Lost and found: an avant-garde trajectory into the audiovisual essay

References

• Álvarez López, Cristina, and Adrian Martin. 2014. “Introduction to the audiovisual essay: A child of two mothers.” NECSUS Autumn 2014: https://necsus-ejms.org/introduction-audiovisual-essay-child-two-mothers/.
   Google Scholar
• Arnheim, Rudolph. 1969. Visual Thinking. Berkeley: University of California Press.
   Google Scholar
• Arthur, Paul. 2011. “A Panorama Compounded of Great Human Suffering and Ecstatic Filmic Representation.” In Optic Antics: The Cinema of Ken Jacobs, edited by Michele Pierson, David E. James, and Paul Arthur, 25–37. Oxford: Oxford University Press.
   Google Scholar
• Bass, Warren. 1981. “The Past Restructured: Bruce Conner and Others.” Journal of the University Film Association 33 (2): 15–22.
   Google Scholar
• Batty, Craig, and Marsha Berry. 2015. “Constellations and Connections: the Playful Space of the Creative Practice Research Degree.” Journal of Media Practice 16 (3): 181–194.
   Google Scholar
• Bellour, Raymond. 1975. “The Unattainable Text.” Screen 16 (3): 19–28.
   Google Scholar
• Bellour, Raymond. 1979a. “Cine-Repetitions.” Screen 20 (2): 65–72.
   Google Scholar
• Bellour, Raymond. 1979b. “Psychosis, Neurosis, Perversion.” Camera Obscura: Feminism Culture and Media Studies 1-2 (3-1 3-4): 104–132.
   Google Scholar
• Bellour, Raymond. 1985. “Analysis in Flames.” Diacritics 15 (l): 54–56.
   Google Scholar
• Bellour, Raymond. 2001. The Analysis of Film. Bloomington: Indiana University Press.
   Google Scholar
• Belton, John. 2006. “Hitchcock and the Classic Paradigm.” In After Hitchcock: Influence, Imitation and Intertextuality, edited by David Boyd, and R. Barton Palmer, 235–247. Austin: University of Texas Press.
   Google Scholar
• Brewin, Chris. 2001. “Memory Systems in Post-Traumatic Stress Disorder.” International Review of Psychiatry 13: 159–163.
   Web of Science ®Google Scholar
• Child, Abigail. 2011. “The Piper's Son: Content and Performance in the Films of Ken Jacobs.” In Optic Antics: The Cinema of Ken Jacobs, edited by Michele Pierson, David E. James, and Paul Arthur, 107–116. Oxford: Oxford University Press.
   Google Scholar
• Danks, Adrian. 2009. “Shooting the President: Bruce Conner's Report.” Senses of Cinema/ Annotations on Film. 50 April: http://sensesofcinema.com/2009/cteq/report/.
   Google Scholar
• de Bruyn, Dirk. 2014. “Found Found Found” NECSUS: Autumn, 2014. https://necsus-ejms.org/found-found-found/.
   Google Scholar
• Deren, Maya. 1965. “Planning by Eye: Notes on Individual and Industrial Film” Film Culture 39 Winter: 33-37.
   Google Scholar
• Flusser, Vilém. 1988. On writing, complexity and the technical revolutions. Interview in Osnabruck, European Media Art Festival. https://www.youtube.com/watch?v=lyfOcAAcoH8.
   Google Scholar
• Flusser, Vilém. 2000. Towards a Philosophy of Photography. London: Reaktion Books.
   Google Scholar
• Flusser, Vilém. 2011. Into the Universe of Technical Images. Minneapolis: University of Minnesota Press.
   Google Scholar
• Hellawell, Ian, and Chris Brewin. 2004. “A Comparison of Flashbacks and Ordinary Autobiographical Memories of Trauma: Content and Language.” Behaviour Research and Therapy 42: 1–12. doi:10.1016/s0005-7967(03)00088-3.
   PubMed Web of Science ®Google Scholar
• Humm, Maggie. 1997. Feminism and Film. Edinburgh: Edinburgh University Press.
   Google Scholar
• Kuchar, George. 2010. Program Notes for Reason to Live http://www.kucharbrothers.org/new-page-2.
   Google Scholar
• Kuhn, Annette. 1982. Women's Pictures: Feminism and Politics. London: Routledge and Kegan Paul.
   Google Scholar
• MacDonald, Scott. 1986. “Lost Lost Lost Over ‘Lost Lost Lost’.” Cinema Journal 25 (2): 20–34.
   Web of Science ®Google Scholar
• MacDonald, Scott. 1988. A Critical Cinema 1: Interviews with Independent Filmmakers. Los Angeles: University of California Press.
