Fractal art and postmodern society

REFERENCES

• Alexenberg, M. (2006), The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness, UK: Intellect Ltd.
   Google Scholar
• Amian, K. (ed.) (2008), Rethinking Postmodernism(s), Postmodern Studies 41, Amsterdam: Editions Rodopi.
   Google Scholar
• Batty, M. and Longley, P. (1994), Fractal Cities: A Geometry of Form and Function, USA: Academic Press Inc.
   Google Scholar
• Maltby, P. (2007), ‘Postmodernism in a Fundamentalist Arena’ in N. Brooks and J. Toth (eds), The Mourning After: Attending the Wake of Postmodernism, Postmodern Studies 40, Amsterdam: Rodopi, pp. 15–51.
   Google Scholar
• Brown, P. (1992), ‘Reality versus imagination’, in J. Grimes and G. Long (eds), Visual Proceedings: Siggraph 92, New York: ACM Press, pp. 42–46.
   Google Scholar
• Butler, C. (2002), Postmodernism: A Very Short Introduction, New York: Oxford University Press.
   Google Scholar
• Eagleton, T. (1996), The Illusions of Postmodernism, UK: Blackwell Publishing Ltd.
   Google Scholar
• Falconer, K. (2003), Fractal Geometry: Mathematical Foundations and Applications, 2nd ed., England: John Wiley & Sons Ltd.
   Google Scholar
• Gablik, S. (1991), The Reenchantment of Art, New York: Thames and Hudson.
   Google Scholar
• Garousi, M. (2012), ‘the Postmodern beauty of fractals’, Leonardo Journal, 45:1, February 2012 (forthcoming).
   Google Scholar
• Garousi, M. and Mansoor, S. M. (2009), ‘Aesthetics in creating fractal images’, in E. Akleman and N. Friedman (eds), 2009 Hyperseeing Proceedings, USA: Publication of ISAMA, pp. 121–27.
   Google Scholar
• Giroux, H. A. (1991), ‘Postmodernism as border pedagogy: Redefining the boundaries of race and ethnicity’, in H. A. Giroux (ed), Postmodernism, Feminism, and Cultural Politics: Redrawing Educational Boundaries, Albany: State University of New York Press, pp. 217–302.
   Google Scholar
• Goguen, J. A. (2000), ‘Editorial introduction to art and the brain’, Journal of Consciousness Studies, 7:8–9, Art and the Brain, Part II, pp. 7–15.
   Google Scholar
• Greenberg, I. (2007), Processing: Creative Coding and Computational Art, USA: friends of ED.
   Google Scholar
• James, I. (2007), Paul Virilio, Routledge Critical Thinkers, New York: Routledge.
   Google Scholar
• LaHaye, T. and Jenkins, J. B. (2000), Apollyon: The Destroyer is Unleashed, Left Behind No. 5, USA: Tyndale House Publishers Inc (reprint edition).
   Google Scholar
• Mandelbrot, B. B. (1982), The Fractal Geometry of Nature, New York: W. H. Freeman.
   Google Scholar
• Mouffe, C. (1988), ‘Radical democracy: Modern or postmodern?’, in A. Ross (ed.), Universal Abandon? The Politics of Postmodernism, Minneapolis: University of Minnesota Press, pp. 31–45.
   Google Scholar
• Rastogi, R. P. (2008), Introduction to Non-Equilibrium Physical Chemistry: Towards Complexity and Non-Linear Science, The Netherlands: Elsevier.
   Google Scholar
• Robins, K. (1996), Into the Image: Culture and Politics in the Field of Vision, USA: Routledge.
   Google Scholar
• Robinson, D. (2000), Nietzsche and Postmodernism (Postmodern Encounters), New York: Totem Books.
   Google Scholar
• Rodowick, D. N. (2001), Reading the Figural: Or Philosophy After the New Media, London: Duke University Press.
   Google Scholar
• Sorensen, V. (1987), ‘The contribution of the artist to scientific visualization. Delivered as a talk in 1987 at the Jet Propulsion Laboratory (Pasadena, California)’, http://www.visualmusic.org/text/scivi1.html (accessed on January 21, 2012)
   Google Scholar
• Taylor, R. (2006), ‘Personal reflections on Jackson Pollock's fractal paintings’, Hist. cienc. saude-Manguinhos, 13:1, pp. 109–23.
   Google Scholar
• Wilson, S. (2003), Information Arts: Intersections of Art, Science, and Technology, USA: MIT Press.
   Google Scholar
• Wollheim, R. (1980), Art and Its Objects, 2nd ed., Cambridge: Cambridge University Press.
   Google Scholar
• Wollheim, R. (1988), Painting as an Art, New Jersey: Princeton University Press.
   Google Scholar