(Un)Familiar Spaces: paris in Outside the Law (2010) and Free Men (2011)

References

• Agamben, G. 1998. Homo Sacer: Sovereign Power and Bare Life. Stanford, CA: Stanford University Press.
   Google Scholar
• Agamben, G. 2005. State of Exception. Chicago: University of Chicago Press.
   Google Scholar
• Amine, L. 2018. Postcolonial Paris: Fictions of Intimacy in the City of Light. Wisconsin: University of Wisconsin Pres.
   Google Scholar
• Bayoumi, M. 2000. “Shadows and Light: Colonial Modernity and the Grand Mosquee of Paris.” The Yale Journal of Criticism 13 (2): 267–292. doi:https://doi.org/10.1353/yale.2000.0015.
   Google Scholar
• Bender, S., (2013). Film style and the World War II combat genre. Newcastle-Upon-Tyne: Cambridge Scholars Publishing.
   Google Scholar
• Bergfelder, T. (2005) “National, transnational or supranational cinema? Rethinking European film studies”. Media, Culture & Society, 27 (3): 315–331.
   Web of Science ®Google Scholar
• Bloom, P. 1999. “Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement.” Social Identities 5 (4): 469–487. doi:https://doi.org/10.1080/13504639951446.
   Google Scholar
• Boukhris, L. 2017. “The Black Paris Project: The Production and Reception of a Counter-hegemonic Tourism Narrative in Postcolonial Paris.” Journal of Sustainable Tourism 25 (5): 684–702. doi:https://doi.org/10.1080/09669582.2017.1291651.
   Web of Science ®Google Scholar
• Calderwood, E. 2014. “The invention of al-Andalus: discovering the past and creating the present in Granada's Islamic tourism sites”. The Journal of North African Studies, 19 (1): 27–55.
   Google Scholar
• Cole, J. 2010. “Massacres and Their Historians: Recent Histories of State Violence in France and Algeria in the Twentieth Century.” French Politics and Society 28 (1): 106–126.
   Google Scholar
• Durmelat, S., and V. Swamy, eds. 2011. Screening Integration: Recasting Maghrebi Immigration in Contemporary France. Nebraska: University of Nebraska Press.
   Google Scholar
• Durovicová, N., and Newman, K. (2010) World Cinemas: Transnational Perspectives. New York and Oxon: Routledge.
   Google Scholar
• Ezra, E., and Rowden, T. (eds.). (2006). Transnational cinema: the film reader. Oxon and New York: Routledge.
   Google Scholar
• Gardaphé, F. L. 2006. From Wiseguys to Wise Men: The Gangster and Italian American Masculinities. London: Routledge.
   Google Scholar
• Gott, M. 2013. “Traveling beyond the National: Mobile Citizenship, Flexible Identities, and Layered Republicanism in the French Return Road Movie.” Contemporary French Civilization 38 (1): 73–95. doi:https://doi.org/10.3828/cfc.2013.4.
   Google Scholar
• Hastie, A. 2020. “Popular Postcolonial Masculinities: Gangsters and Soldiers in Maghrebi-French Cinema.” Gender, Place & Culture 27 (2): 153–174. doi:https://doi.org/10.1080/0966369X.2019.1596884.
   Web of Science ®Google Scholar
• Hastie, A. 2021. “Postcolonial Geopolitics: Reading Contemporary Geopolitics in Maghrebi-French War Films. “Geopolitics, 1–18. . doi:https://doi.org/10.1080/14650045.2021.1882426
   Web of Science ®Google Scholar
• Higbee, W. 2001. “Screening the ‘Other’ Paris: Cinematic Representations of the French Urban Periphery in La Haine and Ma 6-T Va Crack-er.” Modern & Contemporary France 9 (2): 197–208. doi:https://doi.org/10.1080/09639480120040851.
   PubMedGoogle Scholar
• Higbee, W. 2019a. Mathieu Kassovitz. Manchester: Manchester University Press.
   Google Scholar
• Higbee, W. 2019b. “Moroccan Diasporic Cinema: The ‘Rooted Transnationalism’ of the Cinéastes de Passage.” Transnational Screens 10 (2): 75–88. doi:https://doi.org/10.1080/25785273.2019.1641285.
