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Articles

Pictures of science

Pages 51-63 | Published online: 18 Jul 2013

Notes and literature cited

  • C. Ginzburg: Le Débat, 1980, (6), 3–44. R. Wollheim: ‘On art and the mind. Essays and lectures’, 177–201; 1973, London.
  • L. Prébandier: Ecale, 1987, (1), 12–17 (my translation).
  • J. Glaesemer: ‘Paul Klee: die farbigen Werke im Kunstmuseum Bern’; 1976, Berne, Kornfeld. ‘Paul Klee, Handzeichnungen’, 3 vols.; 1973, 1979, 1984, Berne, Kunstmuseum Bern.
  • Modem reprint: ‘Die bibliophilen Taschenbücher’; 1978, Dortmund, Harenberg Kommunikation.
  • J. J. Boissard and Th. de Bry: ‘Theatrum vitae humanae’; 1596, Abrami Fabri.
  • P. M. Daly: ‘Emblem theory. Recent German contributions to the characterization of the emblem genre’, Wolfenbütteler Forschungen, Band 9; 1979, Nendeln/Liechstenstein, KTO.
  • Conrad Gesner: ‘De rerum fossilium lapidum et gemmarum maximae, figuris et similitudinibus, liber Andrea Gesner’; 1565, Zürich.
  • P. Laszlo: ‘Représentation lucide ou ludique?’, Proc. Colloq. ‘Voir/savoir – art, science et histoire s’interpellent’, Lausanne, Switzerland, November 1981, Ecole Cantonale des Beaux-Arts et d’Art Appliqué.
  • E. R. Tufte: ‘The visual display of quantitative information’; 1983, Cheshire, CT, Graphic Press.
  • G. Polya: ‘How to solve it?’; 1945, Princeton, NJ, Princeton University Press.
  • Ch. Geelhaar: ‘Paul Klee et le Bauhaus’; 1972, Neuchatel, Ides et Calandes. Paul Klee has had a fertile influence. Several artists have jumped into the breach that he opened. Names that come to mind, among many others, are those of Saul Steinberg – his cartoons in The New Yorker made him famous and have unfortunately hidden this giant artist behind them, Francizka Themerson, and Jean-Michel Folon.
  • G. Holton: ‘The scientific imagination. Case studies’; 1978, Cambridge, Cambridge University Press.
  • D. Olmsted: ‘An introduction to natural philosophy designed as a text book for the use of the students in Yale College, compiled from various authorities’, 5th edn; 1859, New York, Collins and Brother.
  • R. P. Feynman, R. B. Leighton, and M. Sands: ‘The Feynman lectures on physics’, 3 vols.; 1963 –1964, Reading, MA, Addison-Wesley.
  • F. J. Bueche: ‘Understanding the world of physics’; 1981, New York, McGraw-Hill.
  • V. J. Chambers and J. C. W. Frazer: J. Am. Chem. Soc., 1900, 23, 512–520.
  • E. C. Franklin and C. A. Kraus: J. Am. Chem. Soc., 1900, 23, 277–313.
  • S. Sontag: ‘On photography’; 1973, New York, Farrar Straus and Giraux.
  • K. R. Popper: ‘The logic of scientific discovery’; 1959, London, Hutchinson [‘Logik der Forshung’; 1934, Vienna, Springer ].
  • R. Carnap: ‘Philosophical foundation of physics’; 1966, New York, Basic Books.
  • J. L. Borges: ‘Rosa y Azul’; 1977, Sedmay Ediciones [French translation ‘Rose et bleu’; 1978, Paris, Editions de la Différence ].

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