REFERENCES
- Ashok, A. 2021. Response to Giles Price’s “Restricted residence.” Picturing the Invisible. https://picturing-the-invisible.art/works/12-restricted-residence.
- BBC Newsnight. 2020. Coronavirus: A global pandemic told through art [Video]. YouTube. Accessed April 7, 2020. https://www.youtube.com/watch?v=DAKGgO7HP-k.
- Becirovic, M. 2020. Review: Among the trees. Era Journal, 12 October 2020. https://erajournal.co.uk/our-journal/review-among-the-trees/.
- Benschop, R. 2009. STS on art and the art of STS. Krisis 1:1–4.
- Bevan, A. 2019. Anne Bevan—Ocean of time. Youtube, uploaded by Okney College UHI Art and Design.
- Brakus, G. 2021. “Picturing the Invisible”: Ten years on from the Fukushima disaster. The New Statesman, 19 November 2021. https://www.newstatesman.com/culture/photography/2021/11/picturing-the-invisible-ten-years-on-from-the-fukushima-disaster.
- Bürger, P. 1974. Theory of the avante-garde. Translated by Shaw, M. Minneapolis: University of Minnesota Press.
- Cutmore, J. 2021. “Picturing the invisible”: The Fukushima disaster 10 years on. BBC Science Focus, 2 December 2021. https://www.sciencefocus.com/events/picturing-the-invisible-the-fukushima-disaster-10-years-on/.
- Davre, A. 2017. Seeing nuclear issues in dagerreotypes: An interview with Takashi Arai. Technologies 7 (2):1–8.
- Davre, A. 2019. Revealing the radioactive contamination after Fukushima in Japanese photography. Trans Asia Photography 10 (1):1–12. doi:10.1215/215820251_10-1-104.
- Douglas, M. 1992. Risk and blame: Essays in cultural theory. New York, NY: Routledge.
- Downey, G. L., and T. Zuiderent-Jerak. 2021. Making and doing: Activating STS through knowledge expression and travel. Cambridge, MA: MIT Press.
- Fraaije, A., M. G. van der Meij, F. Kupper, and J. E. W. Broerse. 2022. Art for public engagement on emerging and controversial technologies: A literature review. Public Understanding of Science (Bristol, England) 31 (6):694–710. doi:10.1177/09636625221093213.
- Frankel, E. 2020. Among the trees review. Time Out, 3 March 2020. https://www.timeout.com/london/art/among-the-trees-review.
- Freed, F., and L. Giovannitti. 1965a. The decision to drop the bomb [Television film]. In NBC White Paper series. New York: NBCUniversal.
- Freed, F., and L. Giovannitti. 1965b. The decision to drop the bomb. New York: Coward McCann.
- Greenberg, C. 2017. Avant-garde and kitsch. In A history of the Western art market, ed. T. Hulst, 24–6. Berkeley, CA: University of California Press.
- Hecht, G. 2012. Nuclear nomads: A look at the subcontracted heroes. Bulletin of the Atomic Scientists, January 9.
- Hecht, G. 2013. Nuclear janitors: Contract workers at the Fukushima reactors and beyond. Asia-Pacific Journal: Japan Focus 11 (1):1–13.
- Hijiya, J. A. 2000. The Gita of Robert Oppenheimer. Proceedings of the American Philosophical Society 144 (2):123–67.
- Jasanoff, S. 2021. Response to Yoi Kawakubo’s “If the radiance of a thousand suns were to burst into the skies at once V.” Picturing the Invisible. https://picturing-the-invisible.art/works/03-if-the-radiance-of-a-thousand-suns-were-to-burst-at-once-into-the-sky.
- Jungk, R. 1958. Brighter than a thousand suns: The personal history of the atomic scientists. James Cleugh, trans. New York: Harcourt, Brace.
- Kent, S. 2020. Among the trees, Hayward Gallery review—a mixture of euphoria and dismay. theartsdesk.com, 7 March 2020. https://theartsdesk.com/visual-arts/among-trees-hayward-gallery-review-mixture-euphoria-and-dismay.
- Kirby, P. W. 2021. Response to Rebecca Bathory’s “Return to Fukushima.” Picturing the Invisible. https://picturing-the-invisible.art/works/08-return-to-fukushima.
- Klausing, P. 2021. Response to Takashi Arai’s “A Mirror on the Other Side, Maquette.” Picturing the Invisible. https://picturing-the-invisible.art/works/04-a-mirror-on-the-other-side.
- Koide, H. 2020. The Fukushima nuclear disaster and the Tokyo Olympics. The Asia-Pacific Journal: Japan Focus 18 (5):1–6.
- Krauss, R. E. 1986. The originality of the avant-garde and other modernist myths. Cambridge, MA: MIT Press.
- Macfarlane, R. 2021. Response to Yoi Kawakubo’s “If the radiance of a thousand suns were to burst into the skies at once IV.” Picturing the Invisible. https://picturing-the-invisible.art/works/02-if-the-radiance-of-a-thousand-suns-were-to-burst-at-once-into-the-sky.
