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Cogent Arts & Humanities Volume 7, 2020 - Issue 1
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CULTURE, MEDIA & FILM

Hollywood Dubliners become personal: Joyce’s Gabriel morphs to John Huston in The Dead

Azra Ghandeharion1 Associate Professor in Cultural Studies and English Literature, Department of English, Ferdowsi University of Mashhad, Mashhad, IranCorrespondence[email protected]
View further author information
&
Roya Abbaszadeh2 MA of English Literature, Department of English, Ferdowsi University of Mashhad, Mashhad, IranView further author information
|
Lincoln Geraghty3 School of Media and Performing Arts, University of Portsmouth, Portsmouth, UKView further author information
(Reviewing editor)
Article: 1848754 | Received 19 Apr 2019, Accepted 06 Nov 2020, Published online: 18 Nov 2020

References

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  • Brill, L. (1997a). Introduction. In W. Rothman & D. Andrew (Eds.), John Huston’s filmmaking (pp. i–xvi). Cambridge University Press.
  • Brill, L. (1997b). The Dead (1987). In W. Rothman & D. Andrew (Eds.), John Huston’s filmmaking (pp. 207–226). Cambridge University Press.
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  • Grønstad, A. (2002). The gaze of Tiresias: Joyce, Rossellini and the iconology of “The Dead”. Nordic Journal of English Studies, 1(2), 233–248. https://doi.org/10.35360/njes.115
  • Huston, J. (Director). (1987). The Dead [Film]. Dublin.
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  • Leitch, T. M. (2007). Film adaptation and its discontents: From Gone with the Wind to The Passion of the Christ. JHU Press.
  • Long, R. E. (2001). Introduction. In R. E. Long (Ed.), John Huston: Interviews (pp. i–xx). Univ. Press of Mississippi.
  • McFarland, D., & King, W. (2017). “Proceed with the Execution”: Casting, Convention, and the Diminishment of Rose in The African Queen. In D. McFarland & W. King (Eds.), John Huston as adaptor (pp. 107–124). Suny Press.
  • Meyers, J. (2011). Writing film biography: John Huston. The Antioch Review, 69(1), 86–100. http://www.jstor.org/stable/41152202
  • Monterrey, T. (2011). Framed images as counterpoints in James Joyce’s “The Dead” [Imágenes enmarcadas como contrapuntos en’Los Muertos’, de James Joyce]. Atlantis, 33(2), 61–74. https://www.jstor.org/stable/41473828
  • Sanders, J. (2006). Adaptation and appropriation. Routledge.
  • Tracy, T., & Flynn, R. (2010). Introduction. In T. Tracy & R. Flynn (Eds.), John Huston: Essays on a restless director (pp. 1–8). McFarland.
  • Tracy, T. (2010). Let’s just see if it matters. In T. Tracy & R. Flynn (Eds.), John Huston: Essays on a restless director (pp. 9–21). McFarland.

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