102
Views
0
CrossRef citations to date
0
Altmetric
Articles

The show and gaze of intermedial interculturalism: a reflection on the curation of Otherness at PQ19

References

  • Appadurai, A. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
  • Aronson, A. 2012. “The Dematerialization of the Stage.” In The Disappearing Stage: Reflections on the 2011 Prague Quadrennial, edited by Arnold Aronson, 85–95. Prague: Arts and Theatre Institute/Prague Quadrennial.
  • Augé, M. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. Translated by John Howe. London: Verso.
  • Delanty, G. 2012. “The Idea of Critical Cosmopolitanism.” In Routledge Handbook of Cosmopolitanism Studies, edited by Gerard Delanty, 38–46. Abingdon: Routledge.
  • Eastham, T. 2018. “Review of Together by Factory Irregular at Camden People’s Theatre.” London Theatre 1, March 18. https://www.londontheatre1.com/reviews/review-of-together-by-factory-irregular-at-camden-peoples-theatre/.
  • Fischer-Lichte, E. 1997. The Show and the Gaze of Theatre: A European Perspective. Iowa City: University of Iowa Press.
  • Fischer-Lichte, E. 2014. “Introduction: Interweaving Performance Cultures – Rethinking ‘Intercultural Theatre’: Toward an Experience and Theory of Performance beyond Postcolonialism.” In The Politics of Interweaving Performance Cultures: Beyond Postcolonialism, edited by Erika Fischer-Lichte, Torsten Jost, and Saskya Iris Jain, 1–21. New York: Routledge.
  • Gadamer, H. 2006. Truth and Method. London: Continuum.
  • Habermas, J. 1988. On the Logic of Social Sciences. Translated by Shierry Weber Nicholsen and Jerry A. Stark. Cambridge, MA: The MIT Press.
  • Huang, S. 2019. “Wutai meishu de xianchangxing yu kuajie sikao—2019 Bulage sinianzhan jilue” [Reflecting on liveness and interdisciplinarity of scenography: notes on PQ 2019]. https://mp.weixin.qq.com/s/x6WT6zyzQ9ua4z-K9PqzPA.
  • Ma, L. 2019. “Fenxiang: zai biechu, liangge guxitai de Bulage shike” [Sharing: Elsewhere, the Prague moment for two ancient stages]. https://mp.weixin.qq.com/s/jab06IeSESvhyFUVrBIgbQ.
  • Machon, J. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave Macmillan.
  • PQ. N.d.a. “Island Invisible.” Accessed 5 May 2020. http://www.pq.cz/projects/event-detail-en/?exhibition=59.
  • PQ. N.d.b. “Microcosm.” Accessed 5 February 2020. http://www.pq.cz/projects/event-detail-en/?exhibition=24.
  • PQ. N.d.c. “What Is PQ.” Accessed 3 February 2020. https://www.pq.cz/what-is-pq/.
  • Said, E. 2003. Orientalism: Western Conceptions of the Orient. London: Penguin Books.
  • Singleton, B. 1997. “Introduction: The Pursuit of Otherness for the Investigation of Self.” Theatre Research International 22 (2): 93–97. doi: 10.1017/S0307883300020496
  • Wei, Z. 2018. “Re-materialising Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory.” In Intermedial Performance and Politics in the Public Sphere, edited by Aneta Mancewicz, Ralf Remshardt, and Katia Arfara, 209–227. Cham: Palgrave.
  • Zhang, Z. 2019. “Bulage juchang sheji sinianzhan, Taiwan guonei shouzhan” [Taiwan debut for Taiwan exhibition at the PQ].” https://shorturl.at/MOZ16s.
  • Zhao, Y. 2019. “Xuexi, xishou, canyu, fasheng—Zhongguo wumeiren zai PQ 2019” [Study, absorb, participate, voice oneself: Chinese scenographers at PQ 2019]. http://www.yidianzixun.com/article/0MIXDmPf.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.