184
Views
2
CrossRef citations to date
0
Altmetric
Articles

Ecocritique as transnational commons

References

  • Adorno, T. W. 2000. Problems of Moral Philosophy. Translated by Edmund Jephcott. Cambridge: Polity.
  • Arendt, H. 1978. “We Refugees”: The Jew as Pariah: Jewish Identity and Politics in the Modern Age. Edited by Ron H. Feldman. New York: Grove Press.
  • Brereton, P. 2005. Hollywood Utopia: Ecology in Contemporary Hollywood Cinema. London: Intellect.
  • Brereton, P. 2016. Environmental Ethics and Film. London: Earthscape/Routledge.
  • Cubitt, S. 2006. Ecomedia. Amsterdam: Rodopi.
  • Cubitt, S. 2017. Finite Media: Environmental Implications of Digital Technology. Durham, NC: Duke University Press.
  • DeNardis, L. 2012. “Hidden Layers of Internet Control: an Infrastructure-based Theory of Internet Governance.” Information, Communication & Society 15 (5): 720–738. doi:10.1080/1369118X.2012.659199.
  • Fay, J. 2018. Inhospitable World: Cinema in the Time of the Anthropocene. Oxford: Oxford University Press.
  • Fossati, G. 2009. From Grain to Pixel: the Archival Life of Film. Amsterdam: Amsterdam University Press.
  • Gustafsson, T., and P. Kääpä, eds. 2013. Transnational Ecocinema: Film Culture in an Era of Environmental Transformation. Bristol: Intellect.
  • Hall, E. 2013. “Gone with a Trace: Emily Hall on Jennifer West’s One Mile Film.” Artforum, February 107.
  • Hegel, G. W. F. 1969. The Science of Logic. Translated by A.V. Miller. New York: Humanities Press.
  • Herzogenrath, B. 2015. “Matter that Images: Bill Morrison’s Decasia.” In Media Matter: the Materiality of Media, Matter as Medium, edited by B. Herzogenrath, 111–137. Bloomsbury: London.
  • Holm, N., and S. Taffel, eds. 2016. Ecological Entanglements in the Anthropocene: Working with Nature. Lanham, MD: Lexington Books.
  • Huhtamo, E. 2004. “‘elements of Screenology: toward an Archaeology of the Screen’.” ICONICS: International Studies of the Modern Image 7: 31–82. Tokyo: The Japan Society of Image Arts and Sciences.
  • Ingram, D. A. 2000. Green Screen: Environmentalism and Hollywood Cinema. Exeter: University of Exeter Press.
  • James, W. 1890. The Principles of Psychology. Volume 1. New York : Henry Holt. https://psychclassics.yorku.ca/James/Principles/prin13.htm.
  • Joyce, J. 1916 [1963]. Portrait of the Artist as a Young Man. The Essential James Joyce. Edited by Harry Levin. Harmondsworth: Penguin. 52–252.
  • Kaganovsky, L., S. MacKenzie, and A. W. Stenport. 2019. Arctic Cinemas and the Documentary Ethos. Bloomington, IN: Indiana University Press.
  • Kant, I. 1952. The Critique of Judgement. Part II: Critique of Teleological Judgement. Translated by James Creed Meredith. Oxford: Oxford University Press.
  • Lardner, J. 1987. Fast Forward: Hollywood, the Japanese and the VCR Wars. New York: Mentor.
  • MacKenzie, S., and A. W. Stenport, eds. 2015. Films on Ice: Cinemas of the Arctic. Edinburgh: Edinburgh University Press.
  • Malm, A. 2016. Fossil Capital: the Rise of Steam Power and the Roots of Global Warming. London: Verso.
  • Maxwell, R., and T. Miller. 2012. Greening the Media. Oxford: Oxford University Press.
  • Moon, B. 2014. Ancient Trees: Portraits of Time. New York: Abbeville Press.
  • Moore, J. W. 2015. Capitalism in the Web of Life: Ecology and the Accumulation of Capital. London: Verso.
  • Mouffe, C. 2005. On the Political. London: Routledge.
  • Murray, R. L., and J. K. Heumann. 2011. That’s All Folks? Ecocritical Readings of American Animated Features. Lincoln: University of Nebraska Press.
  • Murray, R. L., and K. H. Joseph. 2009. Ecology and Popular Film: Cinema on the Edge. Albany: State University of New York Press.
  • Narine, A., ed. 2015. Eco-Trauma Cinema. New York: Routledge.
  • Plumwood, V. 1993. Feminism and the Mastery of Nature. London: Routledge.
  • Rancière, J. 1999. Disagreement: Politics and Philosophy. Trans Julie Rose. Minneapolis: University of Minnesota Press.
  • Rust, S., S. Monani, and S. Cubitt, eds. 2012. Ecocinema Theory and Practice. New York: American Film Institute/Routledge.
  • Starosielski, N. 2015. The Undersea Network. Durham, NC: Duke University Press.
  • Starosielski, N., and J. Walker, eds. 2016. Sustainable Media: Critical Approaches to Media and Environment. London: Routledge.
  • Tahimik, K. 1989. “Cups-of-Gas Filmmaking Vs. Full Tank-cum-Credit Card Fillmaking.” Discourse 11(2) (Spring-Summer): 80–86.
  • Usai, P. C. 2000. Silent Cinema: An Introduction. London: BFI.
  • Vaughan, H. 2019. Hollywood’s Dirtiest Secret: the Hidden Environmental Costs of the Movies. New York: Columbia University Press.
  • von Mossner, A. W., ed. 2014. Moving Environments: Affect, Emotion, Ecology, and Film. Waterloo, ON: Wilfred Laurier University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.