References
- Abramović, Marina. 2008. “Transitory Objects For Human Use”. Galeria Brito Cimino. Available online: http://www.marinaabramovic.com/transitory.html (accessed: 26/12/2023).
- Azara, Pedro e Carles Gury. 2000. Arquitectos a Escena, Escenografías Y Montages de Exposición en los 90. Barcelona: Editorial Gustavo Gili.
- Badiou, Alain e Elie During. 2007. ‘Um Teatro da Operação’ in Um Teatro Sem Teatro, Catálogo da Exposição. Museu d’ Art Contenporani de Barcelona e Museu Colecção Berardo Arte Moderna e Contemporânea.
- Bohn, Cornelia. 2022. “Contemporary Art and Event-Based Social Theory”. Theory, Culture & Society 39 (3): 51–74. https://doi.org/10.1177/02632764211042085.
- Certeau, Michel de. 1988. The Pratice of Everyday Life. Berkeley: University of California Press.
- Cresswell, Tim. 2004. Place a Short Introduction. Oxford: Blackwell Publishing Ltd.
- Fantová, Markéta. 2021. Rare. PQ2023 Theme. https://pq.cz/wp-content/uploads/2022/10/Artistic-Concept-PQ23-EN.pdf (accessed: 26/12/2023).
- Fried, Michael. 1998. “Art and objecthood”. In Art and Objecthood: Essays and Reviews, 148–172. London: University of Chicago Press.
- Görling, Reinhold, Barbara Gronau, and Ludger Schwarte. 2019. Aesthetics of Standstill. Berlin: Sternberg Press.
- Kaprow, Allan. 1993. Essays on The Blurring of Art and Life. Berkeley: University of California Press.
- Lippard, Lucy. 1997. The Lure of the Local: Senses of Place in a Multicultural Society. New York: The New Press.
- Merleau-Ponty, Maurice. 1964. “Eye and Mind”. In The Primacy of Experience, edited by James M. Edie, 159–190. Northwestern University Press.
- Merleau-Ponty, M. 2007. O Visível e o Invisível. São Paulo: Editora Perspectiva S.A.
- Pearson, Mike. 1998. “My Balls/Your Chin”. Performance Research 3 (2): 35–41. https://doi.org/10.1080/13528165.1998.10871606.
- Tuan, Yi-Fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press.
- Wiles, David. 2003. A Short History of Western Performance Space. Cambridge: Cambridge University Press.
- Zuber, Devin. 2023. “Tools for Transcendence: The Transitory Objects”. In Marina Abramović, edited by Andrea Tarsia, 58–65. London: Royal Academy of Arts.