2,033
Views
2
CrossRef citations to date
0
Altmetric
Encounters

The War on Terror is hard to see: the Imperial War Museum’s ‘Age of Terror’ exhibition and absence as curatorial practice

ORCID Icon
Pages 434-439 | Received 04 Jul 2018, Accepted 16 Nov 2018, Published online: 10 Dec 2018

References

  • American Sniper (2014) [Film] USA: Clint Eastwood.
  • Currier, C. 2015. “The Drone Papers.” The Intercept, October 15 2015. https://theintercept.com/drone-papers/the-kill-chain
  • Fusco, C. 2010. “Operation Atropos.” Journal of Media Practice 22 (1): 81–93. doi:10.1386/jmpr.11.1.81/1.
  • Geoghegan, H., and T. Woodyer. 2014. “Cultural Geography and Enchantment: The Affirmative Constitution of Geographical Research.” Journal of Cultural Geography 31 (2): 218–229. doi:10.1080/08873631.2014.906850.
  • Gribble, R., S. Wessley, D. A. Susan Klein, C. D. Alexander, and N. T. Fear. 2015. “British Public Opinion after a Decade of War: Attitudes to Iraq and Afghanistan.” Politics 35 (2): 128–150. doi:10.1111/1467-9256.12073.
  • Hall, S. 1981. “Encoding/Decoding.” In Culture, Media and Language, edited by S. Hall, D. Hobson, A. Lowe, and P. Willis, 128–138. London: Hutchinson.
  • Heath-Kelly, C. 2017. Death and Security: Memory and Mortality at the Bombsite. Oxford: Oxford University Press.
  • Imperial War Museum (IWM). 2018. “Age of Terror: Art since 9/11.” Exhibition website. https://www.iwm.org.uk/events/iwm-london/age-terror-art-911
  • Jones, J. 2017. “Age of Terror: Art since 9/11 Review – A Chilling Show for Dark Times.” The Guardian, October 25 2017. https://www.theguardian.com/artanddesign/2017/oct/25/age-of-terror-art-since-9-11-review-imperial-war-museum-grayson-perry-ai-weiwei
  • Lisle, D. 2006. “Sublime Lessons: Education and Ambivalence in War Exhibitions.” Millennium: Journal of International Studies 34 (2): 841–862. doi:10.1177/03058298060340031701.
  • Malvern, S. 2000. “War, Memory and Museums: Art and Artefact in the Imperial War Museum.” History Workshop Journal, 49 (1): 177-203.
  • Moten, F. 2003. Into the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.
  • Rogers-Lafferty, S. 1986. Jenny Holzer & Cindy Sherman: Personae. Cincinnati: Contemporary Arts Center.
  • Sooke, A. 2017. “Too Many Lapses into Triteness and Banality - Age of Terror: Art since 9/11, Review.” The Telegraph, October 25 2017. https://www.telegraph.co.uk/art/what-to-see/many-lapses-triteness-banality-age-terror-art-since-911-review/
  • Sylvester, C. 2018. “Curating and Re-Curating the American War in Vietnam.” Security Dialogue 49 (3): 151–164. doi:10.1177/0967010617733851.
  • Teichmann, E. 2015. “The Skin of the Soldier – Beau Travail and the Choreography of War.” In Staging Disorder, edited by C. Stewart and E. Teichmann, 34–37. London: Black Dog Publishing.
  • TripAdviser. 2017. “Reviews: Imperial War Museum.” 19 November 2017 – 23 November 2017 – 23 April 2017 – 23 April 2018. https://www.tripadvisor.co.uk/Attraction_Review-g186338-d187674-Reviews-or10-Imperial_War_Museum-London_England.html
  • Van Veeren, E. 2011. “Captured by the Camera’s Eye: Guantánamo and the Shifting Frame of the Global War on Terror.” Review of International Studies 37: 1721–1749. doi:10.1017/S0260210510001208.
  • Van Veeren, E. 2013. “Clean War, Invisible War, Liberal War.” In Democracies at War: The Image-Making of Liberal Wars since 1914, edited by H. Footitt and A. Knapp, 89–112, New York: Continuum.
  • Van Veeren, E. 2017a. “Invisibility.” In Visual Global Politics, edited by R. Bleiker, 96–200. London: Routledge.
  • Van Veeren, E. 2017b. 'Death by PowerPoint: Targeted Killing, The US Shadow War, and the Politics of Immutable Mobility. Paper presented at the 40th Annual BISA Conference, London.
  • Van Veeren, E. 2018. Security as Secrecy Composition. SPAIS Working Paper Series. University of Bristol. http://www.bristol.ac.uk/media-library/sites/spais/documents/Secrecy%20as%20security%20composition_Van%20Veeren.pdf
  • Welland, J. 2018. “Joy and War: Reading Pleasure in Wartime Experiences.” Review of International Studies 44 (3): 438–455. doi:10.1017/S0260210518000050.
  • Wellington, J. 2017. Exhibiting War: The Great War, Museums, and Memory in Britain, Canada, and Australia. Cambridge: Cambridge University Press.
  • Woodward, R., T. Winter, and K. Neil Jenkings. 2009. “Heroic Anxieties: The Figure of the British Soldier in Contemporary Print Media.” Journal of War & Culture Studies 2 (2): 211–223. doi:10.1386/jwcs.2.2.211_1.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.