Disruptive exhibitionism - a performance methodology for surveillance art

References

• Abdul Hadi, Sundus. 2020. Take Care of Your Self: The Art and Cultures of Care and Liberation. Brooklyn, NY: Common Notions.
   Google Scholar
• Abu-Laban, Yasmeen. 2015. “Gendering Surveillance Studies: The Empirical and Normative Promise of Feminist Methodology.” Surveillance & Society 13 (1): 44–56. doi:10.24908/ss.v13i1.5163.
   Google Scholar
• Allen, Anita. 2022. “Dismantling the ‘Black Opticon’: Privacy, Race Equity, and Online Data-Protection Reform.” Yale Law Journal Forum 51: 907–958. https://scholarship.law.upenn.edu/faculty_scholarship/2803.
   Google Scholar
• Atia, Nadia. 2019. “Death and Mourning in Contemporary Iraqi Texts.” Interventions 21 (8): 1068–1086. doi:10.1080/1369801X.2019.1585915
   Google Scholar
• Ball, Kirstie. 2010. “Workplace Surveillance: An Overview.” Labor History 51 (1): 87–106. doi:10.1080/00236561003654776
   Web of Science ®Google Scholar
• Ball, Kirstie S., David J. Phillips, Nicola Green, and Hille Koskela. 2009. “Surveillance Studies Needs Gender and Sexuality.” Surveillance & Society 6 (4): 352–355. doi:10.24908/ss.v6i4.3266.
   Google Scholar
• Banet-Weiser, Sarah. 2018. Empowered: Popular Feminism and Popular Misogyny. Durham: Duke University Press.
   Google Scholar
• Beck, Koa. 2021. White Feminism: From the Suffragettes to Influencers and Who They Leave Behind. New York: Simon and Schuster.
   Google Scholar
• Bigo, Didier. 2008. “Globalized (In)Security: The Field and the Ban-Opticon.” In Terror, Insecurity and Liberty: Illiberal Practices of Liberal Regimes After 9/11, edited by Didier Bigo, and Anastassia Tsoukala, 10–48. London: Routledge.
   Google Scholar
• Bilal, Wafaa. 2007. The PaintBall Project Day 21. YouTube. May 26, 2007. https://www.youtube.com/watch?v=iTNTPBc5jVs.
   Google Scholar
• Bilal, Wafaa, and Kari Lydersen. 2008. Shoot an Iraqi: Art, Life and Resistance under the Gun. San Francisco, CA: City Lights.
   Google Scholar
• Bromwich, Jonah E. 2021. “Amy Cooper, Who Falsely Accused Black Bird-Watcher, Has Charge Dismissed.” The New York Times. October 14, 2021. https://www.nytimes.com/2020/07/06/nyregion/amy-cooper-false-report-charge.html.
   Google Scholar
• Browne, Simone. 2015. Dark Matters: On the Surveillance of Blackness. Durham: Duke University Press.
   Google Scholar
• Butler, Sally, and Roland Bleiker. 2017. “Art as a Political Witness.” Art as a Political Witness 1: 99. doi:10.2307/j.ctvdf0047.12.
   Google Scholar
• Cahill, Susan. 2019. “Visual Art, Corporeal Economies, and the “New Normal” of Surveillant Policing in the War on Terror.” Surveillance & Society 17 (3/4): 352–366. doi:10.24908/ss.v17i3/4.8661.
   Web of Science ®Google Scholar
• Cahill, Susan. 2021. “Surveillance Frontierism.” HELIOTROPE. November 10, 2021. https://www.heliotropejournal.net/helio/surveillance-frontierism.
   Google Scholar
• Cam Hunters. 2020. “Vigilance Is the New Black.” Cam Hunters: The Podcast. https://soundcloud.com/user-565895600/se1-pilot-vigilance-is-the-new-black.
   Google Scholar
• Chan, Julia. 2018. “Violence or Pleasure? Surveillance and the (Non-)Consensual Upskirt.” Porn Studies 5 (3): 351–355. doi:10.1080/23268743.2018.1472035.
   Google Scholar
• Chan, Julia. 2022. “Something to (Not) See: Reading Whiteness through Voyeurism in the Desktop Horror.” Unpublished manuscript. Last modified July 21, 2022. Microsoft Word File.
   Google Scholar
• Cole, Desmond. 2020. The Skin We’re In: A Year of Black Resistance and Power. DoubleDay, Canada: Canada.
   Google Scholar
• Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York: Routledge.
