373
Views
0
CrossRef citations to date
0
Altmetric
Articles

‘Transnational film, transnational memory? Collective remembrance in recent pan-asian war films’

References

  • Assmann, A. 2010. “The Holocaust—A Global Memory? Extensions and Limits of a New Memory Community.” In Memory in a Global Age, edited by A. Assmann and S. Conrad, 97–117, Palgrave Macmillan.
  • Assmann, A. 2014. “Transnational Memories.” European Review 22 (4): 546–556. doi:https://doi.org/10.1017/S1062798714000337.
  • Baek, M.-I. 2012. “The Beautiful, the Lame, and the Weird: Three Types of Colonial Heroes in Contemporary Korean Films.” The Review of Korean Studies 15 (2): 7–32. doi:https://doi.org/10.25024/review.2012.15.2.001.
  • DeBoer, S. 2014. “Co-producing the Asia Pacific: Travels in Technology, Space, Time and Gender.” University of Southern California Press.
  • Dowell, P. “Shelter under the Swastika: The John Rabe Story.” NPR, 14 June 2010, https://www.npr.org/templates/story/story.php?storyId=127482829. Accessed 5 Dec 2020.
  • Elley, D. “Purple Sunset.” Variety, 23 Sept. 2001, https://variety.com/2001/film/reviews/purple-sunset-1200469785/. Accessed 9 Dec 2020.
  • Erll, A. 2011. “Travelling Memory.” Parallax 17 (4): 4–18. doi:https://doi.org/10.1080/13534645.2011.605570.
  • Gieselmann, M. 2014. “Chinese Cinema in the Post-Cold War Era and the Legacy of the Sino-Japanese War: Devils on the Doorstep and Purple Sunset.” In Broken Narratives: Post-Cold War History and Identity in Europe and East Asia, edited by S. Weigelin-Schwiedrzik, 85–107. Brill.
  • Higbee, W., and S. H. Lim. 2010. “Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies.” Transnational Cinemas 1 (1): 7–21. doi:https://doi.org/10.1386/trac.1.1.7/1.
  • Hirsch, M. 1997. Family Frames: Photography, Narrative, and Postmemory. Harvard University Press.
  • Hjort, M. 2009. “On the Plurality of Cinematic Transnationalism.” In World Cinemas, Transnational Perspectives, 12–33.
  • Itoh, M. 2010. “Japanese War Orphans in Manchuria.” New York: Palgrave Macmillan.
  • Jiang, Wen, director 2000, Devils on the Doorstep [Guizi Lai Le]. Huayi Brothers and China Film Co-Production Company.
  • José, V. D. 2004. “Mediated Memories: Personal Cultural Memory as Object of Cultural Analysis.” Continuum 18 (2): 261–277. doi:https://doi.org/10.1080/1030431042000215040.
  • Kilbourn, R. 2013. Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema. Routledge.
  • Kirsch, G. 2015. Contemporary Sino-Japanese Relations on Screen: A History, 1989-2005. Bloomsbury Publishing.
  • Kotler, M. L., N. Sugawara, and T. Yamada. 2007. “Chinese and Japanese Public Opinion: Searching for Moral Security.” In Asian Perspective, 31(1), 93–125.
  • Landsberg, A. 2004. “Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture.” Columbia University Press.
  • Langenkamp, H. 2017. “Contested Imaginaries of Collective Harmony.” In China and the West: Music, Representation, and Reception.” edited by H.-L. Yang and M. Saffle, 243–264, University of Michigan Press.
  • Lee, N. J. Y. 2012. “‘Asianization’ and Locally Customized ‘Kor-asian’ Movies: Goodbye, One Day (2010) and Sophie’s Revenge (2009).” Transnational Cinemas 3 (1): 81–92. doi:https://doi.org/10.1386/trac.3.1.81_1.
  • Levy, D., and N. Sznaider. 2002. “Memory Unbound: The Holocaust and the Formation of Cosmopolitan Memory.” European Journal of Social Theory 5 (1): 87–106.
  • Li, R. 2017. “Daichi No Ko Kara Mita Yamazaki Toyoko No Hansen Heiwa Ishiki” [Yamasaki Toyoko’s Anti-War Ideology and Awareness of Peace as Seen in Daichi No Ko].” Ajia Bunka Kenkyū-ka Insei Ronshū , Vol. 7, 185–200.
  • Lu, S. H. 2000. “Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity.” Cinema Journal 40 (1): 25–47. doi:https://doi.org/10.1353/cj.2000.0021.
  • Masaaki, M. 2, 2011. “Chūgoku-tō Zanryū Koji Fujin No Kikoku to Seikatsu Shien” [Support for Returning Japanese Orphans and Women].” Kodomo Kyōiku Hōsendaigaku Kiyō , Vol 2, 109–116.
  • Nogami, T., and Z. Lin. 2017. “Nogami Takako Shi Intabyū: Yamazaki Toyoko to “Daichi No Ko” [Interview with Takako Nogami: Toyoko Yamazaki and Child of the Good Earth].” Jōsaikokusaidaigaku Nihon Kenkyū Sentā Kiyō 8: 53–61.
  • Radstone, S. 2011. “What Place Is This? Transcultural Memory and the Locations of Memory Studies.” Parallax 17 (4): 109–123. doi:https://doi.org/10.1080/13534645.2011.605585.
  • Reading, A. 2011. “Memory and Digital Media: Six Dynamics of the Globital Memory Field.” In On Media Memory, edited by M. Neiger, O. Meyers, and E. Zandberg, 241–252, Palgrave Macmillan.
  • Tsu, T. Y. 2013. “Reconciliation Onscreen: The Second Sino-Japanese War in Chinese Movies.” In East Asia beyond the History Wars, edited by T. Y. Leonid Petrov, M. L. Tsu, and T. Morris-Suzuki, 76–102, Routledge.
  • Wang, Z. 2008. “National Humiliation, History Education, and the Politics of Historical Memory: Patriotic Education Campaign in China.” International Studies Quarterly 52 (4): 783–806. doi:https://doi.org/10.1111/j.1468-2478.2008.00526.x.
  • Yau, K.S.T. 2013. “Meanings of the Imagined Friends: Good Japanese in Chinese War Films.” In Imagining Japan in Post-war East Asia, edited by E. Vickers, N. Shimazu, and P. Morris, 68–84, Routledge.
  • Zhang, Y. 2013. “Contested Images of China, Japan, and Russia: Landscape and Language in Purple Sunset.” In “Orient on Orient: Images of Asia in Eurasian Countries,” edited by M. Tetsuo and G. Koshino, 15–28, Slavic Research Center.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.