215
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

‘The Return of the Real’: Art and Identity in Taiwan's Public sphere

“回归真实” 台湾公共领域中的 艺术与认同

Pages 157-172 | Published online: 03 Jan 2014

REFERENCES

  • Anderson, Benedict (1983), Imagined Communities: Reflections on the Origin and Spread of Nationalism, London: Verso.
  • Bishop, Claire (ed.) (2006), Participation, London and Cambridge, MA: Whitechapel Gallery and MIT Press.
  • Bourriaud, Nicolas (2002), Relational Aesthetics, Paris: Les Presses du Réel.
  • Chen, Amy (2010), ‘Return to society: The history and politics of art as social intervention — a. look at Taiwan's four phases of development since the fall of martial law’, Yishu: Journal of Contemporary Chinese Art, 9:28–39.
  • Chen, Hon-Yi (2007), ‘When community residents become artists: The discourse of im-position and dis-position’, in Mali Wu (ed.), Art in the Public Sphere: Working in Community, Taipei: Yuan-Liou Publishing, pp. 106–15.
  • de Domizio Durini, Lucrezia (1997), The Felt Hat, Joseph Beuys A Life Told, Milan: Charta.
  • Doherty, Claire (ed.) (2009), Situation, London and Cambridge MA: Whitechapel Gallery and MIT Press.
  • Foster, Hal (1993), The Return of the Real: The Avant-Garde at the End of the Century, Cambridge MA: MIT Press.
  • Hanish, Carol (1970), ‘The personal is political’, in Shulamith Firestone and Anne Koedt (eds), Notes From the Second Year: Women's Liberation, New York: New York Radical Women. pp. 76–78.
  • Huang, Hai-Ming (2006), Everyday Works of Art in the City Street, Taipei: National Taiwan Arts Education Center.
  • Huang, Hai-Ming (2007), ‘Another way of curating interdisciplinary art festival: The technique of collaboration between diverse artist communities and people’, in Mali Wu (ed.), Art in the Public Sphere: Working in Community, Taipei: Yuan-Liou Publishing. pp. 10–33.
  • Huang, Hai-Ming (2000), ‘Localisation, internationalisation, and art in Taiwan’, in Doug Boughton and Rachel Mason (eds), Beyond Multicultural Art Education: International Perspectives, New York: Waxmann. pp. 249–262.
  • Kaster, Grant (2004), Conversation Pieces, Berkeley, CA: University of California Press.
  • Lacy, Suzanne (ed.) (1995), Mapping the Terrain: New Genre Public Art, San Francisco: Bay Press.
  • Lacy, Suzanne (ed.) (2008), ‘Time on place: New genre public art a decade later’, in Cameron Cartiere and Shelly Willis (eds), The Practice of Public Art, London: Routledge. pp. 18–32.
  • Lee, Chun Hsien (2001), ‘Exhibition essays’, in Pingtong Cultural Bureau (ed.), Land Dialogue exhibition catalogue, Pingtong: Pingtong Cultural Bureau, pp. 15–40.
  • Lin, Hong Zhang (2006), Sinthome of Post-Contemporary Art: Writings on Locality, Taipei Art & Collection.
  • Lu, Pei Yi (2010), ‘Off-site art exhibitions as practice of “Taiwanization” in the 1990s’, Yishu: Journal of Contemporary Chinese Art, 9:13–27.
  • Mesch, Claudia and Michely, Viola (eds) (2007), Joseph Beuys: The Reader, London: I.B. Tauris.
  • Rendell, Jane (2008), ‘Space, place, and site in critical spatial arts practice’, in Cameron Cartiere and Shelly Willis (eds), The Practice of Public Art, London: Routledge. pp. 33–55.
  • Sheikh, Simon (2009), ‘In the place of public sphere? Or, the world in fragments’, in Claire Doherty (ed.), Situation, London and Cambridge, MA: Whitechapel Gallery and MIT Press, pp. 137–41.
  • Tsai, Hong-Ming (1996), ‘Patchwork memory — mending the pieces’, in Taipei Biennia: The Quest for Identity, !Taipei Fine Art Museum (ed.), Taipei: Taipei Fine Art Museum, pp. 22–43.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.