Works Cited
- Allen DS.C. The Harmonious Vision. Baltimore: Johns Hopkins Press, 1970.
- Brooks, C. “The Light Symbolism in L'Allegro and II Penseroso" in The Well Wrought Urn. New York:Harcourt, Brace and World, 1969.
- Daniels, R . Milton, Mannerism and Baroque. Toronto: Toronto UP, 1963.
- Doni Imarmi. Venice, 1552-3. Vol 3.
- Fish, Stanley. Is There a Text in This Class. Cambridge, MA: Har-vard UP,1980.
- Junius, Franciscus. Painting of the Ancients in three bookes. London: R. Hodginsonne, 1638.
- Leonardo da Vinci. Treatise on Painting. Princeton: Princeton UP, 1956.
- Lomazzo G. P. Trattato dell'arte della pittura, scoltura et architettura. Milan, 1585. Vol. 6.
- Panofsky, Erwin. Studies in Iconology. New York: Harper and Row, 1962.
- Praz, Mario. Mnemosyne: The Parallel between Literature and the Vi-sual Arts. Princeton: Princeton UP, 1970.
- Ressenlear, W. L. 1940. “Ut Pictura Poesis: The Humanistic Theory of Painting.” Art Bulletin 22.
- Richardson. D Traite de la peinture et de la sculpture. Amsterdam, 1728.
- Riegl Barockkunst in Rom. Vienna, 1903.
- Rosenmeyer, T. The Green Cabinet. Berkeley: Un.of California Press, 1969.
- Tillyard as qtd in Brooks. The Well Wrought Urn
- Tolney, Charles de.Michelangelo, III. I The Medici Chapel Princeton: Princeton UP, 1970.
- Tuve, R. “Structural Figures of L' Allegro and ll Penseroso in Milton, Modern Essays in Criticism. Ed. A.E. Parker. Oxford: Oxford UP, 1965.
- Varchi Due lezioni. Florence, 1549.
- Vasari, G. Le vite de' pill eccellenti pittori, scultori ed architettori. Ed. Milanesi. Florence: Sansoni, 1973. Vol.3.