   Google Scholar
• Doughty, Caitlin. 2018. From Here to Eternity: Travelling the World to Find the Good Death. New York: W.W Norton.
   Google Scholar
• Dubrofsky, Rachel E., and Shoshana Amielle Magnet, eds. 2015. Feminist Surveillance Studies. Durham: Duke University Press.
   Google Scholar
• Fitzpatrick, Kyle. 2018. “The Artist Who Turned Her Vagina Into a Camera.” Playboy. February 6, 2018. https://www.playboy.com/read/vagina-camera-artist-dani-lessnau.
   Google Scholar
• Fleetwood, Nicole R. 2011. Troubling Vision Performance, Visuality, and Blackness. Chicago: University of Chicago Press.
   Google Scholar
• Foucault, Michel. 1979. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books.
   Google Scholar
• Fuchs, Christian. 2007. Internet and Society: Social Theory in the Information Age. New York: Routledge.
   Google Scholar
• Galič, Maša, Tjerk Timan, and Bert-Jaap Koops. 2017. “Bentham, Deleuze and Beyond: An Overview of Surveillance Theories from the Panopticon to Participation.” Philosophy & Technology 30 (1): 9–37. doi:10.1007/s13347-016-0219-1
   Google Scholar
• Gates, Kelly A. 2011. Our Biometric Future. New York: New York University Press.
   Google Scholar
• Goldsmith, A. J. 2010. “Policing’s New Visibility.” British Journal of Criminology 50 (5): 914–934. doi:10.1093/bjc/azq033.
   Web of Science ®Google Scholar
• Green, Stuart P. 2018. “To See and Be Seen: Reconstructing the Law of Voyeurism and Exhibitionism.” American Criminal Law Review 55 (2): 203–259. https://ssrn.com/abstract=2983894.
   Google Scholar
• Hameed, Ayesha. 2010. “Borders in the City.” In Imagining Resistance: Visual Culture and Activism in Canada, edited by J. Keri Cronin, and Kirsty Robertson, 121–140. Waterloo: Wilfred Laurier University Press.
   Google Scholar
• Haraway, Donna. 1991. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge.
   Google Scholar
• Hart, Hugh. 2010. “April 14, 1996: JenniCam Starts Lifecasting.” Wired, April 14, 2010. https://www.wired.com/2010/04/0414jennicam-launches/.
   Google Scholar
• Ingram, Alan. 2012. “Experimental Geopolitics: Wafaa Bilal’s Domestic Tension.” The Geographical Journal 178 (2): 123–133. doi:10.1111/j.1475-4959.2011.00455.x.
   Google Scholar
• Kafer, Gary, and Daniel Grinberg. 2019. “Editorial: Queer Surveillance.” Surveillance & Society 17 (5): 592–601. doi:10.24908/ss.v17i5.13541.
   Web of Science ®Google Scholar
• Kapadia, Ronak K. 2019. Insurgent Aesthetics: Security and the Queer Life of the Forever War. Durham: Duke University Press.
   Google Scholar
• King, Moynan. 2012. “Queer Performance: Women and Trans Artists.” Canadian Theatre Review 149: 3–5. doi:10.3138/ctr.149.3
   Web of Science ®Google Scholar
• Knibbs, Kate. 2015. “Jennicam: Why the First Lifecaster Disappeared from the Internet.” Gizmodo. April 14, 2015. https://gizmodo.com/jennicam-why-the-first-lifecaster-disappeared-from-the-169771299.
   Google Scholar
• Koch, Lars, Tobias Nanz, and Johannes Pause. 2018. “Disruption in the Arts: Prologue – IX.” Disruption in the Arts, Culture & Conflict 11: X–X1V. ISSN 2194-7104.
   Google Scholar
• Koskela, Hille. 2002. “Video Surveillance, Gender, and the Safety of Public Urban Space: “peeping Tom” Goes High Tech?” Urban Geography 23 (3): 257–278. doi:10.2747/0272-3638.23.3.257.
   Web of Science ®Google Scholar
• Koskela, Hille. 2004. “Webcams, TV Shows and Mobile Phones: Empowering Exhibitionism.” Surveillance & Society 2 (2/3): 199–215. doi:10.24908/ss.v2i2/3.3374.
   Google Scholar
• Koskela, Hille. 2012. “‘You Shouldn’t Wear That Body’: The Problematic of Surveillance and Gender.” In In Routledge Handbook of Surveillance Studies, edited by Kirstie Ball, Kevin Haggerty, and David Lyon, 49–56. Florence: Routledge.
