‘Maniera Cypria’ and thirteenth century icon production on the island of Cyprus: a critical approach

References

• H. Belting, 'Zwischen Gotik und Byzanz', Zeitschrift fur Kunstgeschichte 41 (1978) 217–57.
   Google Scholar
• H. Belting, 'Kunst oder Objekt-Still?' in I. Hutter (ed.), Byzanz und der Westen (Vienna 1984) 65–83.
   Google Scholar
• H. Buchthal, Miniature Painting in the Latin Kingdom of Jerusalem (Oxford 1957).
   Google Scholar
• D. Buckton, 'The Gold icon of St. Demetrios' in Loachim Ehlers, Dietrich Kotzsche (eds), Der Welfenschatz und sein Umkreis (Mainz 1998) 277–287.
   Google Scholar
• J. Cherry, 'Beasley in the Bronze Age? Reflections on Attribution Studies in Aegean Prehistory' in R. Laffineur and J. Crowley (eds), Eikon: Aegean Bronze Age Iconography: Shaping a Methodology (Liege 1992) 123–144.
   Google Scholar
• Joanna Christoforaki, 'An unusual representation of the incredulity from Lusignan Cyprus', Cahiers Archaeologiques 48 (2000) 71–87.
   Google Scholar
• R. Cormack, S. Michalarias, 'A Crusader Painting of St. George: ‘maniera greca' or 'lingua franca?', Burlington Magazine,126 (1984) 132–141.
   Web of Science ®Google Scholar
• R. Cormack, 'Crusader art and artistic technique: another look at a painting of St. George', in M. Vassilakis (ed.), Byzantine Icons. Art, Technique and Technology (Heraklion 2002) 163–169.
   Google Scholar
• Rebecca W. Corrie, 'Icon with St. Nicholas and Scenes from his life' in Helen C. Evans.
   Google Scholar
• William D. Wixom (eds), The Glory of Byzantium. Art and Culture of the Middle Byzantine Era 843–1261, (New York 1997) 397.
   Google Scholar
• A. Cutler, 'La questione bizantina nella pittura italiana: una visione alternativa della ‘maniera greca” in C. Bertelli (ed), La pittura in Italia: L' Altomedievo (Milan 1994) 335–54.
   Google Scholar
• J. Elsner, 'Significant Details: Systems, Certainties and the Art Historian as Detective', Antiqiuty 64 (1990) 950–2.
   Google Scholar
• M. Euthimiou, Greek and Latins on Cyprus (Brookline, Mass 1987)
   Google Scholar
• J. Folda, 'The British Museum icon of St. George' in Helen C. Evans, William D. Wixom (eds), The Glory of Byzantium. Art and Culture of the Middle Byzantine Era 843–1261 (New York 1997) 395 pl. 261.
   Google Scholar
• J. Folda, Crusader Manuscript Illumination at Saint-Jean d' Acre, 1275–91 (Princeton 1976).
   Google Scholar
• J. Folda, The Art of the Crusaders in the Holy Land 1098–1187 (Cambridge 1995).
   Google Scholar
• J. Folda, ‘The Saint Marina icon: Maniera Cypria, Lingua Franca or Crusader Art?' in B. Davezac (ed.), Four Icons in the Mend Collection, (Austin Texas 1992) 106–33.
   Google Scholar
• M.S. Frinta, 'Raised Gilded Adornment of the Cypriot Icons and the occurrence of the technique in the West' Gesta 20 (1981) 333–47.
   Google Scholar
• Sir G. Hill, A History of Cyprus (Cambridge 1940–1952).
   Google Scholar
• Eva R. Hoffman, 'Pathways of portability: Islamic and Christian interchange from the tenth to the twelfth century', Art History 24 (2001) 17–50.
   Web of Science ®Google Scholar
• H. Magoulias, 'A study in Roman Catholic and Greek Orthodox Church relations on the Island of Cyprus between the years 1196 and 1360' in Greek Orthodox Theological Review 10 (1964) 75–106.
   Google Scholar
• H. Maguire, 'Style and Ideology in Byzantine Imperial Art', Gesta 28 (1989) 217–231.
   Google Scholar
• K.A. Manafis (ed.), Sinai. Treasures of the Monastery of St. Catherine (Athens 1990) D. Mouriki, 'Thirteenth-century icon painting in Cyprus', The Griffon, N.S. 1–2 (1985–6) 9–158.
   Google Scholar
• Al. V. Murray (ed.), From Clermont to Jerusalem: the Crusades and Crusader Societies 1095–1500 ( Brepols 1998).
   Google Scholar
• S. der Nersessian, 'Deux exemples Armeniens de la Vierge de Misericorde', Revue des Etudes Arrneniens 7 (1970) 187–202.
   Google Scholar
• S. Pelekanides, P.K. Christou, Ch. Mauropoulou-Tsioumi, S. Kadas, A. Katsarou (eds), The treasures of Mount Athos (Athens 1974) vol. 1.
   Google Scholar
• S. Pelekanides, P.K. Christou, Ch. Mauropoulou-Tsioumi, S. Kadas, A. Katsarou (eds), The treasures of Mount Athos (Athens 1979) vol. 3.
   Google Scholar
• P. Peschamps, 'La Vierge au Manteau dans les peintures murales de la fin du Moyen Age' in Scriti di Storia dell' Arte in onore di Mario Salmi II (Rome 1962) 175.
   Google Scholar
• Y. Piatnitsky, O. Baddeley, E. Brunner, M.M. Mango (eds), Sinai, Byzantium, Russia. Orthodox Art from the sixth to the twentieth century (St. Petersburg 2001).
   Google Scholar
• J. Richard, Chypre sous les Lusignans. Documents chypriotes des Archives du Vaticane (Paris 1962).
   Google Scholar
• M. Rodertson and M. Beard, 'Adopting an Approach' in T. Rasmussen and N. Spivey (eds), Looking at Greek Vases (Cambridge 1991) 1–35.
   Google Scholar
• Sophocles Sophocleous, Icons of Cyprus (Nicosia 1994).
   Google Scholar
• G. M. Sotiriou, Icons of Mount Sinai (Athens 1956) 2 vols.
   Google Scholar
• Svetlana Tomekovic, 'Le manierisme dans l'art mural a Byzance (1164–1204)' (Dissertation for the University of Paris 1984).
   Google Scholar
• C. Walter, 'Style an Epiphenomenon of ideological development in Byzantine Art', Jahrbuch der Osterreichischen Byzantinistik 32 (1982) 3–6.
   Google Scholar
• K. Weitzmann, 'Thirteenth-century Crusader Icons on Mount Sinai', The Art Bulletin 14 (1963) 179–205.
   Google Scholar
• K. Weitzmann, 'Icon Painting in the Crusader Kingdom', Dumbarton Oaks Papers 20 (1966) 49–85.
   Google Scholar
• K. Weitzmann, 'Four Icons on Mount Sinai: new aspects in Crusader Art', Jahrbuch der Osterreichischen Byzantinistik 21 (1972) 279–295.
   Google Scholar
• K. Weitzmann, 'Crusader Icons and Maniera Greca' in I. Hutter (ed.), Byzanz und der Westen (Vienna 1984) 142–170.
   Google Scholar
• A. Weyl-Carr, 'Cyprus in the thirteenth century' in A. Weyl-Carr, L.J. Morrocco (eds), A Byzantine Masterpiece recovered: the 13th century murals of Lysi, Cyprus (Austin, Texas 1991) 83–97.
   Google Scholar