References
- p. 193. 'lawful acts‘, ‘…there are ways in which art is “lawful”, that is, there are formal, structural and causal dimensions that can be identified and used both descriptively and productively’. Brenda Laurel, Computers As Theatre, New York: Addison-Wesley, 1993, p. 28.
- p. 193. Artificialstage refers throughout to http://www.artificialstage.com
- p. 193. Complex adaptive systems are systems that learn or evolve, ‘…the extended system consisting of the computer, the model designers and the experts can be regarded as a complex adaptive system, an artificial one with “humans in the loop”’, Murray Gell-Man, The Quark and the Jaguar: Adventures in the Simple and the Complex, United Kingdom: Abacus, 1994, p. 73.
- p. 194. Emilyn Claid, Engaging Bodies, paper delivered at ASTR practice-based seminar, New York, USA, November 2000.
- p. 194. Webstage refers to performance venues on the World Wide Web. Livestage refers to proximal theatre.
- p. 194. Martin Heidegger, Poetry, Language, Thought, trans. Albert Hofstadter, New York: Harper & Row, 1975, pp. 46–47.
- p. 195. Essay writing too? Thanks to Sophie Nield, University of Surrey, Roehampton, who made this observation.
- p. 195. Donna J. Haraway, Simians, Cyborgs, and Women: The Reinvention of Nature, London: Free Association Books, 1991, pp. 183–201.
- p. 195. Tying your shoe: Know-that/know-how interchange inspired by Stuart Kauffman, Investigations, Oxford: Oxford University Press, 2000, pp. 110–11.
- p. 196. N. Katharine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, Chicago: University of Chicago Press, 1999, pp. 2–3.
- p. 196. Livestage: proximal theatre.
- p. 197. Albert Borgman, Holding on to Reality, Chicago: University of Chicago Press, 1999. ‘Just as you cannot escape your body, you cannot really and finally escape reality. But you can degrade to utilities what should be celebrated as the splendour of tangible presence.’ from an email interview between Borgman and N. Katherine Hayles, http://www.press.uchicago.edu/Misc/Chicago/borghayl.html
- p. 197. N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, Chicago: University of Chicago Press, 1999, p. xiv.
- p. 197. Donna J. Haraway, ‘Cyborgs and Symbionts: Living Together in the New World Order’, introduction to The Cyborg Handbook, ed. Chris Hables Gray, New York: Routledge, p. xiii.
- p. 198. Bertolt Brecht, paraphrasing citation in Willet, Bertolt Brecht, Brecht on Theatre, London: Methuen, 1964, p. 112.