References
- Charlotte Bronte, Jane Eyre, ed. by Richard J. Dunn (New York: Norton, zoor), p. rz. All subsequent references to this work are from this edition and are cited parenthetically in the text by page number.
- Bernard J. Paris, Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature (New York: New York University Press, 1997), p. 146.
- Paris, p. 161.
- The Madwoman in the Attic: the Woman Writer and the Nineteenth-Century Literary Imagination, ed. by Sandra M. Gilbert and Susan Gubar, 2nd edn (New Haven: Yale University Press, woo), p. 340.
- Paris, p. 149.
- Jennifer Gribble, ‘Jane Eyre's Imagination’, Nineteenth-Century Fiction, 23 (1968), 285.
- Maggie Berg, Jane Eyre: Portrait of a Life (Boston: Twayne Publishers, 1987), p. 48.
- Gilbert and Gubar, p. 352.
- Laurence Lerner, ‘Bertha and the Critics’, Nineteenth-Century Literature, 44 (1989), 289.
- Gilbert and Gubar, p. 353.
- Paris, P. 155.
- Gribble, p. 284.
- Jamie Thomas Dessart, ‘"Surrounded by a Gilt Frame": Mirrors and Reflection of Self' in Jane Eyre, Mill on the Floss, and Wide Sargasso Sea', Jean Rhys Review 8 (1997), 23.
- Philip Momberger, ‘Self and World in the Works of Charlotte Brontë’, ELH 32 (1965), 367.
- Momberger, p. 367.
- Dessart, p. 23.
- Gilbert and Gubar, p. 365.
- Dessart, p. 23.
- Gilbert and Gubar, p. 366.
- Adrienne Rich, On Lies, Secrets, and Silence: Selected Prose, 1966–1978 (New York: W.W. Norton, 1979), p. 105.
- Momberger, p. 368.
- Ibid., p. 368.