Effects of Consolidation Measures on Fibrous Materials

Notes and Bibliography

• G. A. Berger, “The Testing of Adhesives for the Consolidation of Paintings”, IIC-AG Technical Papers from 1968 through 1970” (1970), available from: L. J. Majewski, Chairman, Conservation Center, Institute of Fine Arts, New York University.
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• G. A. Berger, “Some Effects of Impregnating Adhesives on Paint Films”, Bulletin of the American Group-IIC,.12, (1972), No. 2.
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• G. A. Berger, “Testing Adhesives for the Consolidation of Paintings”. Studies in Conservation, 17, (1972), No. 4.
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• J. W. S. Hearle, P. Grossberg and S. Backer, “Structural Mechanics of Fibers, Yarns, and Fabrics”, Inter science, John Wiley & Sons, New York, I, (1969).
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• T. Padfield, “The Deterioration of Cellulose”, a literature review, ICOM, Problems of Conservation in Museums, Allen &: Unwin, London, (1969).
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• R. L. Feller, “The Deteriorating Effects of Light on Museum Objects”, Museum News Technical Supplement, (1964), No. 3.
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• Primary crosslinking causes the formation of chemical bonds (larger molecules) which can no longer be broken by solvents or physical action. Secondary crosslinking forms temporary linkages which can be broken by small amounts of energy, as for instance, by solvents.
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• P. Casey, “The Nature of Fiber Bonding”, Chapter VII, Pulp and Paper, II, Second Edition, (1961 ), pp. 664–721: “Glass fibers, artificial silk and asbestos fiber do not produce strong papers because they do not bond to each other ... It is now believed that the predominating force in inter fiber bonding is one of secondary valences or cohesion between hydroxyl groups of adjacent fibrils.. . Hydrogen bonds are believed to be the specific source of interfiber bond energy. . . With ordinary paper, water destroys all bonding because water “dissolves” the cellulose to cellulose bonds”.
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• G. A. Greathouse and C. J. Wessel, “Deterioration of Materials”, Reinhold Publishing Corporation, New York, (1945 ), pp. 469–477.
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• A. J. Hall, “Textile Finishing”, Elsevier Publishing Company, New York (1957 ), p. 124:
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• R. Rosanbaum, “Use of Polyethylene Emulsions in Textile Applications”. American Dyestuff Reporter, 48, (1959 ), pp. 46–49.
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• E. V. Painter, “Some Aspects of the Aging of Coated Fabrics”, American Dyestuff Reporter, 36, (1947 ), p. 767:
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• Permanence/Durability of the Book IV, Polyvinylacetate (PVA) Adhesives for Use in Library Bookbinding, W. J. Barrow Research Laboratory, Richmond, Virginia (1963).
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• R. D. Buck, “Some Applications of Rheology to the Treatment of Panel Paintings”, Studies in Conservation, 17, (1972), No. 1, pp. 1–11.
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• S. Keck, “Mechanical Alterations of the Paint Film”, Studies in Conservation, 14, (1969), No. 1. pp. 9–30 (“Crackle patterns often show the stress lines of the canvas”).
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• Enzo Tassinari, Analisi di Nuovi Tipi di Tele da Rifodero, in Problemi di Conser vazione, G. Urbani, Ed., Editrice Compositori, Bologna, 1974, pp. 156–165. “Tassinari tested canvas and fiberglass before and after impregnation with Beva and found Beva impregnated light-weight fiberglass to have 2–3 times the tear strength and tenacity of heavy canvas whilst having about equal to twice the modulus of elasticity and identical elongation. In resistance to creep and elastic recovery fiberglass outperformed all other fabrics at a rate of at least 1:10.”
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• G. A. Berger, “Weave Interference in Vacuum Lining of Pictures”, Studies in Conservation, 11, (1966 ), No. 4.
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• Mylar, duPont Technical Information Bulletin M-2D, Physical Thermal, and duPont Mylar Polyester Film, Technical Information Bulletin M-1G.
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• Tedlar PYF Film, duPont Technical Information Bulletin TD-lA (1971).
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• Kynar Homopolymer, Pennwalt Engineering Plastics, Technical Bulletin K 68 A-10M – 5/70.
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• The Instron Tensile Tester, Model No. PMML, was put at my disposal through the kindness of Dr. Norman Orentreich, Orentreich Research Corporation, New York.
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