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INTRODUCTIONS

Representing the ‘Real’

Pages 1-8 | Published online: 22 Oct 2008

References

  • Parker , Andrew and Sedgwick , Eve Kosofsky , eds. 1995 . PERFORMATIVITY AND PERFORMANCE Routledge
  • BODIES THAT MATTER . 1993 . Judith Butler Routledge
  • GENDER TROUBLE . 1990 . Judith Butler 31 Routledge
  • Wittig , Monique , ed. 1983 . “The Point of View: Universal or Particular,” . In Feminist Issues 63 – 9 . Fall
  • 1987 . This is an expression I read in James Baldwin's ANOTHER COUNTRY , 116 Black Swan . It has somehow made a lasting impression on me
  • Kane , Sarah , ed. 1997 . BLASTED and PHAEDRA's LOVE , Methuen .
  • Taylor , Joelle , ed. “Drama Queens: Ruling with a Rod of Irony,” in this collection
  • Hart , Lynda , ed. 1989 . “Towards a Butch/Femme Aesthetic,” by Sue-Ellen Case in MAKING A SPECTACLE: FEMINIST ESSAYS ON CONTEMPORARY WOMEN'S THEATRE , 282 – 99 . Ann Arbor : University of Michigan Press .
  • Rapi , Nina and Gibbs , Liz , eds. 1994 . “That's why you are so Queer: The Representation of Lesbian Sexuality in Theatre,” . In DARING TO DISSENT 37 – 65 . Cassell
  • Rapi , Nina , ed. May 1993 . “Hide and Seek: The Search for a Lesbian Theatre Aesthetic,” . In NEW THEATRE QUARTERLY , May , 147 – 158 . Cambridge University Press . No. 34
  • Kuppers , Petra , ed. “Vanishing in your Face: Embodiment and Representation in Lesbian Dance Performance,” in this collection
  • Zimmerman , Bonnie and Munt , Sally , eds. 1992 . “Lesbians like this and like that,” . In NEW LESBIAN CRITICISM , 110 Harvester Wheatsheaf .
  • Egervary , Barbra , ed. “Another Con-Text,” in this collection
  • Bartlett , Neil . 1994 . Queer Up North
  • Goodman , Lizbeth , ed. 1996 . “From Stage to Screen and Back,” , Harwood Academic Publishers . by Jan Goulden in this collection; and interview of Tash Fairbanks in FEMINIST STAGES

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