and Sally McConnell-Ginet. 2003. Language and Gender. Cambridge: Cambridge University Press.
   Google Scholar
• Garber, Marjorie. 1997. Vested Interests: Cultural Dressing and Cultural Anxiety. New York and London: Routledge.
   Google Scholar
• Halberstam, J. Jack. 2012. Gaga Feminism: Sex, Gender and the End of Normal. Boston: Beacon Press.
   Google Scholar
• Hass, Barbara. 2000. ‘The Style of the Speaking Subject; Irigaray’s Empirical Studies of Language Production.’ Hypatia 15 (1): 64–89. doi: 10.1111/j.1527-2001.2000.tb01080.x
   Google Scholar
• Holland, Peter. 1997. ‘The Play of Eros: Paradoxes of Gender in English Pantomime.’ New Theatre Quarterly 13 (51): 195–204. doi: 10.1017/S0266464X00011209
   Web of Science ®Google Scholar
• Irigaray, Luce. 1985. This Sex Which Is Not One. Ithaca: Cornell University Press.
   Google Scholar
• Judd, Judith. 1980. ‘So Discreet When Sex is: For Sale in Suburbs.’ The Observer, April 27.
   Google Scholar
• Lane Bruner, M. 2005. ‘Carnivalesque Protest and the Humorless State.’ Text and Performance Quarterly 25 (2): 136–155. doi: 10.1080/10462930500122773
   Google Scholar
• Leland, David, dir. 1987. Wish You Were Here. UK.
   Google Scholar
• Lipton, Martina. 2008. ‘Principally Boys? Gender Dynamics and Casting Practices in Modern British Pantomime.’ Contemporary Theatre Review 18 (4): 470–486. doi: 10.1080/10486800802379565
   Web of Science ®Google Scholar
• Mayer, David. 1974. ‘The Sexuality of Pantomine,’ Theatre Quarterly 4: 55–64.
   Google Scholar
• Mazo Karras, Ruth. 1996. Common Women: Prostitution and Sexuality in Medieval England. Oxford and New York: Oxford University Press.
   Google Scholar
• McClintock, Anne. 1995. Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. New York and London: Routledge.
   Google Scholar
• Payne, Cynthia. 1987. Entertaining at Home: 101 Party Hints from Britain’s Most Popular Hostess. London: Penguin.
   Google Scholar
• Perera, Shyama. 1987. ‘Sex Party Case Jury Clears Madam Cyn.’ The Guardian, Feb 12.
   Google Scholar
• Poore, Benjamin. 2012. ‘Reclaiming the Dame: Cross-Dressing as Queen Victoria in British Theatre and Television Comedy.’ Comedy Studies 3 (2): 177–189. doi: 10.1386/cost.3.2.177_1
   Google Scholar
• Renaud-Komiya, Nick. 2013. ‘Parliament’s Porn Habit Revealed as 300,000 Attempts Made to Access ‘Adult’ Websites from Work Computers in Last Year’, Independent. September 4. Accessed Nov 5, 2017. http://www.independent.co.uk/news/parliaments-porn-habit-revealed-as-300000-attempts-made-to-access-adult-websites-from-work-computers-8797386.html.
   Google Scholar
• Russo, Mary. 1997. ‘Female Grotesques: Carnival and Theory.’ In Writing on the Body: Female Embodiment, edited by Kate Conboy, Nadia Medina, and Sarah Stanbury, 318–336. New York: Columbia University Press.
   Google Scholar
• Samson, John, dir. 2009. [Outsiders] Dressing for Pleasure: the films of John Samson. UK.
   Google Scholar
• Schacker, Jennifer. 2013. ‘Slaying Blunderboer: Cross-Dressed Heroes, National Identities, and Wartime Pantomime.’ Marvels & Tales 27 (1): 52–64. doi: 10.13110/marvelstales.27.1.0052
   Google Scholar
• Thomas, Keith. [1971] 1991. Religion and the Decline of Magic. London: Penguin.
   Google Scholar
• Tyler, Carole-Anne. 2003. Female Impersonation. New York and London: Routledge.
   Google Scholar