References
- Akin, F., Dir. 2009. Soul Kitchen. Germany/France/Italy: IFC Films/The Match Factory/Corazon International Production.
- Aleksic´, T. 2016. “Sex, Violence, Dogs and the Impossibility of Escape: Why Contemporary Greek Film Is so Focused on Family.” Journal of Greek Media and Culture 2 (2): 155–171. doi:10.1386/jgmc.2.2.155_1.
- Barraclough, L. 2017. “Film Republic to Launch Tonia Mishiali’s ‘Pause’ at Berlin Market (EXCLUSIVE).” Variety, December 21. https://variety.com/2017/film/global/film-republic-tonia-mishiali-pause-berlin-1202647452/
- Chalkou, M. 2020. “Greece: Transnational Dynamics in Greek Cinema since the Crisis.” In Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits, edited by L. Papadimitriou and A. Grgic, 100–120, Edinburgh: Edinburgh University Press.
- Charalambous, P., Dir. 2016. To Agori Sti Gefira/Boy on the Bridge. Cyprus: AMP Filmworks.
- Charalambous, P., Dir.2021. Patchwork. Cyprus/Israel/Slovenia: AMP Filmworks/Transfax Film Productions/Perfo Production.
- Constandinides, C., and Y. Papadakis, eds. 2015a. Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe. London: Bloomsbury.
- Constandinides, C., and Y. Papadakis. 2015b. “Tormenting History: The Cinemas of the Cyprus Problem.” In Cypriot Cinemas: Memory, Conflict and Identity in the Margins of Europe, edited by C. Constandinides and Y. Papadakis, 117–150. London: Bloomsbury.
- Constandinides, C., and Y. Papadakis. 2020. “Cyprus: Transnational Challenges, Opportunities and Compromises.” In Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits, edited by L. Papadimitriou and A. Grgic, 87–99, Edinburgh: Edinburgh University Press.
- Copti, S., and Y. Shani, Dirs. 2009. Ajami. Germany/Israel/UK: Inosan productions/Twenty Twenty Vision Filmproduktion GmbH.
- De Valck, M. 2007. Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press.
- Dvortsevoy, S., Dir. 2008. Tulpan Kazakhstan/Russia/Germany/Poland/Switzerland/Italy: PallasFilm/CTBFilmCompany/CobraFilmAG .
- Economou, V. 2017. “Tonia Mishiali Wraps the Shoot for Pause” Cineuropa, March 27. https://cineuropa.org/en/newsdetail/326248/
- Economou, V. 2018a. “EXCLUSIVE: Teaser for Tonia Mishiali’s Pause, Film Republic Launches Sales in Berlin.” Cineuropa, January 24. https://cineuropa.org/en/newsdetail/345901/
- Economou, V. 2018b. “Interview: Marios Piperides – Director.” Cineuropa, April 24. http://www.cineuropa.org/en/interview/352733/
- Elsaesser, T. 2005. European Cinema: Face to Face with Hollywood. Amsterdam: Amsterdam University Press.
- Florides, A., Dir. 2017. Rosemarie. Cyprus: AMP Filmworks.
- Franklin, A. 2018. “FNE at KVIFF 2018: Film in Cyprus Is Blossoming.” Film New Europe, July 7. https://www.filmneweurope.com/news/cyprus-news/item/116615-fne-at-kviff-2018-film-in-cyprus-is-blossoming
- Hadjimichael, M. 2019. “Cyprus Is an Island (1946) - Ethnographic Reflections on a Colonial Documentary.” Cyprus Review 31 (2): 143–165.
- Hjort, M. 2011. “Small Cinemas: How They Thrive and Why They Matter.” Mediascape: UCLA’s Journal of Cinema and Media Studies. http://www.tft.ucla.edu/mediascape/Winter2011_SmallCinemas.html
- Hjort, M. 2015. “The Risk Environment of Small-Nation Filmmaking.” In European Visions: Small Cinemas in Transition, edited by J. Blankenship and T. Nagl, 49–64. Bielefeld: transcript Verlag. doi:10.1515/9783839418185-003.
- Hjort, M. 2016. “Crossing Borders: Going Transnational with “Danish” Film Training, Capacity Building, and Talent Development.” In A Companion to Nordic Cinema, edited by M. Hjort and L. Qvist, 148–171. Chichester: Wiley Blackwell. doi:10.1002/9781118475300.ch7.
- Hjort, M. 2010. “Affinitive and Milieu-building Transnationalism: The Advance Party Initiative.” In Cinema at the Periphery, edited by D. Iordanova, D. Martin-Jones, and B. Vidal, 46–66. Detroit, MI: Wayne State University Press.