- Mahdy, M. A. A. 2020. The impact of COVID-19 pandemic on the academic performance of veterinary medical students. Frontiers in Veterinary Science 7:594261. doi:10.3389/fvets.2020.594261.
- Mainichi Shimbun. 2015. Over 9 million bags of nuclear cleanup waste piled up across Fukushima Pref. Mainichi Shimbun, December 10. https://mainichi.jp/english/articles/20151210/p2a/00m/0na/020000c.
- Mori, S., and M. Kagaya. 2015. Autoradiograph. Tokyo: Koseisha.
- Muto, R. 2011. This is about how we live…. [Speech] Sayonara Genpatsu demonstration, Tokyo, Japan, 19 September 2011. http://www.bank-einbruch.de/linked/110919_Ruiko_MUTO_Speech_Tokio.pdf.
- Newell, J., L. Robin, and K. Wehner. 2016. Curating the future: Museums, communities, and climate change. New York, NY: Routledge.
- Perera, D., et al. 2021. “To be silent is not neutral”: Curating collective action at The Climate Museum. p|art|icipate 10. https://www.p-art-icipate.net/?p=12779&view-all=1&pdf=12779.
- Rogers, H. S., M. K. Halpern, D. Hannah, and K. de Ridder-Vignone. 2021. Routledge handbook of art, science, and technology studies. New York, NY: Routledge.
- Rugoff, R. 2005. A brief history of invisible art. San Francisco, CA: CCA Wattis.
- Sato, K. 2021. Response to Giles Price’s “Restricted Residence.” Picturing the invisible. https://picturing-the-invisible.art/works/06-restricted-residence.
- Searle, A. 2020. Among the trees review—a knotty problem. The Guardian, 3 March 2020. https://www.theguardian.com/artanddesign/2020/mar/03/among-the-trees-review-hayward-gallery-london-adrian-searle.
- Sedgewick, E. K. 2003. Touching feeling: Affect, pedagogy, performativity. Durham, NC: Duke University Press.
- Smith, A. M. 2021. Response to Giles Price’s “restricted residence.” Picturing the invisible. https://picturing-the-invisible.art/works/12-restricted-residence.
- Stock, A., and C. Stott, eds. 2007. Representing the unrepresentable: Narratives of disaster. Lausanne: Peter Lang.
- Takahashi, M. 2020. The improvised expert: Performing authority after Fukushima (2011–2018). PhD thesis, Department of Geography, University of Cambridge. https://www.repository.cam.ac.uk/items/80731539-c191-4a12-a301-e420c667a100.
- Takahashi, M. 2021a. “Studying up” on Fukushima. EASST Review 40 (2). https://www.easst.net/article/studying-up-on-fukushima/.
- Takahashi, M. 2021b. Dialogue as therapy: The role of the expert in the ICRP Dialogues. Annals of the ICRP 50 (1_Suppl):153–9. doi:10.1177/01466453211033758.
- Takahashi, M. [@makototakahashi5328]. 2021c. Meet the artists “Picturing the invisible” in NE Japan [Video file]. YouTube. Accessed December 31, 2021. https://www.youtube.com/watch?v=TZepgTQbdjE.
- Takahashi, M. [@makototakahashi5328]. 2022a. Curator’s tour of “Picturing the invisible” exhibition [Video file]. YouTube. Accessed January 10, 2022. https://youtu.be/Awy2L6EBEIM.
- Takahashi, M. [@EclecticSpacewalk]. 2022b. “Picturing the invisible” art exhibition & curator’s tour | Munich | Eclectic Spacewalk Productions [Video file]. YouTube. https://www.youtube.com/watch?v=e63bNlk-ZCo&t=140s.
- Takahashi, M. 2023a. Picturing the invisible: Legacies of Fukushima in art. Bulletin of the Atomic Scientists. Accessed March 9, 2023. https://thebulletin.org/2023/03/picturing-the-invisible-legacies-of-fukushima-in-art/.
- Takahashi, M. [@makototakahashi5328]. 2023b. Picturing the invisible: Earthquake, meltdown, memory (Heong Gallery, 2023) [Video file]. YouTube. https://youtu.be/NMMpk6DHXYs.
- Tanaka, M. 2021. Response to Takahashi Arai’s “2017-07-13, A landscape of geiger counters, Yamakiya, Fukushima,” from the Daily D-type Project series. Picturing the Invisible. https://picturing-the-invisible.art/works/09-landscape-of-geiger-counters.
- Tyszczuk, R., J. Smith, and R. Butler, eds. 2019. Culture and Climate Change: Scenarios. Cambridge: Shed.
- Warner, M. 2021. After the fallout. The British Journal of Photography, September/October 2021: Activism and Protest.
- Wynne, B. 2021. Response to Lieko Shiga’s “Portrait of Cultivation” from the Spiral Shore series. Picturing the Invisible. https://picturing-the-invisible.art/works/11-rasen-kaigan