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Theatre and Performance Design Volume 10, 2024 - Issue 1-2
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Articles

Encruzilhadas: we believe in crossroads – Brazil at PQ23

Arianne Vitale Cardosoa Laboratory of Performative Practices, São Paulo University, São Paulo, Brazil;b Belas Artes, São Paulo, Brazil and Faculty of the Americas, São Paulo, BrazilORCID Iconhttps://orcid.org/0000-0002-1916-9573View further author information
ORCID Icon,
Heloisa Lyra Bulcãoc Faculty of Education, Rio de Janeiro State University, Rio de Janeiro, BrazilCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-0654-4581View further author information
ORCID Icon,
Gregory Slivard Department of Music, NuSom - Sonology Research Center, São Paulo University, São Paulo, BrazilORCID Iconhttps://orcid.org/0009-0009-0462-9483View further author information
ORCID Icon &
Renato Bolelli Rebouçasa Laboratory of Performative Practices, São Paulo University, São Paulo, BrazilCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0001-8454-3720View further author information
ORCID Icon
Pages 67-87 | Published online: 07 Aug 2024

References

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  • Pearson, Mike. 2010. Site-specific Performance. Hampshire: Palgrave Macmillan.
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  • Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press.
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  • Simas, Luiz Antônio. 2021. O corpo encantado das ruas [The enchanted body of the streets]. Rio de Janeiro: Civilização Brasileira.
  • Simas, Luiz Antonio and Rufino, Luiz. 2020. Encantamento: sobre política de vida [Enchantment: about politics of life]. Rio de Janeiro: Editora Mórula. Accessed January 5, 2023. https://morula.com.br/wp-content/uploads/2020/05/Encantamento.pdf.
  • Tragtenberg, Livio. 1999. Música de Cena [Scene music]. São Paulo: Fapesp: Perspectiva.
  • Voegelin, Salomé. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound. London: Bloomsbury Academic.
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