References
- Baudrillard, J. (1993), The Transparency of Evil: Essays on Extreme Phenomena, New York: Verso.
- Benjamin, W. (1936), Art in the Age of Mechanical Reproduction', Zeitschrift für Sozialforschung, 5:1, pp. 40–68.
- Casares, A.B. (1940), The Invention of Morel, Buenos Aires: Editorial Losada.
- Debord, G. (1967 [2006]), The Society of the Spectacle, San Francisco: AK Press.
- Paz, D. (2004), ‘Tableau Vivant’, Theories of Media Keywords Glossary, University of Chicago website', http://csmt.uchicago.edu/glossary2004/tableauvivant.htm. Accessed 20 March 2009.
- Sobchack, V. (1992), The Address of the Eye: A Phenomenology of Film Experience, Princeton, New Jersey: Princeton University Press.
- Sontag, S. (2003), Regarding the Pain of Others, New York: Picador.
Videography/Installations
- In Other People's Skins
- In Re Ansel Adams
- Portraits of Glastonbury Tor
- Un Tempo, Una Volta
- Dance Floor
- Water Table
- The Unfurling
- Ritratti di Cannaregio (Portraits of Cannaregio)