Becoming a semiotic technology – a historical study of Instagram's tools for making and sharing photos and videos

References

• Barthes, R. (1977). Image, music, text. London: Fontana.
   Google Scholar
• Boeriis, M. (2009). Multimodal socialsemiotik og levende billeder [Multimodal social semiotics and moving images]. (Unpublished PhD thesis). University of Southern Denmark, Odense.
   Google Scholar
• Bolukbasi, T., Chang, K.-W., Zou, J. Y., Saligrama, V., & Kalai, A. T., et al., (2016). Man is to computer programmer as woman is to homemaker? Debiasing word embeddings. In D. D. Lee, et al. ( Eds.), Advances in neural information processing systems (Vol. 29, pp. 4349–4357). Red Hook, NY: Curran Associates, Inc.
   Google Scholar
• Borges-Rey, E. (2015). News images on Instagram. Digital Journalism, 3(4), 571–593.
   Web of Science ®Google Scholar
• Brügger, N. (2015). A brief history of Facebook as a media text: The development of an empty structure. First Monday, 20(5). Retrieved from http://firstmonday.org/ojs/index.php/fm/article/view/5423/4466
   Google Scholar
• Brügger, N. (2018). Web history and social media. In J. Burgess, A. Marwick, & T. Poell ( Eds.), The SAGE handbook of social media (pp. 196–212). London: SAGE Publications.
   Google Scholar
• Buolamwini, J., & Gebru, T. (2018). Gender shades: Intersectional accuracy disparities in commercial gender classification. Proceedings of Machine Learning Research, 81, 1–15.
   Google Scholar
• Caoduro, E. (2014). Photo filter apps: Understanding analogue nostalgia in the new media ecology. Networking Knowledge, 7(2), 67–82.
   Google Scholar
• Choi, J., & Lee, H. (2012). Facets of simplicity for the smartphone interface: A structural model. International Journal of Human–Computer Studies, 70(2), 129–142.
   Web of Science ®Google Scholar
• Cronin, S. (2012). Skeuomorphism in interface design – tuts+ web design article. Web design tuts+. Retrieved from http://webdesign.tutsplus.com/articles/skeuomorphism-in-interface-design-webdesign-7638
   Google Scholar
• Djonov, E., & Van Leeuwen, T. (2017). The power of semiotic software: A critical multimodal perspective. In J. Flowerdew & J. Richardson ( Eds.), The Routledge handbook of critical discourse analysis (pp. 566–581). London: Routledge.
   Google Scholar
• Halliday, M. (1994). An introduction to functional grammar (2nd ed.). London: Edward Arnold.
   Google Scholar
• Halpern, M., & Humphreys, L. (2014). Iphoneography as an emergent art world. New Media & Society, 18(1), 62–81.
   Web of Science ®Google Scholar
• Helmond, A. (2015, July–December). The platformization of the web: Making web data platform ready. Social Media + Society, 1 (2) 1–11.
   Web of Science ®Google Scholar
• Highfield, T., & Leaver, T. (2015). A methodology for mapping Instagramhashtags. First Monday, 20(1). Retrieved from http://firstmonday.org/ojs/index.php/fm/article/view/5563
   Google Scholar
• Instagram. (2010–2017). Blog.instagram.com. Retrieved from http://blog.instagram.com/archive
   Google Scholar
• Jewitt, C. (2009). Introduction to part II. In C. Jewitt ( Ed.), The Routledge handbook of multimodal analysis (pp. 93–96).London: Routledge.
   Google Scholar
• Klastrup, L. (2016). Sociale netværksmedier [Social network media]. Frederiksberg: Samfundslitteratur.
   Google Scholar
• Kress, G. (2010). Multimodality. A social semiotic approach to contemporary communication. London: Routledge.
   Google Scholar
• Kress, G., & van Leeuwen, T. (2001). Multimodal discourse. The modes and media of contemporary communication. London: Arnold.
   Google Scholar
• Kress, G., & van Leeuwen, T. (2002). Colour as a semiotic mode: Notes for a grammar of colour. Visual Communication, 1(3), 343–368.
   Google Scholar
• Kress, G., & van Leeuwen, T. (2006). Reading images – the grammar of visual design. (2nd ed.). London: Routledge.
   Google Scholar
• Light, B., Burgess, J., & Duguay, S. (2016). The walkthrough method: An approach to the study of apps. New Media & Society, 11, 1–20.
   Google Scholar
• Manovich, L. (2013). Software takes command. New York, NY: Bloomsbury.
   Google Scholar
• Manovich, L. (2016). Instagram and the contemporary image. Retrieved from http://manovich.net/content/04-projects/147-instagram-and-contemporary-image/instagram_book_manovich.pdf
   Google Scholar
• McVeigh-Schultz, & Baym, N. K. (2015). Thinking of you: Vernacular affordance in the context of the microsocial relationship app, couple. Social Media & Society, 91(2), 1–13.
   Google Scholar
• Moschini, I. (2017). The “Face with Tears of Joy” emoji. A social-semiotic and multimodal insight into a Japan–American mash-up. Hermes, 55, 11–25.
   Google Scholar
• My glass eye. (2011). Instagram 2.0 review: Insta-grumble. Retrieved from http://myglasseye.net/news/instagram-2-0-review-insta-grumble/
   Google Scholar
• Nadin, M. (1988). Interface design: A semiotic paradigm. Semiotica, 69-3(4), 269–302.
   Web of Science ®Google Scholar
• O'Halloran, K. (2009). Historical changes in the semiotic landscape: From calculation to computation. In J. Jewitt ( Ed.), The Routledge handbook of multimodal analysis (pp. 98–113). London: Routledge.
   Google Scholar
• Page, R. E, Barton, D., Unger, J.W., & Zappavigna, M.. (2014). Researching language and social media: A student guide. Oxfordshire: Routledge.,
   Google Scholar
• Poulsen, S. V. (in press). Filtered aesthetics - a study of Instagram's photo filters from a semiotic technology perspective. In F. Forgren, & E. S. Tönnessen (Eds.), Multimodality & aesthetics London/New York, NY: Routledge.
   Google Scholar
• Rettberg, J. W. (2014). Seeing ourselves through technology. How we use selfies, blogs and wearable devices to see and shape ourselves. Basingstoke: Palgrave Macmillan. Retrieved from http://www.palgraveconnect.com/pc/doifinder/10.1057/9781137476661
   Google Scholar
• Rettberg, J. W. (2017). Biometric citizens: Adapting our selfies to machine vision. In A. Kuntsman ( Ed.), Selfie citizenship (pp. 89–96). Cham: Springer International Publishing.
   Google Scholar
• Stevenson, M. (2018). From hypertext to hype and back again: Exploring the roots of social media in early web culture. In J. Burgess, A. Marwick, & T. Poell ( Eds.), The SAGE handbook of social media (pp. 69–88). London: SAGE Publications.
   Google Scholar
• Van Leeuwen, T. (2005). Introducing social semiotics. London: Routledge.
   Google Scholar
• Van Leeuwen, T. (2011). The language of color: An introduction. London: Routledge.
   Google Scholar
• Zappavigna, M. (2012). Discourse of Twitter and social media: How we use language to create affiliation on the web. London: Continuum (now Bloomsbury).
   Google Scholar
• Zappavigna, M. (2016). Social media photography: Construing subjectivity in Instagram images. Visual Communication, 15(3), 271–292.
   Web of Science ®Google Scholar
• Zappavigna, M., & Zhao, S. (2017). Selfies in 'mommyblogging': An emerging visual genre. Discourse, Context & Media, 20, 239–247.
   Web of Science ®Google Scholar