References
- Andrä, C., B. B. de Guevara, L. Cole, and D. House. Forthcoming. “Knowing through Needlework: Conflict Textiles as Primary Sources and Curating as Methodology for the Study of War and Violence in IR.” Critical Military Studies Special Issue Curating Conflict.
- Conflict Textiles Stitched Voices Exhibition Aberystwyth Arts Centre. 2017. Accessed 6 December 2018. http://cain.ulster.ac.uk/conflicttextiles/search-quilts/fullevent/?id=157
- Conway Mill. Culture Northern Ireland. 2018. “The Story of Irish Linen.” Accessed 4 June 2018. http://www.culturenorthernireland.org/features/heritage/story-irish-linen
- Hendy, D. 2013. NOISE: A Human History Of Sound & Listening. London: Profile Books.
- Parker, R. 2010. The Subversive Stitch: Embroidery and the Making of the Feminine. London: I.B.Tauris.
- Schafer, M. R. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vermont: Destiny Books.
- Voegelin, S. 2010. Listening to Noise and Silence: Towards a Philosophy of Sound Art. New York: Continuum International Publishing Group.