Absolving the American guilt: forgiveness and purification in Clint Eastwood’s cinema

References

• Adams, Marylin. 1991. “Forgiveness: A Christian Model. Faith and Philosophy.” Journal of the Society of Christian Philosophers 8 (3): 277–304.
   Google Scholar
• Adams, James Truslow. 1931. The Epic of America. Boston, MA: Little, Brown and Company.
   Google Scholar
• Aristotle 2013. Poetics. Trans. By I. Bywater. Oxford: Clarendon.
   Google Scholar
• Balló, Jordi, and Xavier Pérez. 1997. La Semilla Inmortal. Barcelona: Anagrama.
   Google Scholar
• Beard, William. 1994. “Unforgiven and the Uncertainties of the Heroic.” Canadian Journal of Film Studies 3 (2): 41–62. doi:https://doi.org/10.3138/cjfs.3.2.41.
   Google Scholar
• Gadamer, Hans-Georg. 1995. Truth and Method. New York, NY: Continuum.
   Google Scholar
• García Mainar, Luis. 2007. “Authorship and Identity in the Cinema of Clint Eastwood.” Atlantis 29 (2): 27–37.
   Google Scholar
• Girgus, Samuel. 2014. Clint Eastwood's America. Malden, MA: Polity Press.
   Google Scholar
• Grenz, Stanley. 2000. Theology for the Community of God. Cambridge: Wm. B. Eerdmans Publishing.
   Google Scholar
• Groves, Tim. 2001. “The Un/forgiven director.” Screening the Past. March 12. http://www.screeningthepast.com/issue-12-first-release/the-unforgiven-director/
   Google Scholar
• Hamilton, C. 2017. “The Trauma of Cyclical Violence in Mystic River.” In Clint Eastwood's Cinema of Trauma. Essays on PTSD in the Director’s Films, edited by C. Hamilton and A. Redmon, 99–114. Jefferson, NC: McFarland.
   Google Scholar
• Kübler-Ross, E., and D. Kessler. 2014. On Grief & Grieving: Finding the Meaning of Grief through the Five Stages of Loss. New York, NY: Scribner.
   Google Scholar
• Kupfer, Joseph. 2008. “Seductive and Subversive Metanarrative of Unforgiven.” Journal of Film and Video 60 (3–4): 103–114. doi:https://doi.org/10.1353/jfv.0.0015.
   Web of Science ®Google Scholar
• Lewis, C. S. 1976. A Grief Observed. New York, NY: Bantham.
   Google Scholar
• Lindvall, Terry. 2019. God on the Big Screen. A History of Hollywood Prayer from the Silent Era to Today. New York, NY: New York University Press.
   Google Scholar
• Marks, Dara. 2009. Inside Story. The Power of the Transformational Arc. London: A & C Black.
   Google Scholar
• McKee, Robert. 1999. Story. Substance, Structure, Style and the Principles of Screenwriting. London: Methuen Film.
   Google Scholar
• Myers, Kelly. 2011. “Metanoia and the Transformation of Opportunity.” Rhetoric Society Quarterly 41 (1): 1–18. doi:https://doi.org/10.1080/02773945.2010.533146.
   Web of Science ®Google Scholar
• Plantinga, Carl. 1998. “Spectacles of Death: Clint Eastwood and Violence in Unforgiven.” Cinema Journal 37 (2): 65–83. doi:https://doi.org/10.2307/1225643.
   Web of Science ®Google Scholar
• Redmon, Allen. 2017. “He’s Here and He’s There”: Projecting Recovery in American Sniper and Sully.” In Clint Eastwood's Cinema of Trauma. Essays on PTSD in the Director's Films, edited by C. Hamilton and A. Redmon, 158–174. Jefferson, NC: McFarland.
   Google Scholar
• Roche, Mark, and Vittorio Hösle. 2011. “Cultural and Religious Reversals in Clint Eastwood’s Gran Torino.” Religion and the Arts 15 (5): 648–679. doi:https://doi.org/10.1163/156852911X596273.
   Google Scholar
• Sánchez-Escalonilla, A. 2001. Estrategias de Guion Cinematográfico. Barcelona: Ariel.
   Google Scholar
• Scott, James. 2009. “Altered States: Landscape, Genre, and the Burden of Guilt in Clint Eastwood's Unforgiven.” Proceedings of the Media Ecology Association 10: 103–114.
   Google Scholar
• Seger, Linda. 1986. Making a Good Script Great. Los Angeles, CA: Samuel French.
   Google Scholar
• Simon, Carolyne J. 2007. “Vengeance, Forgiveness and Redemption in Mystic River.” In Faith, Film and Philosophy. Big Ideas on the Big Screen, edited by R. Geivett, and J. Spiegel, 173–189. Downers Grove, IL: InterVarsity Press.
   Google Scholar
• Slotkin, Richard. 1992. Gunfighter Nation: The Myth of the Frontier in Twentieth Century America. New York, NY: HarperCollins.
   Google Scholar
• Taubin, Amy. 2013. “Staying Power.” In Clint Eastwood: Interviews, edited by Robert Capsis and Kathie Coblentz. Jackson, 193–205, MS: University Press of Mississippi.
   Google Scholar
• Tobias, Ronald. 1993. 20. Master Plots and How to Build Them. New York, NY: Penguin Random House.
   Google Scholar
• Tompkins, Jane. 1992. West of Everything. The Inner Life of Westerns. New York, NY: Oxford University Press.
   Google Scholar
• Turner, Frederick J. 2014. The Significance of the Frontier in American History. Eastern, CT: Martino Fine Books.
   Google Scholar
• Vaux, Sara A. 2012. The Ethical Vision of Clint Eastwood. Cambridge: Wm. B. Eerdmans Publishing.
   Google Scholar
• Wink, Walter. 2014. “Facing the myth of redemptive violence.” Ekklesia. Transforming Politics and Beliefs, November 25. http://old.ekklesia.co.uk/content/cpt/article_060823wink.shtml
   Google Scholar
• Zubiri, Xavier. 1974. Naturaleza, Historia, Dios. Madrid, Spain: Alianza Editorial.
   Google Scholar