References
- Abel, Richard (ed.) (2005), Encyclopaedia of Early Cinema, Abingdon: Routledge.
- Barr, Charles (2002), Writing Screen Plays. Stannard and Hitchcock. In Higson, pp. 227–241.
- Bordwell, David, Staiger, Janet and Thompson, Kristin (1985), The Classical Hollywood Cinema. Film style and mode of production to 1960. London, Routledge and Kegan Paul.
- Brewster, Ben and Jacobs, Lea (1997), Theatre to Cinema, Oxford, Oxford UP.
- Brunel, Adrian (192?) Script Value. The Importance of the Detailed Scenario. Typescript 2 pp. [Unpublished notes, British Film Institute National Library].
- Brunel, Adrian (1927), The Vortex. Comments on Initial Continuity. Typescript 5 pp. [Unpublished notes, British Film Institute National Library]
- Brunel, Adrian (1933), Filmcraft, London: Newnes.
- Burton, Alan and Porter, Laratne (2003), Scene-Stealing. Sources for British Cinema before 1930, Trowbridge, Wilts.: Flicks Books.
- Eaton, Michael (2003), Hitch and Strange, in Burton and Porter, (eds.), pp. 110–117.
- Elsaesser, Thomas and Barker, Adam (eds.) (1990), Early Cinema. Space, frame narrative, London: BFI.
- Emerson, John and Loos, Anita (1920), How to Write Photoplays, NY, James A. McCann.
- Fullerton, John (ed.) (1998), Celebrating 1895. The Centenary of Cinema, Sydney: John Libbey.
- Gunning, Tom (1990), The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde, in Elsaesser and Barker, pp. 56–62.
- Hawkins-Dady, Mark (ed.) (1994), International Dictionary of Theatre Vol 2: Playwrights, Chicago: St. James Press.
- Higson, Andrew, (ed.) (2002), Young and Innocent? The Cinema in Britain 1896–1930, Exeter: Exeter University Press.
- Jackson, Arrar (1929), Writing for the Screen, London: Black.
- Kember, Joe (2006), The Cinema of Affections: the Transformation of Authorship in British Cinema before 1907. Velvet Light Trap 57 Spring, pp. 3–16.
- Loughney, Patrick (1990), In the Beginning Was the Word: Six Pre-Griffith Motion Picture Scenarios, in Elsaesser and Barker (ed.), pp. 211–219.
- Macdonald, Ian W., (2005), Playwriting for the Pictures. 8th BFI/Broadway Cinema Silent Cinema Conference, Nottingham, 7th–10th April 2005. Conference Paper.
- McGilligan, Patrick (2003), Alfred Hitchcock: a Life in Darkness and Light, Regan Books.
- Morgan, Margery (1994), George Bernard Shaw, in Hawkins-Dady, pp. 881–883.
- Novello, Ivor (1927), [letter to Michael Balcon] typescript 2 pp.
- Olsson, Jan (1998), Magnified Discourse: Screenplays and Censorship in Swedish Cinema of the 1910s, in Fullerton (ed.), pp. 239–252.
- Pudovkin, VI. (1933 repr.1935), Film Technique, 2nd edn., London, Newnes.
- Raynauld, Isabelle (1997), Written Scenarios of Early French Cinema: Screenwriting Practices in the First Twenty Years, Film History 9, pp. 257–268.
- Raynauld, Isabelle (2005), Screenwriting, in Abel (ed.), pp. 576–579.
- Salt, Barry (1992), Film Style and Technology: History and Analysis. 2nd edn., London: Starword.
- Staiger, Janet (1985), The Hollywood Mode of Production to 1930, in Bordwell, Staiger and Thompson (eds.), pp. 85–153.
- Stannard, Eliot [1927] [letter to Adrian Brunel] MS. 3 pp.
- Thompson, Kristin (1985), The Formulation of the Classical Style 1909–28, in Bordwell et al. (ed.), pp. 155–240.
- Thompson, Kristin (1998). Narrative Structure in Early Classical Cinema, in Fullerton (ed.), pp. 225–238.
- Turvey, Gerald (2003), Enter the Intellectuals: Eliot Stannard, Harold Weston and the Discourse on Cinema and Art, in Burton and Porter (eds.), pp. 85–93.
Screenplays/scenarios
- NB: All scripts are held by the British Film Institute National Library, London.
- Anon (1912), The Motor Bandits [working title] Shooting script 8 pp. Typescript [NB film released as The Jewel Thieves Outwitted, 1913, Gifford 03743].
- Elliott, William J. (pre-1914?) The Darkest Hour. Scenario 8 pp. Typescript.
- Stannard, Eliot (1920), Torn Sails. Writers Draft [Format A]; [London, Ideal Films] pp. Typescript.
- Stannard, Eliot (1921), The Bachelors' Club. Writers Draft [Format A]; [London, Ideal Films], pp. Typescript.
- Stannard, Eliot (1921), The Bachelors' Club. Shooting script [Format D]; [London, Ideal Films], pp. Typescript.