   Google Scholar
• Higbee, W, Lim, S. H. 2013. “Concepts of transnational cinema: towards a critical transnationalism in film studies.“ Transnational Cinemas 1 (1): 7–21.
   Google Scholar
• House, J., and MacMaster, N. 2006. Paris 1961: Algerians, state terror, and memory. Oxford: Oxford University Press.
   Google Scholar
• House, J., and N. MacMaster. 2006. Paris 1961: Algerians, State Terror, and Memory. Oxford: Oxford University Press.
   Google Scholar
• House, J. 2017. “Colonial Containment? Repression of Pro-independence Street Demonstrations in Algiers, Casablanca and Paris, 1945-1962. “ War in History 24.
   Web of Science ®Google Scholar
• Levine, A. J. M. 2008. “Mapping Beur Cinema in the New Millennium.” Journal of Film and Video 60 (3–4): 42–59. doi:https://doi.org/10.1353/jfv.0.0010.
   Web of Science ®Google Scholar
• Lim, S. H. 2019. “Concepts of Transnational Cinema Revisited.” Transnational Screens 10 (1): 1–12. doi:https://doi.org/10.1080/25785273.2019.1602334.
   Google Scholar
• Martin-Jones, D. 2019. “Transnational Turn or Turn to World Cinema?” Transnational Screens 10 (1): 13–22. doi:https://doi.org/10.1080/25785273.2019.1578527.
   Google Scholar
• Martin, L. L., and M. L. Mitchelson. 2009. “Geographies of Detention and Imprisonment: Interrogating Spatial Practices of Confinement, Discipline, Law, and State Power.” Geography Compass 3 (1): 459–477. doi:https://doi.org/10.1111/j.1749-8198.2008.00196.x.
   Google Scholar
• Maussen, M. 2007. “Islamic Presence and Mosque Establishment in France: Colonialism, Arrangements for Guestworkers and Citizenship.” Journal of Ethnic and Migration Studies 33 (6): 981–1002. doi:https://doi.org/10.1080/13691830701432889.
   Web of Science ®Google Scholar
• McDonnell, H. 2013. “Water, North African Immigrants, and the Parisian Bidonvilles, 1950s - 1960s.” Radical History Review 2013 (116): 31–58. doi:https://doi.org/10.1215/01636545-1965684.
   Google Scholar
• McDougall, J. 2010. “The Secular State’s Islamic Empire: Muslim Spaces and Subjects of Jurisdiction in Paris and Algiers, 1905–1957.” Comparative Studies in Society and History 52 (3): 553–580. doi:https://doi.org/10.1017/S0010417510000307.
   Web of Science ®Google Scholar
• Naficy, H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. New Jersey: Princeton University Press.
   Google Scholar
• Ponzanesi, S., and V. Berger. 2016. “Introduction: Genres and Tropes in Postcolonial Cinema (S) in Europe.” Transnational Cinemas 7 (2): 111–117. doi:https://doi.org/10.1080/20403526.2016.1217641.
   Google Scholar
• Rancière, J. 1998. “The Cause of the Other.” parallax 4 (2): 25–33. doi:https://doi.org/10.1080/135346498250217.
   Google Scholar
• Rosello, M. 1997. “French Bidonvilles in the 1960s: Urban & Individual Initiatives.” Culture, Theory and Critique 40 (1): 97–110.
   Google Scholar
• Said, E. (1994) Culture and imperialism. New York: Vintage.
   Google Scholar
• Tarr, C. 1993. “Questions of Identity in Beur Cinema: From Tea in the Harem to Cheb.” Screen 34 (4): 321–342. doi:https://doi.org/10.1093/screen/34.4.321.
   Web of Science ®Google Scholar
• Tarr, C. 2005. Reframing Difference: Beur and Banlieue Filmmaking in France. Manchester: Manchester University Press.
   Google Scholar
• Ticktin, M. 2005. “Policing and Humanitarianism in France: Immigration and the Turn to Law as State of Exception.” Interventions 7 (3): 346–368. doi:https://doi.org/10.1080/13698010500268148.
   Google Scholar
• Tuastad, D. 2017. “‘State of Exception’ or ‘State in Exile’? the Fallacy of Appropriating Agamben on Palestinian Refugee Camps.” Third World Quarterly 38 (9): 2159–2170. doi:https://doi.org/10.1080/01436597.2016.1256765.
   Web of Science ®Google Scholar