   Google Scholar
• Koskela, Hille. 2022. “Empowering Exhibitionism in Surveillance Art.” Surveillance Studies Network Conference 2022. Conference talk.
   Google Scholar
• Krasny, Elke, Sophie Lingg, and Lena Fritsch. 2021. “Radicalizing Care: Feminist and Queer Activism in Curating – An Introduction.” In Radicalizing Care, 11–23. London: Sterberg Press.
   Google Scholar
• Laat, De, and B. Paul. 2008. “Online Diaries: Reflections on Trust, Privacy, and Exhibitionism.” Ethics and Information Technology 10 (1): 57–69. doi:10.1007/s10676-008-9155-9
   Google Scholar
• Lacan, Jacques. 2006. “The Signification of the Phallus.” In Écrits: The First Complete Edition in English, edited by Bruce Fink, 575–584. New York: First published in 1958.
   Google Scholar
• Lenot, Marc. 2020. “Le Corps Photographe.” Focales 4: 1-11. July 2, 2020. https://journals.openedition.org/focales/747.
   Google Scholar
• Lenzen, Cecilia. 2021. “Male ‘Karen’ Calls the Police on Indigenous TikToker.” DailyDot. 24 July 2021. https://www.dailydot.com/irl/indigenous-tiktoker-male-karen-calling-police-car/.
   Google Scholar
• Lessnau, Dani. 2020. “Photos from Inside my Vagina.” In A Woman’s Right to Pleasure, edited by Marashi, 80–83. Sweden: BlackBook.
   Google Scholar
• Lessnau, Dani. n.d. “extimité.” Dani Lessnau. Accessed August 12, 2022. https://danilessnau.com/extimite.
   Google Scholar
• Lord, Craig. 2020. “Ottawa Police Apologize After 911 Call Where White Woman Reports Black man on Trail.” Global News. July 10, 2020. https://globalnews.ca/news/7161684/ottawa-police-white-woman-911-call/.
   Google Scholar
• Mathiesen, Thomas. 1997. “The Viewer Society.” Theoretical Criminology 1 (2): 215–234. doi:10.1177/1362480697001002003.
   Google Scholar
• Maynard, Robyn. 2017. Policing Black Lives: State Violence in Canada from Slavery to the Present. Nova Scotia: Fernwood Publishing.
   Google Scholar
• Merson, Emily. 2020. Creative Presence: Settler Colonialism, Indigenous Self-Determination, and Decolonial Contemporary Artwork. Lanham, Maryland: Rowman & Littlefield.
   Google Scholar
• Meulen, Emily van der, and Robert Heynen, eds. 2016. Expanding the Gaze: Gender and the Politics of Surveillance. Toronto: University of Toronto Press.
   Google Scholar
• Mirzoeff, Nicholas. 2011. The Right to Look: A History of Countervisuality. Durham: Duke University Press.
   Google Scholar
• Mol, Colette, and Runette Kruger. 2021. “The Representation of Violence in the Middle East: Diasporic Interventions in the Work of Wafaa Bilal, Tammam Azzam, and Reza Aramesh.” De Arte 56 (2-3): 52–74. doi:10.1080/00043389.2021.2017119
   Web of Science ®Google Scholar
• Monahan, Torin. 2011. “Surveillance as Cultural Practice.” The Sociological Quarterly 52 (4): 495–508. doi:10.1111/j.1533-8525.2011.01216.x
   PubMed Web of Science ®Google Scholar
• Monahan, Torin. 2015. “The Right to Hide? Anti-Surveillance Camouflage and the Aestheticization of Resistance.” Communication and Critical/Cultural Studies 12 (2): 159–178. doi:10.1080/14791420.2015.1006646
   Web of Science ®Google Scholar
• Monahan, Torin. 2018. “Ways of Being Seen: Surveillance Art and the Interpellation of Viewing Subjects.” Cultural Studies 32 (4): 560–581. doi:10.1080/09502386.2017.1374424
   Web of Science ®Google Scholar
• Monahan, Torin. 2020. “The Arresting Gaze: Artistic Disruptions of Antiblack Surveillance.” International Journal of Cultural Studies 23 (4): 564–581. doi:10.1177/1367877920901859
   Web of Science ®Google Scholar
• Monahan, Torin. 2022. Crisis Vision: Race and the Cultural Production of Surveillance. Durham: Duke University Press.
   Google Scholar
• Morgan, M. Jas. 2017. “This Work is Not for You.” Canadian Art. June 5, 2017. https://canadianart.ca/essays/summer-2017-editors-note-lindsay-nixon/.
