Notes
- Walter Benjamin, Selected Writings 1927–1934, vol. 2., ed. Howard Eiland and Gary Smith (Cambridge, MA: Harvard University Press, 1999), 63.</othinfo>
- W. Hallo and J. J. A. van Dijk, The Exaltation of Inanna (New Haven and London: Yale University Press, 1968), 24–25.
- T. S. Eliot, ‘Hamlet and His Problems,’ in The Sacred Wood: Essays on Poetry and Criticism (London: Faber and Faber, 1997), 85.
- Wallace Stevens, ‘A High-Toned Old Christian Woman,’ in Stevens: Collected Poetry & Prose, ed. F. Kermode and J. Richardson (New York: The Library of America, 1997), 47.
- Denise Levertov, ‘Some Notes on Organic Form,’ in New and Selected Essays (New York: New Directions, 1992), 71.
- Walter Benjamin, Illuminations: Essays and Reflections, ed. Hannah Arendt (New York: Schocken Books, 1968), 224.
- Charles Bernstein, ‘The Dollar Value of Poetry,’ in The L = A = N = G = U = A = G = E Book, ed. Charles Bernstein and Bruce Andrews (Carbondale and Edwardsville: Southern Illinois University Press, 1984), 140.
- Charles Bernstein, All the Whiskey in Heaven: Selected Poems (New York: Farrar Straus Giroux, 2010), 36.
- Lev Vygotsky, Thought and Language, ed. Alex Koulin (Cambridge, MA: MIT Press, 1986), 6.
- Jean-François Lyotard, The Postmodern Condition: A Report on Knowledge, trans. Geoff Bennington and Brian Massumi (Minneapolis: University of Minnesota Press, 1984), xxvi.
- Marjorie Perloff, The Dance of the Intellect: Studies in the Poetry of the Pound Tradition (Chicago: Northwestern University Press, 1996), 231.
- Craig Dworkin and Kenneth Goldsmith, Against Expression: An Anthology of Conceptual Writing (Illinois: Northwestern University Press, 2011), xliii.
- Renato Poggioli, The Theory of the Avant-Garde, trans. Gerald Fitzgerald (Cambridge, MA: Harvard University Press, 1968), 180.
- Adam Kirsch, The Modern Element: Essays on Contemporary Poetry (New York: W. W. Norton and Company, 2008), 322.
- Joe Bray, Alison Gibbons, and Brian McHale, The Routledge Companion to Experimental Literature (Oxford: Routledge, 2012), 316.
- Richard Freadman and Seamus Miller, Re-Thinking Theory (Cambridge and New York: Cambridge University Press, 1992), 4. Freadman and Miller state: ‘We contend that the “theory” paradigm comprises three constitutive elements … One, a repudiation of substantial conceptions of the human subject, be it of authors or of social beings in general; two, a denial of the referential power of language and of literary texts; and three, a repudiation of substantive discourses of value, both moral and aesthetic. We shall term the intellectual position that results from this conjunction of elements constructivist anti-humanism (Freadman and Miller (1992), 4).
- Callimachus, Hymns and Epigrams, trans. A. W. Muir (Cambridge, MA: Harvard University Press, 1921), 157.
- Jane Hirshfield, Of Gravity and Angels (Middletown, CT: Wesleyan University Press, 1988), 53.
- Selected Prose of T. S. Eliot, ed. Frank Kermode (New York: Harcourt Brace Jovanovich, 1975), 206.
- Jane Hirshfield, The Lives of the Heart (New York: Harper Perennial, 1997), 50.
- Jane Hirshfield, After (Northumberland: Bloodaxe Books, 2006), 63.
- Jane Hirshfield, Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women (New York: Harper Perennial, 1994), xix.
- Alain Badiou, Handbook of Inaesthetics, trans. Alberto Toscano (Stanford: Stanford University Press, 2005), 17.