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Original Articles

Dispersion as lining adhesive and its scope

  • Mehra, V.R., ‘Comparative study of conventional relining methods and materials and research towards their improvement’ interim report to ICOM Committee for Conservation, Madrid (1972).
  • Mehra, V.R., ‘Further developments in cold lining (nap-bond system)’ in ICOM Committee for Conservation, 4th Triennial Meeting, Venice (1975).
  • Mehra, V.R., ‘A low-pressure cold-relining table’ in Conference on Comparative Lining Techniques, National Maritime Museum, London (1974).
  • Mehra, V.R., ‘The cold lining of paintings’, The Conservator 5 (1981) 12–14.
  • Mehra, V.R., ‘Cold-lining and care of paint layer in triple stretcher system’ in ICOM Committee for Conservation, 5th Triennial Meeting, Zagreb (1978).
  • Hacke, B., ‘A low-pressure apparatus for treatment of paintings’ in ICOM Committee for Conservation, 5th Triennial Meeting, Zagreb (1978).
  • Berger, G.A., ‘New approaches for special problems: the conservation of the Atlanta Cyclorama’ in Preprints of papers presented at the ninth annual meeting, Philadelphia, Pennsylvania, 27-31 May 1981, AIC (1981) 28-36.
  • Guilly, R., Sotton, M., and Chevalier, M., ‘Etude des propriétés de doublages expérimentaux à la colle synthetique’ in ICOM Committee for Conservation, 6th Triennial Meeting, Ottawa (1981).
  • Percival-Prescott, W, ‘The lining cycle: fundamental causes of deterioration in painting on canvas’ in Conference on Comparative Lining Techniques, National Maritime Museum, London (1974).
  • Hallstrom, B., and Makes, F., Remarks on Relining, Stockholm (1972).
  • Hallstrom, B., ‘Diagnostic factors affecting the structural restoration of paintings on canvas’ in ICOM Committee for Conservation, 5th Triennial Meeting, Zagreb (1978).
  • Bjarnhof, M., ‘Flattening, consolidation and impregnation of paintings in the Royal Museum of Fine Art, Copenhagen’ in ICOM Committee for Conservation, 6th Triennial Meeting, Ottawa (1981)

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