Reclaiming the Dame: Cross-dressing as Queen Victoria in British theatre and television comedy

REFERENCES

• Alcock, M. (1999), ‘Showbiz: Theatre Review’, The Sentinel (Stoke-on-Trent, UK), 25 August, p. 8.
   Google Scholar
• Allen, J., Strouse, C. and Adams, L. (1981), I and Albert, Original London Cast Recording, London: That's Entertainment Records.
   Google Scholar
• Bond, E. (1997), ‘Early Morning’, in E. Bond (ed.), Plays 1, London: Methuen, pp. 135–223.
   Google Scholar
• Brooker, W. (2005), Alice's Adventures: Lewis Carroll in Popular Culture, New York: Continuum.
   Google Scholar
• Buchanan, R. and Jay, H. (1909), The Strange Adventures of Miss Brown, London and New York: Samuel French.
   Google Scholar
• Connelly, S., and Thomas, C. (2009), Horrible Histories: Series One, London: BBC DVD/2 Entertain.
   Google Scholar
• Erman, J. (2001), Victoria and Albert, BBC/A&E Television Networks, London: BBC Worldwide Ltd, DVD.
   Google Scholar
• Garber, M. (1998), ‘Dress Codes, or the Theatricality of Difference’, in L. Goodman and J. de Gay (eds), The Routledge Reader in Gender and Performance, London: Routledge, pp.197–81.
   Google Scholar
• Hadley, L. (2010), Neo-Victorian Fiction and Historical Narrative: The Victorians and Us, Basingstoke: Palgrave Macmillan.
   Google Scholar
• Harris, G. (1999), Staging Femininities: Performance and Performativity, Manchester: Manchester University Press.
   Google Scholar
• Hawes, J. and Lyn, E. (2006), ‘Tooth and Claw’ in Doctor Who: Series 2 Volume 2, BBC/2 Entertain, London: BBC Worldwide Ltd, DVD.
   Google Scholar
• Heilmann, A. (2000), New Woman Fiction: Women Writing First-Wave Feminism, Basingstoke: Palgrave Macmillan.
   Google Scholar
• Hendrey, K. (1989), An Evening With Queen Victoria: A Portrait in Her Own Words (modern plays manuscript No. 2984), British Library, London.
   Google Scholar
• Higson, A. (2003), English Heritage, English Cinema: Costume Drama Since 1980, Oxford: Oxford University Press.
   Google Scholar
• Holland, Peter (1997), ‘The play of eros: Paradoxes of gender in English pantomime’, New Theatre Quarterly, 13:51, pp. 195–204.
   Google Scholar
• Holroyd, M. (1968), Lytton Strachey: A Critical Biography: Volume II, London: Heinemann.
   Google Scholar
• Housman, L. (1945), Happy and Glorious: A Dramatic Biography, London: Jonathan Cape.
   Google Scholar
• Hughes, T. (1976), The Two Ronnies, London: BBC, http://www.youtube.com/watch?v=JnfNQG6HuUQ&feature=related. Accessed 29 April 2012.
   Google Scholar
• Jackson, L. A. (2006), Women Police: Gender, Welfare and Surveillance in the Twentieth Century, Manchester: Manchester University Press.
   Google Scholar
• Jackson, P. (1980), The Two Ronnies, London: BBC, http://www.youtube.com/watch?v=GcMd1F1acSo. Accessed 29 April 2012.
   Google Scholar
• Kelly, R. (ed) (2000), ‘Introduction’, in Alice's Adventures in Wonderland, by Lewis Carroll, Peterborough, Ontario: Broadview Press, pp. 9–40.
   Google Scholar
• Kerr, D. (2006), That Mitchell and Webb Look: Series One, London: BBC, Fremantle Home Enterprises, DVD.
   Google Scholar
• Law, A. (1904), The New Boy, London and New York: Samuel French.
   Google Scholar
• Madden, J. (1997), Her Majesty Mrs Brown, London: Miramax Films.
   Google Scholar
• McGrath, J. (1981), The Cheviot, the Stag and the Black, Black Oil, London: Eyre Methuen.
   Google Scholar
• Moorat, A. (2009), Queen Victoria: Demon Hunter, London: Hodder and Stoughton.
   Google Scholar
• Nichols, P. (1982), Poppy, London: Methuen.
   Google Scholar
• Nichols, P. (1991), ‘Poppy’, in P. Nichols (ed.), Plays 2, London: Methuen, pp. 370–565.
   Google Scholar
• Pember, R. and de Marne, D. (1976), Jack the Ripper: A Musical Play, London: Samuel French.
   Google Scholar
• Plunkett, J. ([2003] 2007), ‘Restoring the popularity of the monarchy’, in K. Boyd and R. McWilliam (eds), The Victorian Studies Reader, Abingdon: Routledge, pp. 397–410.
   Google Scholar
• Poore, B. (2012), Heritage, Nostalgia and Modern British Theatre: Staging the Victorians, Basingstoke and New York: Palgrave.
   Google Scholar
• Rabey, D. I. (2003), English Drama Since 1940, London: Longman.
   Google Scholar
• Ramsden, J. (2006), Don't Mention the War: The British and the Germans Since 1890, London: Little, Brown.
   Google Scholar
• Ruotolo, L.P. (1976), ‘Preface’, in V.Woolf, Freshwater: A Comedy, San Diego, New York and London: Harcourt, pp.i-vii.
   Google Scholar
• Showalter, E. (1992), Sexual Anarchy: Gender and Culture at the Fin de Siècle, London: Bloomsbury.
   Google Scholar
• Thomas, B. (1910), Charley's Aunt, London and New York: Samuel French. Thomas, J. B. (1955), Charley's Aunt's Father: A Life of Brandon Thomas, London: D. Saunders.
   Google Scholar
• Vallée, J. M. (2009), The Young Victoria, London: Momentum Pictures.
   Google Scholar
• Wandor, M. (1998), ‘Cross-Dressing, Sexual Representation and the Sexual Division of Labour in Theatre’, in L. Goodman and J. de Gay (eds), The Routledge Reader in Gender and Performance, London: Routledge, pp.170–5.
   Google Scholar
• Wilcox, H. (1937), Victoria the Great, London: RKO Radio Pictures.
   Google Scholar
• Wilcox, H. (1938), Sixty Glorious Years, London: RKO Radio Pictures.
   Google Scholar
• Williams, C. (2011), Gilbert and Sullivan: Gender, Genre, Parody, New York: Columbia University Press.
   Google Scholar
• Woolf, V. (1976), Freshwater: A Comedy, ed. and intr. L.P. Ruotolo, San Diego, New York and London: Harcourt.
   Google Scholar