942
Views
5
CrossRef citations to date
0
Altmetric
Original Article

Metamorphosis and the aesthetics of loss: I. Mourning Daphne –The Apollo and Daphne paintings of Nicolas Poussin

Pages 427-449 | Accepted 09 Sep 2010, Published online: 31 Dec 2017

References

  • Adams L (1988). Apollo and Marsyas: A metaphor of creative conflict. Psychoanal Rev 75:319–38.
  • Adams L (1990). The myth of Athena and Arachne: Some oedipal and pre‐oedipal aspects of creative challenge in women and their implications for the interpretation of Las Meninas by Velazquez. Int J Psychoanal 71:597–609.
  • Allen C (2002). Ovid and art. In: Hardie P, editor. The Cambridge companion to Ovid, 336–67. Cambridge: Cambridge UP.
  • Baudry F (2007). Absence, ambiguity, and the representation of creativity in Vermeer’s The art of painting. Psychoanal Q 76:583–608.
  • Bergmann MS (1984). The legend of Narcissus. Am Imago 41:389–411.
  • Blunt A (1967). Poussin. Washington, DC: National Gallery of Art.
  • Burrow C (2002). Re‐embodying Ovid: Renaissance afterlives. In: Hardie P, editor. The Cambridge companion to Ovid, 301–19. Cambridge: Cambridge UP.
  • Carrier D (1993). Poussin’s paintings: A study in art–historical methodology. University Park, PA: Pennsylvania State UP.
  • Chasseguet‐smirgel J (1984). Thoughts on the concept of reparation and the hierarchy of creative acts. Int Rev Psychoanal 11:399–406.
  • Christiansen K (2008). A brief biography of Nicolas Poussin. In: Rosenberg P, Christiansen K, editors. Poussin and nature: Arcadian visions, 119–26. New York, NY: The Metropolitan Museum of Art.
  • Costello J (1955). Poussin’s drawings for Marino and the new classicism. I. Ovid’s Metamorphoses. J Warburg Courtauld Inst 18:296–317.
  • Cropper E, Dempsey C (1996). Nicolas Poussin: Friendship and the love of painting. Princeton, NJ: Princeton UP.
  • Dawson T (1990). Fear of the feminine in The picture of Dorian Gray. Psychoanal Rev 77:263–80.
  • Denio EH (1899). Nicolas Poussin: His life and work. New York, NY: Scribner’s.
  • Feldherr A (2002). Metamorphosis in the Metamorphoses. In: Hardie P, editor. The Cambridge companion to Ovid, 163–79. Cambridge: Cambridge UP.
  • Freud S (1913). Totem and taboo: Some points of agreement between the mental lives of savages and neurotics. SE 13:vii–162.
  • Greenacre P (1958). The family romance of the artist. Psychoanal Stud Child 13:9–36.
  • Greenberg J (1998). The echo of trauma and the trauma of echo. Am Imago 55:319–47.
  • Hardie P (1999). Metamorphosis, metaphor, and allegory in Latin epic. In: Breissinger M, Tylus J, Wofford S, editors. Epic traditions in the contemporary world, 89–107. Berkeley, CA: U California Press.
  • Haskell F (1995). Poussin’s season. New York Rev Books, 23 March, 42–9.
  • Jelliffe SE, Brink L (1917). The role of animals in the unconscious, with some remarks on theriomorphic symbolism as seen in Ovid. Psychoanal Rev 4:253–71.
  • King H (1983). Bound to bleed: Artemis and Greek women. In: Cameron A, Kuhrt A, editors. Images of women in antiquity, 109–27. Detroit: Wayne State University Press.
  • Kris E (1952). Psychoanalytic explorations in art. New York, NY: International UP.
  • Martin C, translator (2004). Ovid: Metamorphoses. New York, NY: Norton.
  • Orlandini A (2002). Facing sexual violence in a rape emergency room: Identification, projective identification, and the myth of Nemesis. J Am Acad Psychoanal 30:401–13.
  • Parascandola J (2009). From mercury to miracle drugs: Syphilis therapy over the centuries. Pharmacy Hist 51:14–23.
  • Poussin N (1824). Collection de lettres. Quatremère de quincy A‐C, editor. Original, Oxford University; digitized by Google Books, June 15, 2006. Available from: http://www.books.google.com/
  • Restuccia F (1996). Tales of beauty: Aestheticizing female melancholia. Am Imago 53:353–83.
  • Rose L (2001). The survival of images: Art historians, psychoanalysis, and the ancients. Detroit, MI: Wayne State UP.
  • Rosenberg P (2008). Catalogue. In: Rosenberg P, Christiansen K, editors. Poussin and nature: Arcadian visions, 127–372. New York, NY: The Metropolitan Museum of Art and Yale UP.
  • Sharrock A (2002). Gender and sexuality. In: Hardie P, editor. The Cambridge companion to Ovid, 95–107. Cambridge: Cambridge UP.
  • Steinberg L (1968). Michelangelo’s Florentine Pietà: The missing leg. Art Bull 50:343–53.
  • Thuillier J (1995). Poussin before Rome, 1594–1624, Allen C, translator. Paris: Réunion des Musées Nationaux.
  • Tutter A (in press). Metamorphosis and the aesthetics of loss. Part II. Lady of the Woods – the transformative lens of Francesca Woodman. Int J Psychoanal.
  • Unglaub J (2004). Poussin’s reflection. Art Bull 86:505–28.
  • Van gogh V (1959). Complete letters. Greenwich, CT: New York Graphic Society.
  • Webster PD (1949). A critical fantasy or fugue. Am Imago 6:297–309.
  • Wofford S (1999). Epics and the politics of the origin tale: Virgil, Ovid, Spenser, and native American aetiology. In: Breissinger M, Tylus J, Wofford S, editors. Epic traditions in the contemporary world, 239–69. Berkeley, CA: U California Press.
  • Wurmser L (2010). Mourning, double reality and the culture of remembering and forgetting. Unpublished; personal communication.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.