97
Views
0
CrossRef citations to date
0
Altmetric
Articles

A vulgar folklore: the pornographic fantasies of pornocorridos

Pages 50-65 | Received 29 Nov 2022, Accepted 08 Dec 2022, Published online: 06 Apr 2023

References

  • Baker, Christina. 2014. ‘Staging Narcocorridos: Las Reinas Chulas’ Dissident Audio-Visual Performance.’ Latin American Theatre Review 48 (1): 93–113. doi:10.1353/ltr.2014.0006.
  • Burgess, Jean and Joshua Green. 2009. YouTube: Online Video and Participatory Culture. Malden: Polity Press.
  • Cabo, Leila. 2011. ‘Raunch and Romance.’ Billboard, p. 10. August 6.
  • Cruz, Ariane. 2016. The Color of Kink: Black Women, BSDM, and Pornography. New York: New York University Press.
  • De la Mora, Sergio. 2006. Cinemachismo: Masculinities and Sexuality in Mexican Film. Austin: University of Texas Press.
  • Díaz Martín, Esther. 2017. ‘Contestaciones: The Music Genre of Cyber-Hociconas.’ Chicana/Latina Studies 16 (2): 76–99.
  • Englert, Birgit. 2016. ‘Popular and Mobile: Reflections on Using YouTube as an Archive from an African Studies Perspective.’ Stichproben: Vienna Journal of African Studies 31 (16): 27–56.
  • Gonzalez-Lopez, Gloria. 2005. Erotic Journeys: Mexican Immigrants and Their Sex Lives. Berkeley: University of California Press.
  • Grinnell, Lucinda. 2012. ‘Intolerable Subjects: Moralizing Politics, Economic Austerity, and Lesbian and Gay Activism in Mexico City, 1982-1985.’ Radical History Review 112 (Winter): 89–99. doi:10.1215/01636545-1416178.
  • Hernandez, Jillian. 2014. ‘Carnal Teachings: Raunch Aesthetics as Queer Feminist Pedagogies in Yo! Majesty’s Hip Hop Practice.’ Women & Performance: A Journal of Feminist Theory 24 (1): 88–106. doi:10.1080/0740770X.2014.904130.
  • Hernandez, Jillian. 2020. Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment. Durham: Duke University Press.
  • Lynxwle, John and David Gay. 2000. ‘Moral Boundaries and Deviant Music: Public Attitudes Toward Heavy Metal and Rap.’ Deviant Behaviour 21 (1): 63–85.
  • Moraga, Cherrie. 1983. Loving in the War Years: Lo que Nunca Pasó por sus Labios. Boston: Sound End Press.
  • Paredes, Americo. 1958. With His Pistol in His Hand: A Border Ballad and Its Hero. Austin: University of Texas Press.
  • Ramirez Paredes, Juan Rogelio. 2012. ‘Huellas musicales de la Violencia el “movimiento alterado” en Mexico.’ Sociológica 27 (77): 181–234.
  • Rangel Medina, David. 1975. Mexican Law on Obscenity, 7 U. Miami Inter-Am. L. Rev. 337. Available at: http://repository.law.miami.edu/umialr/vol7/iss2/5.
  • Rebel de Cuore, Ma Bruha. 2017. ‘Feminicidio y violancion: algo normal en los pornocorridos de “Grupo Marrano.”’ La que Arde Revista Digital. https://www.laquearde.org/2017/06/09/grupo-marrano-2/.
  • Rodriguez, Juana Maria. 2014. Sexual Futures, Queer Gestures, and Other Latina Longings. New York: New York University Press.
  • Rubin, Gayle. 1984. ‘Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality.’ In Pleasure and Danger: Exploring Female Sexuality, edited by Carole S. Vance, 267–319. Boston: Routledge.
  • Smit, Rik, Ansgard Heinrich and Marcel Broersma. 2017. ‘Witnessing in the New Memory Ecology: Memory Construction of the Syrian Conflict on YouTube.’ New Media & Society 19 (2): 289–307. doi:10.1177/1461444815604618.
  • Taormino, Tristan, Constance Penley, Celine Parreñas Shimizu and Mireille Miller-Young. 2013. The Feminist Porn Book: The Politics of Producing Pleasure. New York: The Feminist Press.
  • Van Ouytsel, Joris, Koen Ponnet and Michel Walrave. 2014. ‘The Associations Between Adolescents’ Consumption of Pornography and Music Videos and Their Sexting Behaviour.’ Cyberpsychology, Behaviour, and Social Networking 17 (12): 772–778. doi:10.1089/cyber.2014.0365.
  • Venkatesh, Vinodh. 2016. New Maricón Cinema Outing Latin American Film. Austin: University of Texas Press.
  • Williams, Linda. 1999. Hardcore: Power, Pleasure, and the ‘Frenzy of the Visible. Berkeley: University of California, Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.