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Book Reviews

Book Reviews

Pages 223-235 | Published online: 18 Jul 2013

REFERENCE

  • Wendler, E., D. D. Klemm, and R. Snethlage. 1991. Consolidation and hydrophobic treatment of natural stone. In Durability of building materials and components: Proceedings of the 5th international conference, Brighton, U.K., ed. J. M. Baker, P. J. Nixon, A. J. Majumdar, and H. Davies. London: Chapman & Hall. 203–12.

REFERENCE

  • Calo, M. A. 1994. Bernard Berenson and the 20th century. Philadelphia: Temple University Press.
  • Carrier, D. 1991. Preservation as interpretation: Principles of art history writing, University Park: Pennsylvania State University.
  • Freedberg, S. J. 1989. Berenson, connoisseurship, and the history of art. New Criterion 7(6): 8.
  • Gombrich, E. H. 1972. Aims and limits of iconology. In Symbolic images: Studies in the art of the Renaissance, Vol. 2, Chicago: University of Chicago Press. 1–25.
  • Kimbell, R. 1995. Art vs. aestheticism: The case of Walter Pater. New Criterion 13 (9): 11.
  • Pater, W. 1894. The Renaissance: Studies in art and poetry. London: Macmillan.
  • Summers, D. 1986. Intentions in the history of art. New Literary History 17: 305–21.
  • Talley, M. K. Jr. 1990. The humanistic foundation in the training of restorers. In The Graduate Conservator in Employment: Expectations and Realities, Proceedings of the Interim Meeting of the Working Group on Training in Conservation and Restoration, ICOM Committee for Conservation. Amsterdam: Opleiding Restauratoren.
  • Talley, M. K. Jr. 1992. Under a full moon with BB: Building a “House of Life.” Museum Management and Curatorship 11:347–73.
  • Talley, M. K. Jr. 1997. Miscreants and Hotentots: Restorers and restoration attitudes and practices in 17th-and 18th-century England. Museum Management and Curatorship 16(1): 35–44.

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