Whose impact is it? A decolonised approach in intercultural communication and creative methods in practice-based research

References

• Bell, Desmond. 2018. “The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research.” In Screen Production Research. Creative Practice as a Mode of Enquiry, edited by Craig Batty, and Susan Kerrigan, 47–66. Cham: Palgrave Macmillan.
   Google Scholar
• Dicks, Bella. 2004. Culture on Display: The Production of Contemporary Visitability. Issues in Cultural and Media Studies. Buckingham: Open University Press.
   Google Scholar
• Ereira, Alan. 1990. The Heart of the World. London: Jonathan Cape.
   Google Scholar
• Geertz, Clifford. 1973. The Interpretation of Cultures. New York: Basic Books.
   Google Scholar
• Gleghorn, Charlotte. 2013. “Reconciliation en Minga: Indigenous Video and Social Justice in Colombia.” Journal of Latin American Cultural Studies 22 (2): 169–194.
   Web of Science ®Google Scholar
• Graham, Laura R., and Glenn Penny. 2014. Performing Indigeneity: Global Histories and Contemporary Experiences. Lincoln: University of Nebraska Press.
   Google Scholar
• Hall, Stuart. 1997. Representation: Cultural Representation and Signifying Practices. London: SAGE Publications.
   Google Scholar
• Knudsen, Erik. 2018. “Method in Madness: A Case Study in Practice Resarch Methods.” In Screen Production Research, edited by Craig Batty, and Susan Kerrigan, 121–142. City: Palgrave Macmillan.
   Google Scholar
• Leuthold, Stephen. 1998. Indigenous Aesthetics, Native Art, Media and Identity. Austin: University of Texas Press.
   Google Scholar
• MacDougall, David. 1998. Transcultural Cinema. Princeton and Oxford: Princeton University Press.
   Google Scholar
• MacDougall, David. 2006. The Corporeal Image: Film, Ethnography and the Senses. Princeton and Oxford: Princeton University Press.
   Google Scholar
• Mannay, Dawn. 2016. Visual, Narrative and Creative Research Methods. London and New York: Routledge.
   Google Scholar
• Martin-Jones, David. 2019. Cinema Against Doublethink. Ethical Encounters with the Lost Parts of World History. London and New York: Routledge.
   Google Scholar
• Mora, Pablo. 2015. Poéticas de la Resistencia. El Video Indígena en Colombia. Bogotá: Cinemateca Distrital.
   Google Scholar
• Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18.
   Google Scholar
• Muñoz, Catalina. 2019. “Moving Pictures: Memory and Photography among the Arhuaco of the Sierra Nevada de Santa Marta, Colombia.” History and Anthropology 28 (3): 375–397. doi:https://doi.org/10.1080/02757206.2017.1281267.
   Web of Science ®Google Scholar
• Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington and Indianapolis: Indiana University Press.
   Google Scholar
• Nichols, Bill. 1995. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington and Indianapolis: Indiana University Press.
   Google Scholar
• Nichols, Bill. 2010. Introduction to Documentary. Bloomington: Indiana University Press.
   Google Scholar
• Poole, Deborah. 1997. Vision, Race, and Modernity: A Visual Economy of the Andean World. Princeton: Princeton University Press.
   Google Scholar
• Rozo, Vidal Antonio. 1964. El Valle de los Arhuacos.
   Google Scholar
• Ruby, Jay. 2000. Picturing Culture, Explorations of Film and Anthropology. Chicago: The University of Chicago Press.
   Google Scholar
• Schiwy, Freya. 2009. Indianizing Film. Decolonization, The Andes, and the Question of Technology. New Brunswick, NJ, and London: Rutgers University Press.
   Google Scholar
• Tobing Rony, Fatimah. 1996. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham: Duke University Press.
   Google Scholar
• Ulloa, Astrid. 2005. The Ecological Native: Indigenous Peoples’ Movements and Eco-Governmentality in Colombia. New York: Routledge.
   Google Scholar
• Vannini, Philip, and Sarah Abbott. 2019. “Going Public. The Reach and Impact of Ethnographic Research.” In Handbook of Arts-Based Research, edited by Patricia Leavy, 689–704. New York and London: The Guilford Press.
   Google Scholar
• Vilanesa, Padre Jose de. 1952. Indios Arhuacos de la Sierra Nevada de Santa Marta; Descripción geográfica – Costumbres de los Indios, Idioma Arhuaco. Editorial Iqueima.
   Google Scholar
• Websites
   Google Scholar
• Art/Practice-Based Research Seminar Series. Accessed October 13, 2022. https://www.agatalulkowska.com/seminar-series.
   Google Scholar
• Communities and Communication – international interdisciplinary conference and Art/Film Festival. Accessed October 13, 2022. https://www.agatalulkowska.com/communitiesandcommunication.
   Google Scholar
• Filmmaking Research Network. accessed October 14, 2021. http://filmmakingresearch.net.
   Google Scholar
• UK Research and Innovation. Accessed October 13, 2021. https://www.ukri.org/councils/esrc/impact-toolkit-for-economic-and-social-sciences/defining-impact/.
   Google Scholar