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Brontë Studies
The Journal of the Brontë Society
Volume 29, 2004 - Issue 3
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Articles

Shakespeare and the Brontës

Pages 185-198 | Published online: 18 Jul 2013

References

  • Virginia Woolf, A Room of One's Own and Three Guineas, ed. by Hermione Lee (London: Chatto and Windus, 1984), P. 3.
  • Woolf, p. 65.
  • Woolf, pp. 44–45
  • Woolf, pp. 104–05
  • Woolf, p. 46.
  • All quotations from Shakespeare's work, unless otherwise stated, are from: William Shakespeare, The Complete Works, Compact Edition, ed. by Stanley Wells, Gary Taylor, John Jowett, and William Montgomery (Oxford: Clarendon Press, 1988).
  • William Shakespeare, King Lear, ed. by R. A. Foakes (Walton-on-Thames: Thomas Nelson and Sons Ltd, 1997), p. 308.
  • Jane Austen, Mansfield Park, ed. by Tony Tanner (Harmondsworth: Penguin, 1966; repr. 1985), p. 335.
  • Lynne Reid Banks, Dark Quartet: The Story of the Brontës (London: Weidenfelg and Nicolson, 1976; repr. Penguin, 1986), p. 66.
  • See Chorlotte's letters of: 5 December 1849, 14 February 1850, 19 December 1849 for references to Macready, Wooler and Forster respectively, in The Letters of Charlotte Brontë, ed. by Margaret Smith, vol. z (Oxford: Clarendon Press, 2000). Her letter to Ellen Nussey is in Smith, vol. I (1998).
  • Women's Revisions of Shakespeare, ed. by Marianne Novy (Chicago and Urbana: University of Illinois Press, 1991), p. z.
  • Adrian Poole, Shakespeare and the Victorians (London: Thomson Learning, 2004), p. 106.
  • Charlotte Brontë, Shirley, ed. by Andrew and Judith Hook (Harmondsworth: Penguin, 1974), pp. 114–15.
  • Shirley, p. 116
  • Shirley, p. 116
  • Shirley, p. 117
  • Shirley, p. 117
  • Poole, p. 106
  • Elizabeth Gaskell, The Life of Charlotte Brontë, ed. by Alan Shelton (Harmondsworth: Penguin, 1975; repr. 1985), p. 94.
  • Shirley, p. 118
  • John Forster on W. C. Macready as Coriolanus at the Theatre Royal, Covent Garden, London, from The Examiner, reprinted in Dramatic Essays by John Forster, George Henry Lewes, ed. by William Archer and Robert W. Lowe (1896), pp. 54–65, quoted in Shakespeare in the Theatre: An Anthology of Criticism, ed. by Stanley Wells (Oxford: Clarendon Press, 1997), p. 81.
  • Margaret J. Arnold, 'Coriolanus Transformed: Charlotte Brontë's Use of Shakespeare in Shirley', in Women's Revisions of Shakespeare, ed. by Marianne Novy (Chicago and Urbana: University of Illinois Press, 1991), pp. 76–88 (p. 83).
  • Novy, p. 9
  • The Brontës: The Critical Heritage, ed. by Miriam Allott (London: Routledge and Kegan Paul, 1995), p. 241.
  • Allott, p. 281.
  • Allott, p. 411.
  • Allott, p. 411.
  • Allott, pp. 446–47.
  • Woolf, p. 62.
  • Melvin R. Watson, 'Tempest in the Soul: The Theme and Structure of Wuthering Heights', in Nineteenth-Century Fiction (r949-50), pp. 87—too (p. 90).
  • Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (London: Yale University Press, 1979), pp. 259, 285.
  • Inga-Stina Ewbank, 'Emily Brontë and Immortality'; a talk given at the end of the service of remembrance for Emily Jane Brontë, 19 December 1998.
  • Emily Brontë, Wuthering Heights, ed. by David Daiches (Harmondsworth: Penguin, 1965; rept. 1985), p. 48.
  • Wuthering Heights, pp. 120—21.
  • Wuthering Heights, p. 302.
  • Poole, p. 144.
  • Wuthering Heights, p. 59.
  • Wuthering Heights, p. 114.
  • Wuthering Heights, p. 319.
  • Wuthering Heights, p. 71.
  • Wuthering Heights, p. 12.5.
  • Wuthering Heights, p. 162.
  • Wuthering Heights, p. 204.
  • Wuthering Heights, p. 121.
  • Gaskell, p. 2.05.
  • Wuthering Heights, p. 148.
  • Wuthering Heights, p. 148.
  • Wuthering Heights, pp. 148–49.
  • Wuthering Heights, p. 215.
  • Wuthering Heights, p. 212.
  • Wuthering Heights, p. 223.

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