153
Views
0
CrossRef citations to date
0
Altmetric
Articles

Exploring the Affective and Spatial Politics of Choral Music Performance through Focus Groups with Singers

&
Pages 445-461 | Received 03 Feb 2022, Accepted 07 Mar 2023, Published online: 29 Jun 2023

REFERENCES

  • Ahmed, S. 2007. A phenomenology of whiteness. Feminist Studies 8 (2):149–68.
  • Balsnes, A. H. 2016. Hospitality in multicultural choral singing. International Journal of Community Music 9 (2):171–89. doi:10.1386/ijcm.9.2.171_1.
  • Belfiore, E. 2002. Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies and social impact studies in the UK. International Journal of Cultural Policy 8 (1):91–106. doi:10.1080/102866302900324658.
  • Belfiore, E., and O. Bennett. 2007. Determinants of impact: Towards a better understanding of encounters with the arts. Cultural Trends 16 (3):225–75. doi:10.1080/09548960701479417.
  • Bell, C. 2004. Update on community choirs and singing in the United States. International Journal of Research in Choral Singing 2 (1):39–52.
  • Bradley, D. 2003. Singing in the dark: Choral music education and the other. Philosophy of Music Education Symposium, Lake County, IL, USA.
  • Bradley, D. 2009. Oh, that magic feeling! Multicultural human subjectivity, community, and fascism’s footprints. Philosophy of Music Education Review 17 (1):56–74. doi:10.2979/PME.2009.17.1.56.
  • Bull, A. 2019. Class, control, and classical music. Oxford: Oxford University Press.
  • Chadwick, R. 2021. On the politics of discomfort. Feminist Studies 2 (4):556–74.
  • Cho, R. 2015. Cultural appropriation and choral music: A conversation that can make both our music and community better. Choral Journal 55 (10):59–63.
  • Clarke, G. E. 1997. White like Canada. Transition (73):98–109. doi:10.2307/2935447.
  • Cockayne, D. 2019. Considering Matthew Shepard: Normative and anti-normative queer spatial narratives and the politics of performance in choral music. cultural geographies 26 (4):471–85. doi:10.1177/1474474019856409.
  • Collins, P. H. 2000. Black feminist thought. Boca Raton, FL: Routledge.
  • Crosby, A., and J. Monaghan. 2018. Policing indigenous movements: Dissent and the security state. Nova Scotia: Fernwood.
  • Daniels, S. 2006. Suburban pastoral: Strawberry Field Forever and sixties memory. Cultural Geographies 13 (1):28–54. doi:10.1191/1474474005eu349oa.
  • Davis, K. C. 2004. Oprah’s Book Club and the politics of cross-racial empathy. International Journal of Cultural Studies 7 (4):399–419. doi:10.1177/1367877904047861.
  • de Quadros, A. 2015. Rescuing choral music from the realm of the elite. In The Oxford handbook of social justice in music education, ed. C. Benedict, P. Schmidt, G. Spruce, and P. Woodford, 501–12. Oxford: Oxford University Press.
  • Enns, L., and I. Habibi. 2020. A conversation with Iman Habibi, composer of Color of Freedom. DaCapo Chamber Choir. https://www.youtube.com/watch?v=vjKaXl9o4IU
  • Foster, K., and H. Lorimer. 2007. Some reflections on art-geography as collaboration. Cultural Geographies 14 (3):425–32. doi:10.1177/1474474007078210.
  • Ferguson, R. 2019. Doug Ford’s arts-council cuts puts magazines at risk. Toronto Star. https://www.thestar.com/politics/provincial/2019/10/01/doug-fords-arts-council-cuts-puts-magazines-at-risk-ndp-mpp.html.
  • Gallagher, M., A. Kanngieser, and J. Prior. 2016. Listening geographies: Landscape, affect, and geotechnologies. Progress in Human Geography 36 (3):336–53.
