https://orcid.org/0000-0001-8005-564X
Bibliography
- Abbas, Ackbar. Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press, 1997.
- Chiang, Howard. “(De)Provincializing China: Queer Historicism and Sinophone Postcolonial Critique.” In Queer Sinophone Cultures, edited by Howard Chiang and Ari Larissa Heinrich, 19–51. London: Routledge, 2013.
- Chow, Rey. “Between Colonizers: Hong Kong’s Postcolonial Self-Writing in the 1990s.” Diaspora 2, no. 2 (1992): 151–70.
- ———. “Nostalgia of the New Wave: Structure in Wong Kar-wai’s Happy Together.” Camera Obscura 14, no. 3 (1999): 30–49. 10.1215/02705346-14-3_42-30
- Khoo, Olivia. “The Ground beneath Her Feet: Fault Lines of Nation and Sensation in Yau Ching’s Ho Yuk: Let’s Love Hong Kong.” GLQ 14, no. 1 (2008): 99–119. 10.1215/10642684-2007-024
- Leung, Helen Hok-Sze. “New Queer Angles on Wong Kar-wai.” In A Companion to Wong Kar-wai, edited by Martha P. Nochimson, 250–71. Malden, MA: Wiley Blackwell, 2016.
- Lim, Song Hwee. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu: University of Hawai’i Press, 2006.
- Shih, Shu-mei. Visuality and Identity: Sinophone Articulations across the Pacific. Berkeley: University of California Press, 2007.
- Wong, Alvin K. “Postcoloniality beyond China-Centrism: Queer Sinophone Transnationalism in Hong Kong Cinema.” In Keywords in Queer Sinophone Studies, edited by Howard Chiang and Alvin K. Wong, 62–79. New York: Routledge, 2020.
- Yue, Audrey. “Mobile Intimacies in the Queer Sinophone Films of Cui Zi’en.” Journal of Chinese Cinemas 6, no. 1 (2012): 95–108. 10.1386/jcc.6.1.95_1
- Zhang, Yingjin. Cinema, Space, and Polylocality in a Globalizing China. Honolulu: University of Hawai’i Press, 2010.