Filmography
- Bande de filles, 2014. Céline Sciamma, France.
- Naissance des pieuvres, 2007. Céline Sciamma, France.
- Tomboy, 2010. Céline Sciamma, France.
- Armstrong, V. 2005. ““Techno, identité, corps: Les expériences féminines dans la dance music.” Trans. J. Hansen.” Mouvements 42: 32–42.
- Bradbury-Rance, C. 2019. Lesbian Cinema after Queer Theory. Edinburgh: Edinburgh University Press.
- Bretthauer, B., T. S. Zimmerman, J. H. Banning. 2007. “A Feminist Analysis of Popular Music: Power Over, Objectification Of, and Violence against Women.” Journal of Feminist Family Therapy 18 (4): 29–51. doi:10.1300/J086v18n04_02.
- Copland, A. 1949. “Tip to Moviegoers: Take off Those Ear Muffs.” New York Times. Accessed January 2018. https://search.proquest.com/docview/105910907
- Demers, J. 2010. Listening through the Noise: The Aesthetics of Experimental Electronic Music. Oxford: Oxford University Press.
- Edney, G. 2017. “Language Barriers? Songs, Nostalgia and Adolescence in Lisa Azuelos’s LOL (2009).” Exclamat!on: An Interdisciplinary Journal 1 (1): 5–23. Accessed March 2020. https://humanities.exeter.ac.uk/media/universityofexeter/collegeofhumanities/english/research/exclamationjournal/ExclamationVol1.pdf
- Handyside, F. 2016. “Emotion, Girlhood and Music in La Naissance Des Pieuvres and Un Amour De Jeunesse.” In International Cinema and the Girl, edited by F. Handyside and K. Taylor-Jones, 121–133. Basingstoke: Macmillan.
- James, M. 2003. French Connections: From Discothèque to Discovery. London: Sanctuary.
- Kalinak, K. 1992. Settling the Score: Music and the Classical Hollywood Film. Madison: University of Wisconsin Press.
- Kassabian, A. 2001. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. London: Routledge.
- McNeill, I. 2018. “‘Shine Bright like a Diamond’: Music, Performance and Digitextuality in Céline Sciamma’s Bande De Filles (2014).” Studies in French Cinema 18 (4): 326–340.
- McRobbie, A. 1994. Postmodernism and Popular Culture. London: Routledge.
- Neill, B. 2017. “Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music.” Leonardo Music Journal 12: 3–6. doi:10.1162/096112102762295052.
- Palmer, T. 2011. Brutal Intimacy: Analyzing Contemporary French Cinema. Middletown: Wesleyan University Press.
- Payen, B. “Céline Sciamma: ‘J’avais envie d’un film solaire’.” UniversCiné. Accessed June 2018. https://www.universcine.com/articles/celine-sciamma-j-avais-envie-d-un-film-solaire
- Richard, B., and H. H. Kruger. 1998. “Raver’s Paradise? German Youth Cultures in the 1990s.” In Cool Places: Geographies of Youth Cultures, edited by T. Skelton and G. Valentine, 162–175. London: Routledge.
- Warne, C. 2006. “Music, Youth and Moral Panics in France, 1960 to Present.” Historia Actual Online 11: 51–64.