References
- Afrik, D. 2021. “CELEBRATION OF FEMALE PHOTOGRAPHER PIONEER IN GHANA FELICIA ABBAN. DEBONAIR AFRIK. https://debonairafrik.com/celebration-of-female-photographer-pioneer-in-ghana-felicia-abban/
- Agyenim-Boateng, P. 2009. “PHOTOGRAPHY IN GHANA: ITS EFFECTS ON CULTURE AND TOURISM.” Duraspace. http://dspace.knust.edu.gh/handle/123456789/456
- Barthes, R. (1981). Camera Lucida_Reflections_on_Phoyography. Translated by Richard Howard. Macmillan.
- Bazin, A., & Gray, H. (1960). The Ontology of the Photographic Image. Film Quarterly (JSTOR), 13(4), 4–11. https://doi.org/10.2307/1210183
- Benovsky, J. (2011). Three Kinds of Realism About Photographs. The Journal of Speculative Philosophy, 25(4), 375–395. Accessed January 25, 2018 http://www.jstor.org/stable/10.5325/jspecphil.25.4.0375
- Bourriaud, N. 2002. Postproduction. Edited by C. Schneider. Lukas & Sternberg. Accessed May 30, 2018.
- Dickenson-Bampton, B. 2017. “Wolfgang Tillmans 2017” In Review. Tate Modern,United Kingdom. Accessed February 13, 2018. https://www.lensculture.com/articles/tate-modern-wolfgang-tillmans-2017-in-review
- Doloughan, F. J. (2002). The Language of Reflective Practice in Art and Design. Design Issues, 18(2), 57–64. https://doi.org/10.1162/074793602317355783
- Edwards, S. (2006). Photography A Very Short Introduction. Oxford University Press. Accessed December 12, 2017.
- Elizabeth, E., & Hart, J. (2004). Photographs objects histories: On the materiality of images. Routledge. Accessed May 7, 2018.
- Greenberg, C. (2018). Modernist painting. In F. Francis, & C. Harrison (Eds.), Modern art and modernism: A critical anthology (pp. 5–10). Routledge.
- GreenViews. 2020. “Deo Gratias Photo Studio, a treasure in the “ruins” of Jamestown.” March 16. Accessed June 14, 2021. https://greenviewsresidential.com/ghana-deo-gratias-photo-studio/
- Hopkins, R. (2010). Factive Pictorial Experience: What’s Special about Photographs? Noûs, 46(4), 709–731. https://doi.org/10.1111/j.1468-0068.2010.00800.x
- Houlihan, K. 2004. “Roland BArthes’ Camera Lucida- Reflection on Photography annotation by Kasia Houlihan.” Theories of Media. The University of Chicago. Accessed June 14, 2018. http://csmt.uchicago.edu/annotations/barthescamera.htm
- Hughes, S., 2017. Eugene Atget, photographer of Paris. Sabrina Hughes | PHOTOXO LLC. http://photoxo.net/2017/01/18/eugene-atget-photographer-of-paris/
- MACBA. 1999. “Raymond Hains, EXHIBITION.” September 30. Accessed June 6, 2018. https://www.macba.cat/en/exhibition-raymond-hains
- Plummer, S., Riches, H., & Duncan, W. nd. “Photography’s New Materiality: An Intoduction.” National Media MuseumUK. Accessed June 6, 2018. http://eitherand.org/photographys-new-materiality/photographys-new-materiality/
- Randhawa, S. 2014. “Damien Hirst donates a gold plated mammoth skeleton for charity.” Luxury Launches. May 21. LUXURYLAUNCHES. Accessed August 9, 2021. https://luxurylaunches.com/other_stuff/damien-hirst-donates-a-gold-plated-mammoth-skeleton-for-charity.php
- Smith, T. (2011). Contemporary Art, World currents. 1st . Laurence King Publishing. Accessed July 18, 2021.
- Sontag, S. (2001). On Photography. 1st. RosettaBooks LLC.
- Walton, K. L. 1984. Transparent Pictures: On the Nature of Photographic Realism. Critical enquiry.University of Chicago Press. https://doi.org/10.1086/448287.