1,284
Views
7
CrossRef citations to date
0
Altmetric
Original Articles

The Emotional and Intellectual Aspects of Protest Music

Implications for Community Organizing Education

Pages 57-76 | Published online: 13 Oct 2008

References

  • Bramsted , E. K. 1965 . Goebbels and National Socialist Propaganda 1925–1945 , Michigan State University Press .
  • Brown , M. P. 1994 . “Funk Music as Genre: Black Aesthetics, Apocalyptic Thinking, and Urban Protest in Post-1965 African-American Pop” . Cultural Studies , 8 ( 3 ) : 484 – 508 .
  • Cooper , B. L. 1988 . “Social Concerns, Political Protest, and Popular Music” . Social Studies , 79 ( 2 ) : 53 – 60 .
  • Dawidoff , N. 1997 . “The Pop Populist” . The New York Times Magazine , : 27 January 26, 1997
  • Denisoff , R. S. 1969 . “Folk Music and the American Left: A Generational-Ideological Comparison” . British Journal of Sociology , 20 ( 4 ) : 427 – 442 .
  • Denisoff , R. S. 1970 . “Protest Songs: Those on the Top Forty and Those of the Streets” . American Quarterly , 22 ( 4 ) : 807 – 823 .
  • Denisoff , R. S. and Levine , M. H. 1971 . “The Popular Protest Song: The Case of ‘Eve of Destruction“’ . Public Opinion Quarterly , 35 ( 1 ) : 117 – 122 .
  • Denisoff , R. S. 1983 . Sing A Song of Social Significance , Bowling Green, OH : Bowling Green State University Popular Press .
  • Fowke , E. and Glazer , J. 1973 . Songs of Work and Protest , New York : Dover Publications, Inc .
  • Garofalo , R. 1992 . Introduction to Rockin' the Boat: Mass Music and Mass Movements , Edited by: Garofalo , R. 1 – 15 . Boston : South End Press .
  • Garofalo , R. 1992 . “Understanding Mega-Events: If We Are the World, Then How Do We Change It?” . In Rockin' the Boat: Mass Music and Mass Movements , Edited by: Garofalo , R. 15 – 35 . Boston : South End Press .
  • Garofalo , R. 1992 . “Popular Music and the Civil Rights Movement,” . In Rockin' the Boat: Mass Music and Mass Movements , Edited by: Garofalo , R. 231 – 240 . Boston : South End Press .
  • Greenway , J. 1953 . American Folksongs of Protest , Philadelphia : The University of Pennsylvania Press .
  • Hampton , W. 1986 . Guerrilla Minstrels , Knoxville : The University of Tennessee Press .
  • Horton , M. , Kohl , J. and Kohl , H. 1990 . The Long Haul: An Autobiography , New York : Doubleday .
  • Kahn , S. 1970 . How People Get Power: Organizing Oppressed Communities for Action , New York : McGraw-Hill Book Company .
  • Kahn , S. 1982 . Organizing: A Guide for Grassroots Leaders , New York : McGraw-Hill Book Company .
  • Lewis , G. H. 1992 . “Don' Go Down Waikiki: Social Protest and Popular Music in Hawaii,” . In Rockin' the Boat: Mass Music and Mass Movements , Edited by: Garofalo , R. 171 – 183 . Boston : South End Press .
  • Lieberman , R. 1989 . “My Song Is My Weapon:” People's Songs, American Communism, and the Politics of Culture, 1930–1950 , Chicago : University of Illinois Press .
  • Lont , C. M. 1992 . “Women's Music: No Longer A Small Private Party,” . In Rockin' the Boat: Mass Music and Mass Movements , Edited by: Garofalo , R. 241 – 254 . Boston : South End Press .
  • Meyer , M. 1975 . “The Nazi Musicologist as Myth Maker in the Third Reich” . Journal of Contemporary History , 10 ( 4 ) : 649 – 665 .
  • Mondak , J. J. 1988 . “Protest Music as Political Persuasion” . Popular Music and Society , 12 : 25 – 38 . n3, 25–38
  • Reich , W. 1972 . “Folk Songs and Folk Dances as Sources of Revolutionary Feeling,” . In Sex-Poll: Essays 1929–1934 , Edited by: Baxandall , L. 340 – 341 . New York : Vintage Books .
  • Robinson , J. P. , Pilskaln , R. and Hirsch , P. 1976 . “Protest Rock and Drugs” . Journal of Communication , 26 ( 4 ) : 125 – 136 .
  • Rodnitzky , J. L. 1970 . “The New Revivalism: American Protest Songs, 1945–1968” . South Atlantic Quarterly , 70 ( 1 ) : 13 – 21 .
  • Sanger , K. L. 1995 . “When the Spirit Says Sing!” The Role of Freedom Songs in the Civil Rights Movement , New York : Garland Publishing, Inc .
  • Seeger , P. and Reiser , B. 1985 . Carry It On! A History in Song and Picture of the Working Men and Women of America , New York : Simon and Schuster .
  • Turner , D. W. 1982 . “I Ain't Marchin' Anymore“: The Rhetorical Potential of Anti-War Song Lyrics During the Vietnam Conflict for the “New Left” , Ann Arbor, MI : University Microfilms International .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.