  • Gibbs, L. 2014. Arts-science collaboration, embodied research methods and the politics of belonging: ‘SiteWorks’ and the Shoalhaven River, Australia. Cultural Geographies 21 (2):207–27. doi:10.1177/1474474013487484.
  • Gilbert, D., C. Dwyer, N. Ahmed, L. Cuch, and N. Hyacinth. 2019. The hidden geographies of religious creativity: Place-making and material culture in West London faith communities. Cultural Geographies 26 (1):23–41. doi:10.1177/1474474018787278.
  • Haque, E. 2014. Multiculturalism within a bilingual framework. Canadian Ethnic Studies 46 (2):119–25. doi:10.1353/ces.2014.0034.
  • Haque, E., and D. Patrick. 2015. Indigenous languages and the racial heirarchisation of language in policy in Canada. Journal of Multilingual and Multicultural Development 36 (1):27–41. doi:10.1080/01434632.2014.892499.
  • Hartman, S. 1997. Scenes of subjection. Oxford: Oxford University Press.
  • Hess, J. 2018. Troubling whiteness: Music education and the messiness of equity work. International Journal of Music Education 36 (2):128–44. doi:10.1177/0255761417703781.
  • Higgins, L. 2012. Community music. Oxford: Oxford University Press.
  • Hopkins, P. 2007. Thinking critically and creatively about focus groups. Area 39 (4):528–35. doi:10.1111/j.1475-4762.2007.00766.x.
  • Horsley, S. 2015. Facing the music: Pursuing social justice through music in a neoliberal world. In The Oxford handbook of social justice in music education, ed. C. Benedict, P. Schmidt, G. Spruce, and P. Woodford, 62–77. Oxford: Oxford University Press.
  • Johnson, E. P. 2003. Appropriating blackness: Performance and the politics of authenticity. Durham, NC: Duke University Press.
  • Joseph, M. 2004. Against the romance of community. Minneapolis, ‎MN: University of Minnesota Press.
  • Kavanagh, A. 2020. Researching music- and place-making through engaged practice: Becoming a musicking-geographer. Geographical Review 110 (1–2):92–103. doi:10.1111/gere.12335.
  • Kenny, A. 2022. Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas, and opportunities. International Journal of Music Education 40 (4):542–53. doi:10.1177/02557614221076150.
  • Kertz-Welzel, A. 2016. Daring to question: A philosophical critique of community music. Philosophy of Music Education Review 24 (2):113–30.
  • Kong, L. 2006. Music and moral geographies: Constructions of “nation” and identity in Singapore. GeoJournal 65 (1-2):103–11. doi:10.1007/s10708-006-0013-1.
  • Koza, J. E. 2009. Listening for whiteness: Hearing racial politics in undergraduate school music. In Music education for changing times, ed. T. A. Regelski and J. T. Gates, 85–96. Cham: Springer.
  • Madison, D. S. 1997. Performance, personal narratives, and the politics of possibility. In Turning points in qualitative research, ed. Y. S. Lincoln and N. K. Denzin, 469–86. Lanham, MD: AltaMira Press.
  • Marshall, M. L. 2015. Voce bianca: Purity and whiteness in British early music vocality. Women and Music: A Journal of Gender and Culture 19 (1):36–44. doi:10.1353/wam.2015.0001.
  • Maynard, R. 2017. Policing Black Lives: State violence in Canada from slavery to the present. Nova Scotia: Fernwood.
  • Moore, M. G. 2021. “We just don’t have it”: Addressing whiteness in congregational voicing. In Studying congregational music, ed. A. Mall, J. Engelhardt, and M. M. Ingalls, 156–73. Boca Raton, FL: Routledge.
  • Morrison, M. D. 2017. The sound(s) of subjection: Constructing American popular music and racial identity through Blacksound. Women & Performance: a Journal of Feminist Theory 27 (1):13–24. doi:10.1080/0740770X.2017.1282120.