   Google Scholar
• MacDonald, Scott. 1994. “Sp.. Sp.. Sp.. Spaces of Inscription: An Interview with Martin Arnold.” Film Quarterly 48 (1): 2–11
   Web of Science ®Google Scholar
• Mekas, Jonas. 2009. “Program Notes: Lost Lost Lost” Re:voir, Paris. https://re-voir.com/shop/en/jonas-mekas-dvd/152-jonas-mekas-lost-lost-lost.html.
   Google Scholar
• Mirzoeff, Nicholas. 1998. Visual Culture Reader. New York: Routledge.
   Google Scholar
• Mulvey, Laura. 1979. “Feminism, Film and the Avant-Garde.” Framework 10 (Spring): 3–10.
   Google Scholar
• NECSUS. 2014. About NECSUS, https://necsus-ejms.org/about-necsus/.
   Google Scholar
• Røssaak, Eivind. 2011. “Acts of Delay: The Play Between Stillness and Motion in Tom, Tom the Piper's Son.” In Optic Antics: The Cinema of Ken Jacobs, edited by Michele Pierson, David E. James, and Paul Arthur, 96–106. Oxford: Oxford University Press.
   Google Scholar
• Sitney, P. Adams. 1970. Film Culture Reader. New York: Praeger Publishing.
   Google Scholar
• Sitney, P. Adams. 2002. Visionary Film: The American Avant-Garde 1943-2000. 2nd ed. Oxford: Oxford University Press.
   Google Scholar
• Small, Edward S. 1994. Direct Theory: Experimental Film/Video As Major Genre. Carbondale: Southern Illinois University Press.
   Google Scholar
• Films
   Google Scholar
• Alone: Life Wastes Andy Hardy. 1998. Film. Directed by Martin Arnold. Austria.
   Google Scholar
• Berlin Horse. 1970. Film. Directed by Malcolm Le Grice. UK.
   Google Scholar
• Between the Bullet and the Hole. 2015. Video. Directed by Aura Satz. UK.
   Google Scholar
• The Birds. 1963. Film. Directed by Alfred Hitchcock. USA: Universal Pictures.
   Google Scholar
• Capitalism: Slavery. 2006. Video. Directed by Ken Jacobs. USA.
   Google Scholar
• Crossroads. 1976. Film. Directed by Bruce Conner. USA.
   Google Scholar
• Daughter Rite. 1976. Documentary Film. Directed by Michelle Citron. USA.
   Google Scholar
• A Family Affair. 1937. Film. Directed by George B. Seitz. USA: MGM.
   Google Scholar
• Jeanne Dielman's 23 Quai du commerce, 1080 Bruxelles. 1975. Film. Directed by Chantal Akerman. France: Paradise Films.
   Google Scholar
• Journeys from Berlin/1971. 1980. Film. Directed by Yvonne Rainer. USA.
   Google Scholar
• Judge Hardy and Son. 1939. Film. Directed by George B. Seitz. USA: MGM.
   Google Scholar
• Landscape Suicide. 1986. Film. Directed by James Benning. USA.
   Google Scholar
• Little Dog for Roger. 1967. Film. Directed by Malcolm Le Grice. UK.
   Google Scholar
• Love Games. 2013. Animation. Directed by Yumi Joung. South Korea.
   Google Scholar
• Love Laughs at Andy Hardy. 1946. Film. Directed by Willis Goldbeck. USA: MGM.
   Google Scholar
• Meridian Plain. 2016. Video. Directed by Laura Kraning. USA.
   Google Scholar
• Psycho. 1960. Film. Directed by Alfred Hitchcock. USA: Shamley Productions.
   Google Scholar
• A Reason to Live. 1976. Film. Directed by George Kuchar. USA.
   Google Scholar
• Report. 1969. Film. Directed by Bruce Conner. USA.
   Google Scholar
• Silence of the Lambs. 1991. Film. Directed by Jonathan Demme. USA: Strong Heart Productions.
   Google Scholar
• Steps to Harbour. 1992. Film. Directed by Mike Hoolboom. Canada.
   Google Scholar
• Texas Chainsaw Massacre. 1974. Film. Directed by Tobe Hooper. USA: Vortex.
   Google Scholar
• Tom. 2002. Video. Directed by Mike Hoolboom. Canada.
   Google Scholar
• Tom Tom the Piper's Son. 1969. Film. Directed by Ken Jacobs. USA.
   Google Scholar
• Weather Diaries. 1986-90. Video. Directed by George Kuchar. USA.
   Google Scholar