References
- Artioli, G. 2010. Scientific Methods and Cultural Heritage: An Introduction to the Application of Materials Science to Archaeometry and Conservation Science. Oxford and New York: Oxford University Press.
- Autenrieth, H.P., Koller, M. & Wipfler, E.P. 2010/11. Fresko, Freskomalerei. In: Reallexikon zur deutschen Kunstgeschichte, Muenchen: Lieferung, Band X, pp. 715–93.
- Bacher, E. 1969. Mittelalterliche Wandmalereien, Funde 1959–69. ÖZKD, 23: 120–55.
- Biedermann, G. & Leitner, K. 2001. Gotik in Kärnten. Kunstgeschichte Kärntens. Klagenfurt: Carinthia Verlag.
- Bogovčič, I. 1998. Problematika predstavitve stenskih slik na Muljavi. In: Cerkev Marijinega vnebovzetja na Muljavi – konservatorski posegi, Publikacije Restavratorskega centra Republike Slovenije, Dela 3/1998. Ljubljana: RC, pp. 98–113.
- Brachert, T. 2001. Lexikon historischer Maltechniken. Quellen-Handwerk-Technologie-Alchemie. Muenchen: Callwey.
- Brachert, T. 2010. Nachtraege und Corrigenda. Muenchen: Hornemann Institut.
- Denninger, E. 1974. What is Bianco di San Giovanni of Cennino Cennini? Studies in Conservation, 19: 185–7.
- Eastaugh, N., Walsh, V., Chaplin, T. & Siddall, R. 2008. Pigment Compendium: A Dictionary and Optical Microscopy of Historical Pigments. Amsterdam, Boston, Heidelberg, London, New York, Oxford, Paris, San Diego, San Francisco, Singapore, Sydney, and Tokyo: Elsevier.
- Frodl, W. 1944. Die Gotische Malerei Kaerntens. Klagenfurt: Leon.
- Gettens, R.J. & Fitzhugh, E.W. 1993a. Azurite and Blue Verditer. In: A. Roy, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art and Oxford and New York: Oxford University Press, vol. 2, pp. 22–35.
- Gettens, R.J. & Fitzhugh, E.W. 1993b. Malachite and Green Verditer. In: A. Roy, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Artx and Oxford and New York: Oxford University Press, vol. 2, pp. 183–202.
- Gettens, R.J., Fitzhugh, E.W. & Feller, R.L. 1993a. Calcium Carbonate Whites. In: A. Roy, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art and Oxford and New York: Oxford University Press, vol. 2, pp. 203–26.
- Gettens, R.J., Feller, R.L. & Chase, W.T. 1993b. Vermilion and Cinnabar. In: A. Roy, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art and Oxford and New York: Oxford University Press, vol. 2, pp. 159–82.
- Gómez, M.L. 2000. La restauración: Examen científico aplicado a la conservación de obras de arte. Madrid: Instituto del Patrimonio Histórico Español, Cátedra.
- Grissom, C.A. 1986. Green Earth. In: R.L. Feller & A. Roy, eds. Artist's Pigments: A Handbook of Their History and Characteristics. Washington, DC: National Gallery of Art and Cambridge: Cambridge University Press, vol. 1, pp. 141–67.
- Helwig, K. 2007. Iron Oxide Pigments: Natural and Synthetic. In: B. Berry, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art and London: Archetype Publications, vol. 4, pp. 38–109.
- Höfler, J. 1981. Die Gotische Malerei Villachs, Bd. 1. Neues aus Alt–Villach, 19. Jahrbuch des Stadtmuseums. Villach: Museum der Stadt Villach, p. 184.
- Höfler, J. 1982. Die Gotische Malerei Villachs, Bd. 2. Katalog. Neues aus Alt–Villach, 19. Jahrbuch des Stadtmuseums. Villach: Museum der Stadt Villach, p. 62.
- Höfler, J. 1996. Srednjeveške freske v Sloveniji: Gorenjska, I. Ljubljana: Družina d.o.o.
- Höfler, J. 2001. Srednjeveške freske v Sloveniji: Okolica Ljubljane z Notranjsko, Dolenjsko in Belo krajino, III. Ljubljana: Družina d. o. o.
- Kirchweger, F. 2000. Wandmalerei: Aspekte der Technik und Erhaltung. In: H. Fillitz & G. Brucher, eds. Geschichte der Bildenden Kunst in Österreich: Gotik, Bd. 2. München, London, New York, and Wien: Prestel Verlag.
- Knoepfli, A., Emmenegger, O., Koller, M. & Meyer, A. 1990. Reclams Handbuch der künstlerischen Techniken, I–II. Stuttgart: Philipp Reclam jun.
- Koller, M. 2007. Towards a Methodology of Architectural Paint Research. Experiences in Austria and Central Europe. In: L. Bregnhoi, ed. International Conference on Architectural Paint Research in Building Conservation, Copenhagen 8–11 May 2005. London: Archetype Publications Ltd., pp. 175–81.
- Križnar, A. 2006. Slog in tehnika srednjeveškega stenskega slikarstva na Slovenskem. Ljubljana: ZRC SAZU, ZIFF.
- Kühn, H. 1993. Lead-Tin Yellow. In: A. Roy, ed. Artist's Pigments: A Handbook of their History and Characteristics. Washington, DC: National Gallery of Art and Oxford and New York: Oxford University Press, vol. 2, pp. 83–112.
- Mairinger, F. 1985. Naturwissenschaftliche Untersuchungen an Wandmalereien, Historische Technologie und Konservierung von Wandmalerei. Bern and Stuttgart: Verlag Paul Haupt.
- Montagna, G. 2005. I pigmenti. Prontuario per l'arte e il restauro. Firenze: Nardini Editore.
- Mora, P., Mora, L. & Philippot, P. 2001. La conservazione delle Pitture Murali. Bologna: Compositori.
- Nemec, I. 1995. Gotika v Sloveniji: O materialih. In: Gotika v Sloveniji, Nastanek, ogroženost, reševanje likovne dediščine. Ljubljana: Narodna galerija, Restavratorski center RS, pp. 35–41.
- Palazzi, A. 1997. Analisi chimica per l'arte e il restauro: Principi, tecniche, applicazzioni. Fiesole: Nardini Editore.
- Serchi, M. 1999. Cennino Cennini: Il Libro dell'Arte. Firenze: Felice Le Monnier.
- Stele, F. 1921. Slikar Johannes concivis in Laybaco. Zbornik za umetnostno zgodovino, 1: 1–48.
- Stele, F. 1969. Slikarstvo v Sloveniji od 12. do 16. Stoletja. Ljubljana: Slovenska matica.
- Volpin, S. & Appolonia, L. 2002. Le análisis di laboratorio aplícate ai beni artistici policromi. I Talenti: metodologie, tecniche e formazione nel mondo del restauro, 2. Padova: Il Prato.
- Zanardi, B. 2002. Giotto e Pietro Cavallini: la quiestione di Assisi e il cantiere medievale della pittura a fresco. Milano: Skira.