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Cogent Arts & Humanities Volume 9, 2022 - Issue 1
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DIGITAL HUMANITIES

Sequence of conformism and Revolt in Albert Camus’ The Plague: A psycho-analytical confrontation of religious exploitation in the contemporary society

Cindy Anene Ezeugwu1 Department of Theatre and Film Studies, University of Nigeria, NsukkaView further author information
,
Udeh Benneth Chukwuebuka2 Department of Foreign Languages and Literary Studies, University of Nigeria, NsukkaView further author information
,
Onyeka E. Odoh3 Department of English and Literary Studies, University of Nigeria, NsukkaView further author information
,
Chika Kate OjukwuCorrespondence[email protected]
View further author information
,
Florence Onyebuchi OrabuezeView further author information
&
Mary-Linda Vivian Onuoha3 Department of English and Literary Studies, University of Nigeria, NsukkaView further author information
Article: 2015882 | Received 21 Nov 2020, Accepted 03 Dec 2021, Published online: 20 Feb 2022

References

  • De Beauvoir, S. (2011). The second sex. First Vintage Books Editions.
  • Ejeh, P. (2010). Philosophy and logic made easy. Joen. Print.
  • Foley, J. (2014). Albert Camus: From the absurd to Revolt. Routledge.
  • Ma’ba, M. (1989). So long a letter. Heinemann Educational Books.
  • Nwapa, F. (1986). Efuru. Heinemann Educational Books Ltd.
  • Ogbodo, N. (2009). L’image féminine dans Moi, Tituba … sorcière noire de Salem de Maryse Condé. La Revue des études francophones de Calabar, 8(1).
  • Orjinta, A. (2014a). Women’s voices and actions in Achebe’s literary works. Nsukka Journal of Humanities, (22).
  • Wellek, & Warren. (1976). Theory of Literature. Penguin Books.

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