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Further Reading
- Cennini, C. [c. 1954 ] 1960. The craftsman’s handbook. Trans. D.V Thompson, Jr. New York: Dover.
- Jones, M., and M. Spagnol, eds. 1993. Sembrare e non essere: i falsi nell’arte e nella civiltà. Milan: Longanesi.
- Mazzoni, G., and A. Olivetti. 1993. Joni, deliberate counterfeiter or creative artist. The Art Newspaper 25 (Feb): 16–17.
- Newberry, T., G. Bisacca, and L. Kanter. 1990. Italian Renaissance frames. New York: Metropolitan Museum of Art.
- Reed, C. 2004. Wrong! But a nice fake is a valued object in a university art museum. Harvard Magazine. 107/1 .www.harvardmagazine.com/on-line/090432.html (accessed March 2005).
- Siena tra Purismo e Liberty. 1988. Milan: A. Mondadori; Roma: De Luca.
- Thompson, D.V. [c.1936 ] 1962. The practice of tempera painting. New York: Dover Publications.