  • Morrison, T. 2020 [1988]. Unspeakable things unspoken: The Afro-American presence in American literature. In The source of self-regard, ed. T. Morrison, 161–97. Visalia, CA: Vintage.
  • Mott, C. 2019. Precious work: White anti-racist pedagogies in southern Arizona. Social & Cultural Geography 20 (2):178–97. doi:10.1080/14649365.2017.1355067.
  • Parkinson, D. J. 2018. Diversity and inclusion within adult amateur singing groups: A literature review. International Journal of Research in Choral Singing 6:41–65.
  • Payne, E. 2018. The craft of musical performance: Skilled practice in collaboration. Cultural Geographies 25 (1):107–22. doi:10.1177/1474474016684126.
  • Pedwell, C. 2012. Economies of empathy: Obama, neoliberalism, and social justice. Environment and Planning D: Society and Space 30 (2):280–97. doi:10.1068/d22710.
  • Radbourne, J., K. Johanson, H. Glow, and T. White. 2009. The audience experience: Measuring quality in the performing arts. International Journal of Arts Management 11 (3):16–29.
  • Radando, R. 2013. The sound of racial feeling. Daedalus 142 (4):126–34.
  • Raynor, R. 2019. Speaking, feeling, mattering: Theater as method and model for practice-based, collaborative, research. Progress in Human Geography 43 (4):691–710. doi:10.1177/0309132518783267.
  • Revill, G. 2000. Music and the politics of sound: Nationalism, citizenship, and auditory space. Environment and Planning D: Society and Space 18 (5):597–613. doi:10.1068/d224t.
  • Rogers, A. 2012. Geographies of the performing arts: Landscapes, places, and cities. Geography Compass 6 (2):60–75. doi:10.1111/j.1749-8198.2011.00471.x.
  • Rogers, A. 2017. Material migrations of performance. Area 49 (4):495–502. doi:10.1111/area.12338.
  • Rogers, A. 2018. Advancing the geographies of the performing arts: Intercultural aesthetics, migratory mobility and geopolitics. Progress in Human Geography 42 (4):549–68. doi:10.1177/0309132517692056.
  • Rose, G. 1997. Situating knowledges: Positionality, reflexivities and other tactics. Progress in Human Geography 21 (3):305–20. doi:10.1191/030913297673302122.
  • Saldanha, A. 2005. Trance and visibility at dawn: Racial dynamics in Goa’s rave scene. Social & Cultural Geography 6 (5):707–21. doi:10.1080/14649360500258328.
  • Schaaf, R., J. Worrall-Hood, and O. Jones. 2017. Geography and art: Encountering place across disciplines. Cultural Geographies 24 (2):319–27. doi:10.1177/1474474016673068.
  • Walcott, R. 2014. The Book of Others (Book IV): Canadian multiculturalism, the state, and its political legacies. Canadian Ethnic Studies 46 (2):127–32. doi:10.1353/ces.2014.0018.
  • Walmsley, B. 2012. Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value. Journal of Arts & Communities 4 (3):199–215. doi:10.1386/jaac.4.3.199_1.
  • Weston, D., and C. Lenette. 2016. Performing freedom: The role of music-making in creating a community in asylum seeker detention centers. International Journal of Community Music 9 (2):121–34. doi:10.1386/ijcm.9.2.121_1.
  • Wood, N., M. Duffy, and S. J. Smith. 2007. The art of doing (geographies of) music. Environment and Planning D: Society and Space 25 (5):867–89. doi:10.1068/d416t.
  • Wood, N., and S. J. Smith. 2004. Instrumental routes to emotional geographies. Social & Cultural Geography 5 (4):533–48. doi:10.1080/1464936042000317686.
  • Yerichuck, D. 2015. Grappling with inclusion: Ethnocultural diversity and socio-musical experiences in Common Thread Community Chorus of Toronto. Journal of Community Music 8 (3):217–23.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.