   Google Scholar
• Morrison, Elise. 2011. “Performing Citizen Arrest: Surveillance art and the Passerby.” International Journal of Performance Arts and Digital Media 7 (2): 239–257. doi:10.1386/padm.7.2.239_1
   Google Scholar
• Morrison, Elise. 2016. Discipline and Desire: Surveillance Technologies in Performance. Ann Arbor: University of Michigan Press.
   Google Scholar
• Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18. doi:10.1093/screen/16.3.6
   Google Scholar
• “Paraphilic Disorders”. 2022. Diagnostic and Statistical Manual of Mental Disorders. DSM Library. American Psychiatric Association Publishing.
   Google Scholar
• Patel, Shaista. 2012. “The Anti-terrorism Act and National Security: Safeguarding the Nation against Uncivilized Muslims.” In Islam in the hinterlands: exploring Muslim cultural politics in Canada, edited by Jasmin Zine, 272–299. Vancouver: UBC Press.
   Google Scholar
• Pérez, Zoralis. 2018. “Dani Lessnau Is A Photographer Who Took Pictures of Her Loves from Inside Her Vagina.” Cultura Colectiva. February 6, 2018. https://culturacolectiva.com/photography/dani-lessnau-photos-with-camera-inside-vagina/.
   Google Scholar
• Ransom, Jan. 2020. “Amy Cooper Faces Chargers After Calling Police on Black Bird-Watcher.” New York Times. July 6, 2020. https://www.nytimes.com/2020/07/06/nyregion/amy-cooper-false-report-charge.html.
   Google Scholar
• Raymond, Ted, and Colton Praill. 2022. “Someone Called Police on a Woman Doing tai chi in an Ottawa Park.” CTV News Ottawa. May 31, 2022. https://ottawa.ctvnews.ca/someone-called-police-on-a-woman-doing-tai-chi-in-an-ottawa-park-1.5925961.
   Google Scholar
• Ringley, Jennifer. 1999. “JenniCam - Frequently Asked Questions.” JenniCam.Org. April 21, 1999. http://web.archive.org/web/19990421003631/http://jennicam.org/faq/general.html.
   Google Scholar
• Sayer, Dana N. 2022. “Care Work and Social Justice in Creative Arts Therapy: Putting Queer Performance Theory and Disability Justice in Conversation with Drama Therapy.” Science Direct 80: 1–6. doi:10.1016/j.aip.2022.101940
   Google Scholar
• Taylor, Emmeline. 2010. “I Spy with My Little Eye: The Use of CCTV in Schools and the Impact on Privacy.” The Sociological Review 58 (3): 381–405. doi:10.1111/j.1467-954X.2010.01930.x
   Web of Science ®Google Scholar
• Tronto, Joan C., and Berenice Fisher. 1990. “Towards a Feminist Theory of Caring.” In Circles of Care: Work and Identity in Women’s Lives, edited by Emily K. Abel, and Margaret K. Nelson, 35–62. Albany State University: New York Press.
   Google Scholar
• Trottier, Daniel. 2012. “Interpersonal Surveillance on Social Media.” Canadian Journal of Communication 37 (2): 320–332. doi:10.22230/cjc.2012v37n2a2536
   Google Scholar
• Tsatsas, Lou. 2018. “My Body Became the Camera.” Fisheye Magazine. https://www.fisheyemagazine.fr/en/discoveries/interview-discoveries/my-body-became-the-camera/.
   Google Scholar
• Turcu, Alexandra. 2018. “The World Seen Through a Vagina. The Photography of Private Space in Dani Lessnau’s Experiment.” Ekphrasis. Images, Cinema, Theory, Media 119 (1): 112–123. doi:10.24193/ekphrasis.19.8.
   Google Scholar
• Tziallas, Evangelos. 2018. “The Pornopticon.” Porn Studies 5 (3): 333–337. doi:10.1080/23268743.2018.1481766.
   Google Scholar
• Unger, Clio. 2015. “‘SHOOT HIM NOW!!!’ Anonymity, Accountability and Online Spectatorship in Wafaa Bilal’s Domestic Tension.” International Journal of Performance Arts and Digital Media 111 (2): 202–218. doi:10.1080/14794713.2015.1084808.
   Google Scholar
• Wilson, Dean, and Tanya. Serisier. 2010. “Video Activism and the Ambiguities of Counter-Surveillance.” Surveillance & Society 8 (2): 166–180. doi:10.24908/ss.v8i2.3484
   Google Scholar