285
Views
3
CrossRef citations to date
0
Altmetric
Original research or treatment papers

A passion for portraits: Elizabeth Cay's pastels

&
Pages 279-288 | Received 01 Aug 2013, Accepted 01 Feb 2014, Published online: 18 Mar 2014

References

  • Amblard, M. 2010. The Scottish Painters' Exile in Italy in the Eighteenth Century. Etudes écossaises, 13:18 pages [accessed 29 August 2012]. Available at: <http://etudesecossaises.revue.org/index219.html>
  • Anon. 1820. Progress and Present State of the Fine Arts in Scotland. The Edinburgh Annual Registry, 9 (1808–1826): cdlxx–cdlxxxi.
  • Anon. 2008. Behind the Portraits: Selected Works from the Cay Gift (information sheet). Queensland (Australia): Toowoomba Regional Art Gallery.
  • Bateson, E. 1895. A History of Northumberland, 2. Newcastle-upon-Tyne: Andrew Reid.
  • Berry, J. 2013. December. [personal communication].
  • Bomford, D., Kirby, J., Leighton, J. & Roy, A. 1990. Art in the Making: Impressionism. London: National Gallery.
  • Boutet, C. 1708. Traité de la Peinture au pastel. The Hague: Louis & Hendry van Dole.
  • Burns, T. 2007. The Invention of Pastel Painting. London: Archetype.
  • Campbell, L. & Garnett, W. 1882. The Life of James Clerk Maxwell. London: Macmillan and Co.
  • Christie, Manson & Woods. 1910. Catalogue of Important Works of the Early British School and Pictures by Old Masters, July 8, 1910. London: Christie Manson and Woods.
  • Cumming, M. ed. 2004. The Carlyle Encyclopedia. Madison: Fairleigh Dickinson University.
  • Denney, C. 2009. Review: Stephen Lloyd and Kim Sloan. The Intimate Portrait: Drawings, Miniatures and Pastels from Ramsay to Lawrence. Journal of British Studies, 48(4):1009–11.
  • Dossie, R. 1758. The Handmaid to the Arts, 1st ed. London.
  • Dulau, A. 2012. 10 September. [personal communication]. Glasgow: Hunterian Art Gallery.
  • Forfar, D. 2013. 20 July. [personal communication]. Edinburgh: James Clerk Maxwell Foundation.
  • Fraser-Harris, D.F. 1936. William De la Cour, Painter, Engraver and Teacher of Drawing. Scottish Bookman, 1(5): 12–9.
  • Glover, K. 2011. Elite Women and Polite Society in Eighteenth-Century Scotland. Woodbridge: Boydell.
  • Hardie, M. 1922. Letter on V&A Nominal File ‘Cay, Miss Isabella’ from Miss Isabella Cay, 12 June 1922, from 39A Emperor's Gate, London, SW7. MH. 20/6/1922.
  • Harris, E. 2011. Elizabeth Liddell. The Episcopal Congregation of Charlotte Chapel Website [accessed 27 August 27 2012]. Available at: <http:archive-stjohns-edinburgh.org.uk>
  • Herring, S. 2009. Six Paintings by Corot: Methods, Materials and Sources. National Gallery Technical Bulletin, 30: 86–112.
  • Kingston, W. 1835. The Kingstonian System of Painting in Dry Colours after the Grecian Method. Weymouth: B. Bension.
  • Kirby, J. & Saunders, D. 2004. Fading and Colour Change of Prussian Blue: Methods of Manufacture and the Influence of Extenders. National Gallery Technical Bulletin, 25: 73–99.
  • Krill, J. 1994. Silk Paper for Crayon Drawing in the Eighteenth Century. International Paper History Congress Book, 10: 117–21.
  • Kühn, H. 1963. Une boîte à couleurs française du début du XIXe siècle. Peintures, Pigments, Vernis, 39(7): 464–77.
  • Liefkes, R. 2013. 9 July. [personal communication sent via V. Button]. London: Victoria & Albert Museum.
  • Lloyd, S. 1999. Raeburn's Rival: Archibald Skirving, 1749–1819. Edinburgh: National Gallery of Scotland.
  • Meschutt, D. 2001. A Long-lost Portrait of John Adams and an Unknown Portrait of Abigail Adams by James Sharples. The American Art Journal, 23(1–2): 76–93.
  • Nenadic, S. 1998. The Enlightenment in Scotland and the Popular Passion for Portraits. British Journal for Eighteenth-Century Studies, 21: 175–92.
  • Paillot de Montabert, J.-N. 1829. Traité complèt de la peinture, 9. Paris: Bossange Père.
  • Piles, Roger de. 1684. Les premiers elemens de la peinture pratique. Paris: Nicolas Langlois.
  • Plesters, J. 1956. Cross-sections and Chemical Analysis in the Study of Paint Samples. Studies in Conservation, 11: 1–47.
  • Plesters, J. 1993. Ultramarine Blue, Artificial. In: A. Roy, ed. Artists' Pigments, 2. Washington, D.C.: National Gallery of Art, pp. 55–65.
  • Rönnerstam, C. 2013. 20 August. [personal communication]. Stockholm: Nationalmuseum.
  • Roy, A. 1979. The Laser Microanalysis of Paint. National Gallery Technical Bulletin, 3: 43–50.
  • Sanders, C. R. ed. 1970. The Collected Letters of Thomas and Jane Welsh Carlyle. Durham, N.C.: Duke University Press.
  • Shelley, M. 2002. The Craft of American Drawing: Early Eighteenth to Late Nineteenth Century. In: K. Avery ed. American Drawings and Watercolours in the Metropolitan Museum of Art 1: A Catalogue of Works by Artists Born Before 1835. New York: Metropolitan Museum of Art, pp. 28–78.
  • Simon, J. 1999. Review: Edinburgh, Archibald Skirving. Burlington Magazine, 141(1154): 310–11.
  • Simon, J. 2013. British Artists Suppliers 1650–1950, 2nd updated edition. London: National Portrait Gallery [accessed 5 July 2013]. Available at: <http://www.npg.org.uk/research/programmes/directory-of-suppliers/d.php>
  • Sloan, K. 2000. ‘A Noble Art’: Amateur Artists and Drawing Masters c.1600–1800. New Haven & London: Yale University Press.
  • Smiles, S. 1861. Lives of the Engineers with an Account of their Principal Works, 2. London: J. Murray.
  • Taylor, H. 1811. Memoirs of the Principal Events in the Life of Henry Taylor of North Shields. North Shields: T. Appleby.
  • Wilson, M. 2013. 23 July. [personal communication sent via V. Button]. London: Victoria & Albert Museum.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.