- Hunter, A. 2018. “‘Smuggling Hendrix’: Tribeca Review.” Screen Daily, April 21. https://www.screendaily.com/reviews/smuggling-hendrix-tribeca-review/5128321.article
- Kades, A. 2018. “Smuggling Hendrix: The Cyprob via a Dog.” Cyprus Mail, May 13. https://cyprus-mail.com/2018/05/13/smuggling-hendrix-the-cyprob-via-a-dog/
- Karayianni, C., and A. Christou. 2020. “Feminisms, Gender and Social Media: Public and Political Performativities regarding Sexual Harassment in Cyprus.” Feminist Encounters: A Journal of Critical Studies in Culture and Politics 4 (2): 34. doi:10.20897/femenc/8522.
- Kersten, A., and D. Bielby. 2012. “Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom.” Popular Communication 10 (3): 183–200. doi:10.1080/15405702.2012.682931.
- Kleanthous, A. 2005. O Kypriakos Kinimatografos (1962–2005). Cypriot Cinema. Athens: Egokeros.
- Lanthimos, Y., Dir. 2009. Kynodontas/Dogtooth. Greece: Boo Productions.
- Meils, C. 2018. “AMP Filmworks Puts Cyprus on Film Map.” Film New Europe, December 6. https://www.filmneweurope.com/news/cyprus-news/item/117403-amp-filmworks-puts-cyprus-on-film-map
- Mishiali, T., Dir. 2018. Pafsi/Pause. Cyprus/Greece: A.B. Seahorse Film Productions/Soul Productions.
- Pamballis, S., Dir. 2019. Poliorkia Stin Odo Liperti/Siege on Liperti Street. Greece/Cyprus/UK: Med Focus/Argonauts Productions/Faliro House Productions.
- Panayides, T. ( as Preston Wilder) 2018. “It Was the Year of the Women at Thessaloniki Film Festival.” Cyprus Mail, November 12. https://cyprus-mail.com/2018/11/12/it-was-the-year-of-the-women-at-thessaloniki-film-festival/
- Panayides, T. ( as Preston Wilder) 2019. “Film Review: Smuggling Hendrix.” Cyprus Mail, May 13. https://cyprus-mail.com/2019/05/13/film-review-smuggling-hendrix/
- Papadimitriou, L. 2018. “European Co-productions and Greek Cinema since the Crisis: “Extroversion” as Survival.” In European Film and Television Co-production: Policy and Practice, edited by J. Hammett-Jamart, P. Mitric, and E. Novrup Redvall, 207–222, Cham: Palgrave Macmillan.
- Piperides, M., Dir. 2018. Phigadevondas Ton Hendrix/Smuggling Hendrix. Cyprus/Germany/Greece: AMP Filmworks/Pallas Film/View Master Films.
- Proimakis, J. 2016. “Smuggling Hendrix Earns Eurimages Support”. Cineuropa, July 5. https://cineuropa.org/en/newsdetail/312361/
- Rose, S. 2011. “Attenberg, Dogtooth and the Weird Wave of Greek Cinema”. The Guardian, August 27. http://www.guardian.co.uk/film/2011/aug/27/attenberg-dogtoothgreece-cinema
- Simon, A. 2018. “Film Review: ‘Smuggling Hendrix.’” Variety, August 25. https://variety.com/2018/film/festivals/smuggling-hendrix-review-1202909777/
- Socrates, L. 2015. Time and Space in Contemporary Greek-Cypriot Cinema. Oxford: Peter Lang AG, Internationaler Verlag der Wissenschaften.
- Stubbs, J. 2015. “Did You Ever Notice This Dot in the Mediterranean?’ Colonial Cyprus in the Post-war British Documentary.” Historical Journal of Film, Radio and Television 35 (2): 240–256. doi:10.1080/01439685.2015.1027561.
- Stubbs, J. 2020. “Visualizing Empire: Cyprus and the Colonial Travelogue Film in the 1920s.” Journal of Balkan and near Eastern Studies 22 (5): 666–683. doi:10.1080/19448953.2020.1799296.
- Stylianou, E., and N. Philippou. 2019. “Miniature Landscapes.” Photographies 12 (1): 99–116. doi:10.1080/17540763.2018.1501723.
- Tuchman, G. 2000. “The Symbolic Annihilation of Women by the Mass Media.” In Culture and Politics: A Reader, edited by L. Crothers and C. Lockhart, 150–174. New York, NY: Palgrave Macmillan.
- Van Hoeij, B. 2018. “Pause’ (‘Pafsi’): Film Review |Karlovy Vary 2018.” The Hollywood Reporter, July 10. https://www.hollywoodreporter.com/review/pause-pafsi-1125517
- Waterhouse-Watson, D. 2018. ““Our Fans Deserve Better”: Erasing the Victim of Blake Ferguson’s Sexual Crime.” Communication & Sport 6 (4): 436–456. doi:10.1177/2167479517724418.